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The Mind and Its Education Author: George Herbert Betts part two(2)
Catagory:Education
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Posted Date:11/12/2024
Posted By:utopia online

CHAPTER IX IMAGINATION Everyone desires to have a good imagination, yet not all would agree as to what constitutes a good imagination. If I were to ask a group of you whether you have good imaginations, many of you would probably at once fall to considering whether you are capable of taking wild flights into impossible realms of thought and evolving unrealities out of airy nothings. You would compare yourself with great imaginative writers, such as Stevenson, Poe, De Quincey, and judge your power of imagination by your ability to produce such tales as made them famous. 1. THE PLACE OF IMAGINATION IN MENTAL ECONOMY But such a measure for the imagination as that just stated is far too narrow. A good imagination, like a good memory, is the one which serves its owner best. If DeQuincey and Poe and Stevenson and Bulwer found the type which led them into such dizzy flights the best for their particular purpose, well and good; but that is not saying that their type is the best for you, or that you may not rank as high in some other field of imaginative power as they in theirs. While you may lack in their particular type of imagination, they may have been short in the type which will one day make you famous. The artisan, the architect, the merchant, the artist,128 the farmer, the teacher, the professional man—all need imagination in their vocations not less than the writers need it in theirs, but each needs a specialized kind adapted to the particular work which he has to do. Practical Nature of Imagination.—Imagination is not a process of thought which must deal chiefly with unrealities and impossibilities, and which has for its chief end our amusement when we have nothing better to do than to follow its wanderings. It is, rather, a commonplace, necessary process which illumines the way for our everyday thinking and acting—a process without which we think and act by haphazard chance or blind imitation. It is the process by which the images from our past experiences are marshaled, and made to serve our present. Imagination looks into the future and constructs our patterns and lays our plans. It sets up our ideals and pictures us in the acts of achieving them. It enables us to live our joys and our sorrows, our victories and our defeats before we reach them. It looks into the past and allows us to live with the kings and seers of old, or it goes back to the beginning and we see things in the process of the making. It comes into our present and plays a part in every act from the simplest to the most complex. It is to the mental stream what the light is to the traveler who carries it as he passes through the darkness, while it casts its beams in all directions around him, lighting up what otherwise would be intolerable gloom. Imagination in the Interpretation of History, Literature, and Art.—Let us see some of the most common uses of the imagination. Suppose I describe to you the battle of the Marne. Unless you can take the images which my words suggest and build them into struggling, shouting, bleeding soldiers; into forts and entanglements and129 breastworks; into roaring cannon and whistling bullet and screaming shell—unless you can take all these separate images and out of them get one great unified complex, then my description will be to you only so many words largely without content, and you will lack the power to comprehend the historical event in any complete way. Unless you can read the poem, and out of the images suggested by the words reconstruct the picture which was in the mind of the author as he wrote "The Village Blacksmith" or "Snowbound," the significance will have dropped out, and the throbbing scenes of life and action become only so many dead words, like the shell of the chrysalis after the butterfly has left its shroud. Without the power of imagination, the history of Washington's winter at Valley Forge becomes a mere formal recital, and you can never get a view of the snow-covered tents, the wind-swept landscape, the tracks in the snow marked by the telltale drops of blood, or the form of the heartbroken commander as he kneels in the silent wood to pray for his army. Without the power to construct this picture as you read, you may commit the words, and be able to recite them, and to pass examination upon them, but the living reality of it will forever escape you. Your power of imagination determines your ability to interpret literature of all kinds; for the interpretation of literature is nothing, after all, but the reconstruction on our part of the pictures with their meanings which were in the mind of the writer as he penned the words, and the experiencing of the emotions which moved him as he wrote. Small use indeed to read the history of the centuries unless we can see in it living, acting people, and real events occurring in actual environments. Small use to read the world's great books unless their characters130 are to us real men and women—our brothers and sisters, interpreted to us by the master minds of the ages. Anything less than this, and we are no longer dealing with literature, but with words—like musical sounds which deal with no theme, or like picture frames in which no picture has been set. Nor is the case different in listening to a speaker. His words are to you only so many sensations of sounds of such and such pitches and intensities and quality, unless your mind keeps pace with his and continually builds the pictures which fill his thought as he speaks. Lacking imagination, the sculptures of Michael Angelo and the pictures of Raphael are to you so many pieces of curiously shaped marble and ingeniously colored canvas. What the sculptor and the painter have placed before you must suggest to you images and thoughts from your own experience, to fill out and make alive the marble and the canvas, else to you they are dead. Imagination and Science.—Nor is imagination less necessary in other lines of study. Without this power of building living, moving pictures out of images, there is small use to study science beyond what is immediately present to our senses; for some of the most fundamental laws of science rest upon conceptions which can be grasped only as we have the power of imagination. The student who cannot get a picture of the molecules of matter, infinitely close to each other and yet never touching, all in vibratory motion, yet each within its own orbit, each a complete unit in itself, yet capable of still further division into smaller particles,—the student who cannot see all this in a clear visual image can never at best have more than a most hazy notion of the theory of matter. And this means, finally, that the explanations of light and heat and sound, and much besides, will be131 to him largely a jumble of words which linger in his memory, perchance, but which never vitally become a possession of his mind. So with the world of the telescope. You may have at your disposal all the magnificent lenses and the accurate machinery owned by modern observatories; but if you have not within yourself the power to build what these reveal to you, and what the books tell you, into the solar system and still larger systems, you can never study astronomy except in a blind and piecemeal sort of way, and all the planets and satellites and suns will never for you form themselves into a system, no matter what the books may say about it. Everyday Uses of Imagination.—But we may consider a still more practical phase of imagination, or at least one which has more to do with the humdrum daily life of most of us. Suppose you go to your milliner and tell her how you want your spring hat shaped and trimmed. And suppose you have never been able to see this hat in toto in your mind, so as to get an idea of how it will look when completed, but have only a general notion, because you like red velvet, white plumes, and a turned-up rim, that this combination will look well together. Suppose you have never been able to see how you would look in this particular hat with your hair done in this or that way. If you are in this helpless state shall you not have to depend finally on the taste of the milliner, or accept the "model," and so fail to reveal any taste or individuality on your own part? How many times have you been disappointed in some article of dress, because when you planned it you were unable to see it all at once so as to get the full effect; or else you could not see yourself in it, and so be able to judge whether it suited you! How many homes have132 in them draperies and rugs and wall paper and furniture which are in constant quarrel because someone could not see before they were assembled that they were never intended to keep company! How many people who plan their own houses, would build them just the same again after seeing them completed? The man who can see a building complete before a brick has been laid or a timber put in place, who can see it not only in its details one by one as he runs them over in his mind, but can see the building in its entirety, is the only one who is safe to plan the structure. And this is the man who is drawing a large salary as an architect, for imaginations of this kind are in demand. Only the one who can see in his "mind's eye," before it is begun, the thing he would create, is capable to plan its construction. And who will say that ability to work with images of these kinds is not of just as high a type as that which results in the construction of plots upon which stories are built! The Building of Ideals and Plans.—Nor is the part of imagination less marked in the formation of our life's ideals and plans. Everyone who is not living blindly and aimlessly must have some ideal, some pattern, by which to square his life and guide his actions. At some time in our life I am sure that each of us has selected the person who filled most nearly our notion of what we should like to become, and measured ourselves by this pattern. But there comes a time when we must idealize even the most perfect individual; when we invest the character with attributes which we have selected from some other person, and thus worship at a shrine which is partly real and partly ideal. As time goes on, we drop out more and more of the strictly individual element, adding correspondingly more of the ideal, until our pattern is largely a construction133 of our own imagination, having in it the best we have been able to glean from the many characters we have known. How large a part these ever-changing ideals play in our lives we shall never know, but certainly the part is not an insignificant one. And happy the youth who is able to look into the future and see himself approximating some worthy ideal. He has caught a vision which will never allow him to lag or falter in the pursuit of the flying goal which points the direction of his efforts. Imagination and Conduct.—Another great field for imagination is with reference to conduct and our relations with others. Over and over again the thoughtless person has to say, "I am sorry; I did not think." The "did not think" simply means that he failed to realize through his imagination what would be the consequences of his rash or unkind words. He would not be unkind, but he did not imagine how the other would feel; he did not put himself in the other's place. Likewise with reference to the effects of our conduct on ourselves. What youth, taking his first drink of liquor, would continue if he could see a clear picture of himself in the gutter with bloated face and bloodshot eyes a decade hence? Or what boy, slyly smoking one of his early cigarettes, would proceed if he could see his haggard face and nerveless hand a few years farther along? What spendthrift would throw away his money on vanities could he vividly see himself in penury and want in old age? What prodigal anywhere who, if he could take a good look at himself sin-stained and broken as he returns to his "father's house" after the years of debauchery in the "far country" would not hesitate long before he entered upon his downward career? Imagination and Thinking.—We have already considered134 the use of imagination in interpreting the thoughts, feelings and handiwork of others. Let us now look a little more closely into the part it plays in our own thinking. Suppose that, instead of reading a poem, we are writing one; instead of listening to a description of a battle, we are describing it; instead of looking at the picture, we are painting it. Then our object is to make others who may read our language, or listen to our words, or view our handiwork, construct the mental images of the situation which furnished the material for our thought. Our words and other modes of expression are but the description of the flow of images in our minds, and our problem is to make a similar stream flow through the mind of the listener; but strange indeed would it be to make others see a situation which we ourselves cannot see; strange if we could draw a picture without being able to follow its outlines as we draw. Or suppose we are teaching science, and our object is to explain the composition of matter to someone, and make him understand how light, heat, etc., depend on the theory of matter; strange if the listener should get a picture if we ourselves are unable to get it. Or, once more, suppose we are to describe some incident, and our aim is to make its every detail stand out so clearly that no one can miss a single one. Is it not evident that we can never make any of these images more clear to those who listen to us or read our words than they are to ourselves? 2. THE MATERIAL USED BY IMAGINATION What is the material, the mental content, out of which imagination builds its structures? Images the Stuff of Imagination.—Nothing can enter135 the imagination the elements of which have not been in our past experience and then been conserved in the form of images. The Indians never dreamed of a heaven whose streets are paved with gold, and in whose center stands a great white throne. Their experience had given them no knowledge of these things; and so, perforce, they must build their heaven out of the images which they had at command, namely, those connected with the chase and the forest. So their heaven was the "happy hunting ground," inhabited by game and enemies over whom the blessed forever triumphed. Likewise the valiant soldiers whose deadly arrows and keen-edged swords and battle-axes won on the bloody field of Hastings, did not picture a far-off day when the opposing lines should kill each other with mighty engines hurling death from behind parapets a dozen miles away. Firearms and the explosive powder were yet unknown, hence there were no images out of which to build such a picture. I do not mean that your imagination cannot construct an object which has never before been in your experience as a whole, for the work of the imagination is to do precisely this thing. It takes the various images at its disposal and builds them into wholes which may never have existed before, and which may exist now only as a creation of the mind. And yet we have put into this new product not a single element which was not familiar to us in the form of an image of one kind or another. It is the form which is new; the material is old. This is exemplified every time an inventor takes the two fundamental parts of a machine, the lever and the inclined plane, and puts them together in relations new to each other and so evolves a machine whose complexity fairly bewilders us. And with other lines of thinking, as in mechanics, inventive power consists in being able to see136 the old in new relations, and so constantly build new constructions out of old material. It is this power which gives us the daring and original thinker, the Newton whose falling apple suggested to him the planets falling toward the sun in their orbits; the Darwin who out of the thigh bone of an animal was able to construct in his imagination the whole animal and the environment in which it must have lived, and so add another page to the earth's history. The Two Factors in Imagination.—From the simple facts which we have just been considering, the conclusion is plain that our power of imagination depends on two factors; namely, (1) the materials available in the form of usable images capable of recall, and (2) our constructive ability, or the power to group these images into new wholes, the process being guided by some purpose or end. Without this last provision, the products of our imagination are daydreams with their "castles in Spain," which may be pleasing and proper enough on occasions, but which as an habitual mode of thought are extremely dangerous. Imagination Limited by Stock of Images.—That the mind is limited in its imagination by its stock of images may be seen from a simple illustration: Suppose that you own a building made of brick, but that you find the old one no longer adequate for your needs, and so purpose to build a new one; and suppose, further, that you have no material for your new building except that contained in the old structure. It is evident that you will be limited in constructing your new building by the material which was in the old. You may be able to build the new structure in any one of a multitude of different forms or styles of architecture, so far as the material at hand will lend itself to that style of building,137 and providing, further, that you are able to make the plans. But you will always be limited finally by the character and amount of material obtainable from the old structure. So with the mind. The old building is your past experience, and the separate bricks are the images out of which you must build your new structure through the imagination. Here, as before, nothing can enter which was not already on hand. Nothing goes into the new structure so far as its constructive material is concerned except images, and there is nowhere to get images but from the results of our past experience. Limited Also by Our Constructive Ability.—But not only is our imaginative output limited by the amount of material in the way of images which we have at our command, but also and perhaps not less by our constructive ability. Many persons might own the old pile of bricks fully adequate for the new structure, and then fail to get the new because they were unable to construct it. So, many who have had a rich and varied experience in many lines are yet unable to muster their images of these experiences in such a way that new products are obtainable from them. These have the heavy, draft-horse kind of intellect which goes plodding on, very possibly doing good service in its own circumscribed range, but destined after all to service in the narrow field with its low, drooping horizon. They are never able to take a dash at a two-minute clip among equally swift competitors, or even swing at a good round pace along the pleasant highways of an experience lying beyond the confines of the narrow here and now. These are the minds which cannot discover relations; which cannot think. Minds of this type can never be architects of their own fate, or even builders, but must content themselves to be hod carriers.138 The Need of a Purpose.—Nor are we to forget that we cannot intelligently erect our building until we know the purpose for which it is to be used. No matter how much building material we may have on hand, nor how skillful an architect we may be, unless our plans are guided by some definite aim, we shall be likely to end with a structure that is fanciful and useless. Likewise with our thought structure. Unless our imagination is guided by some aim or purpose, we are in danger of drifting into mere daydreams which not only are useless in furnishing ideals for the guidance of our lives, but often become positively harmful when grown into a habit. The habit of daydreaming is hard to break, and, continuing, holds our thought in thrall and makes it unwilling to deal with the plain, homely things of everyday life. Who has not had the experience of an hour or a day spent in a fairyland of dreams, and awakened at the end to find himself rather dissatisfied with the prosaic round of duties which confronted him! I do not mean to say that we should never dream; but I know of no more pernicious mental habit than that of daydreaming carried to excess, for it ends in our following every will-o'-the-wisp of fancy, and places us at the mercy of every chance suggestion. 3. TYPES OF IMAGINATION Although imagination enters every field of human experience, and busies itself with every line of human interest, yet all its activities can be classed under two different types. These are (1) reproductive, and (2) creative imagination. Reproductive Imagination.—Reproductive imagination is the type we use when we seek to reproduce in our minds the pictures described by others, or pictures from139 our own past experience which lack the completeness and fidelity to make them true memory. The narration or description of the story book, the history or geography text; the tale of adventure recounted by traveler or hunter; the account of a new machine or other invention; fairy tales and myths—these or any other matter that may be put into words capable of suggesting images to us are the field for reproductive imagination. In this use of the imagination our business is to follow and not lead, to copy and not create. Creative Imagination.—But we must have leaders, originators—else we should but imitate each other and the world would be at a standstill. Indeed, every person, no matter how humble his station or how humdrum his life, should be in some degree capable of initiative and originality. Such ability depends in no small measure on the power to use creative imagination. Creative imagination takes the images from our own past experience or those gleaned from the work of others and puts them together in new and original forms. The inventor, the writer, the mechanic or the artist who possesses the spirit of creation is not satisfied with mere reproduction, but seeks to modify, to improve, to originate. True, many important inventions and discoveries have come by seeming accident, by being stumbled upon. Yet it holds that the person who thus stumbles upon the discovery or invention is usually one whose creative imagination is actively at work seeking to create or discover in his field. The world's progress as a whole does not come by accident, but by creative planning. Creative imagination is always found at the van of progress, whether in the life of an individual or a nation.140 4. TRAINING THE IMAGINATION Imagination is highly susceptible of cultivation, and its training should constitute one of the most important aims of education. Every school subject, but especially such subjects as deal with description and narration—history, literature, geography, nature study and science—is rich in opportunities for the use of imagination. Skillful teaching will not only find in these subjects a means of training the imagination, but will so employ imagination in their study as to make them living matter, throbbing with life and action, rather than so many dead words or uninteresting facts. Gathering of Material for Imagination.—Theoretically, then, it is not hard to see what we must do to cultivate our imagination. In the first place, we must take care to secure a large and usable stock of images from all fields of perception. It is not enough to have visual images alone or chiefly, for many a time shall we need to build structures involving all the other senses and the motor activities as well. This means that we must have a first-hand contact with just as large an environment as possible—large in the world of Nature with all her varied forms suited to appeal to every avenue of sense; large in our contact with people in all phases of experience, laughing with those who laugh and weeping with those who weep; large in contact with books, the interpreters of the men and events of the past. We must not only let all these kinds of environment drift in upon us as they may chance to do, but we must deliberately seek to increase our stock of experience; for, after all, experience lies at the bottom of imagination as of every other mental process. And not only must we thus put ourselves in the way of acquiring new experience,141 but we must by recall and reconstruction, as we saw in an earlier discussion, keep our imagery fresh and usable. For whatever serves to improve our images, at the same time is bettering the very foundation of imagination. We Must Not Fail to Build.—In the second place, we must not fail to build. For it is futile to gather a large supply of images if we let the material lie unused. How many people there are who put in all their time gathering material for their structure, and never take time to do the building! They look and listen and read, and are so fully occupied in absorbing the immediately present that they have no time to see the wider significance of the things with which they deal. They are like the students who are too busy studying to have time to think. They are so taken up with receiving that they never perform the higher act of combining. They are the plodding fact gatherers, many of them doing good service, collecting material which the seer and the philosopher, with their constructive power, build together into the greater wholes which make our systems of thought. They are the ones who fondly think that, by reading books full of wild tales and impossible plots, they are training their imagination. For them, sober history, no matter how heroic or tragic in its quiet movements, is too tame. They have not the patience to read solid and thoughtful literature, and works of science and philosophy are a bore. These are the persons who put in all their time in looking at and admiring other people's houses, and never get time to do any building for themselves. We Should Carry Our Ideals into Action.—The best training for the imagination which I know anything about is that to be obtained by taking our own material142 and from it building our own structure. It is true that it will help to look through other people's houses enough to discover their style of building: we should read. But just as it is not necessary for us to put in all the time we devote to looking at houses, in inspecting doll houses and Chinese pagodas, so it is not best for us to get all our notions of imaginative structures from the marvelous and the unreal; we get good training for the imagination from reading "Hiawatha," but so can we from reading the history of the primitive Indian tribes. The pictures in "Snowbound" are full of suggestion for the imagination: but so is the history of the Puritans in New England. But even with the best of models before us, it is not enough to follow others' building. We must construct stories for ourselves, must work out plots for our own stories; we must have time to meditate and plan and build, not idly in the daydream, but purposefully, and then make our images real by carrying them out in activity, if they are of such a character that this is possible; we must build our ideals and work to them in the common course of our everyday life; we must think for ourselves instead of forever following the thinking of others; we must initiate as well as imitate. 5. PROBLEMS FOR OBSERVATION AND INTROSPECTION 1. Explain the cause and the remedy in the case of such errors as the following: Children who defined mountain as land 1,000 or more feet in height said that the factory smokestack was higher than the mountain because it "went straight up" and the mountain did not. Children often think of the horizon as fastened to the earth. Islands are thought of as floating on the water. 143 2. How would you stimulate the imagination of a child who does not seem to picture or make real the descriptions in reading, geography, etc.? Is it possible that such inability may come from an insufficient basis in observation, and hence in images? 3. Classify the school subjects, including domestic science and manual training, as to their ability to train (1) reproductive and (2) creative imagination. 4. Do you ever skip the descriptive parts of a book and read the narrative? As you read the description of a bit of natural scenery, does it rise before you? As you study the description of a battle, can you see the movements of the troops? 5. Have you ever planned a house as you think you would like it? Can you see it from all sides? Can you see all the rooms in their various finishings and furnishings? 6. What plans and ideals have you formed, and what ones are you at present following? Can you describe the process by which your plans or ideals change? Do you ever try to put yourself in the other person's place? 7. Take some fanciful unreality which your imagination has constructed and see whether you can select from it familiar elements from actual experiences. 8. What use do you make of imagination in the common round of duties in your daily life? What are you doing to improve your imagination?144 CHAPTER X ASSOCIATION Whence came the thought that occupies you this moment, and what determines the next that is to follow? Introspection reveals no more interesting fact concerning our minds than that our thoughts move in a connected and orderly array and not in a hit-and-miss fashion. Our mental states do not throng the stream of consciousness like so many pieces of wood following each other at random down a rushing current, now this one ahead, now that. On the contrary, our thoughts come, one after the other, as they are beckoned or caused. The thought now in the focal point of your consciousness appeared because it sprouted out of the one just preceding it; and the present thought, before it departs, will determine its successor and lead it upon the scene. This is to say that our thought stream possesses not only a continuity, but also a unity; it has coherence and system. This coherence and system, which operates in accordance with definite laws, is brought about by what the psychologist calls association. 1. THE NATURE OF ASSOCIATION We may define association, then, as the tendency among our thoughts to form such a system of bonds with each other that the objects of consciousness are vitally connected both (1) as they exist at any given moment,145 and (2) as they occur in succession in the mental stream. The Neural Basis of Association.—The association of thoughts—ideas, images, memory—or of a situation with its response, rests primarily on a neural basis. Association is the result of habit working in neurone groups. Its fundamental law is stated by James as follows: "When two elementary brain-processes have been active together or in immediate succession, one of them, on recurring, tends to propagate its excitement into the other." This is but a technical statement of the simple fact that nerve currents flow most easily over the neurone connections that they have already used. It is hard to teach an old dog new tricks, because the old tricks employ familiar, much-used neural paths, while new tricks require the connecting up of groups of neurones not in the habit of working together; and the flow of nerve energy is more easily accomplished in the neurones accustomed to working together. One who learns to speak a foreign language late in life never attains the facility and ease that might have been reached at an earlier age. This is because the neural paths for speech are already set for his mother-tongue, and, with the lessened plasticity of age, the new paths are hard to establish. The connections between the various brain areas, or groups of neurones, are, as we have seen in an earlier chapter, accomplished by means of association fibers. This function requires millions of neurones, which unite every part of the cortex with every other part, thus making it possible for a neural activity going on in any particular center to extend to any other center whatsoever. In the relatively unripe brain of the child, the association fibers have not yet set up most of their connections.146 The age at which memory begins is determined chiefly by the development of a sufficient number of association fibers to bring about recall. The more complex reasoning, which requires many different associative connections, is impossible prior to the existence of adequate neural development. It is this fact that makes it futile to attempt to teach young children the more complicated processes of arithmetic, grammar, or other subjects. They are not yet equipped with the requisite brain machinery to grasp the necessary associations. Fig. 18.--Diagrammatic scheme of association, in which V stands for the visual, A for the auditory, G for the gustatory, M for the motor, and T for the thought and feeling centers of the cortex. Fig. 18.—Diagrammatic scheme of association, in which V stands for the visual, A for the auditory, G for the gustatory, M for the motor, and T for the thought and feeling centers of the cortex. Association the Basis of Memory.—Without the machinery and processes of association we could have no memory. Let us see in a simple illustration how association works in recall. Suppose you are passing an orchard and see a tree loaded with tempting apples. You hesitate, then climb the fence, pick an apple and eat it, hearing the owner's dog bark as you leave the place. The accompanying diagram will illustrate roughly the centers of the cortex which were involved in the act, and the association fibers which connect them. (See Fig.147 18.) Now let us see how you may afterward remember the circumstance through association. Let us suppose that a week later you are seated at your dining table, and that you begin to eat an apple whose flavor reminds you of the one which you plucked from the tree. From this start how may the entire circumstance be recalled? Remember that the cortical centers connected with the sight of the apple tree, with our thoughts about it, with our movements in getting the apple, and with hearing the dog bark, were all active together with the taste center, and hence tend to be thrown into activity again from its activity. It is easy to see that we may (1) get a visual image of the apple tree and its fruit from a current over the gustatory-visual association fibers; (2) the thoughts, emotions, or deliberations which we had on the former occasion may again recur to us from a current over the gustatory-thought neurones; (3) we may get an image of our movements in climbing the fence and picking the apple from a current over the gustatory-motor fibers; or (4) we may get an auditory image of the barking of the dog from a current over the gustatory-auditory fibers. Indeed, we are sure to get some one or more of these unless the paths are blocked in some way, or our attention leads off in some other direction. Factors Determining Direction of Recall.—Which of these we get first, which of the images the taste percept calls to take its place as it drops out of consciousness, will depend, other things being equal, on which center was most keenly active in the original situation, and is at the moment most permeable. If, at the time we were eating the stolen fruit, our thoughts were keenly self-accusing for taking the apples without permission, then the current will probably discharge148 through the path gustatory-thought, and we shall recall these thoughts and their accompanying feelings. But if it chances that the barking of the dog frightened us badly, then more likely the discharge from the taste center will be along the path gustatory-auditory, and we shall get the auditory image of the dog's barking, which in turn may call up a visual image of his savage appearance over the auditory-visual fibers. It is clear, however, that, given any one of the elements of the entire situation back, the rest are potentially possible to us, and any one may serve as a "cue" to call up all the rest. Whether, given the starting point, we get them all, depends solely on whether the paths are sufficiently open between them for the current to discharge between them, granting that the first experience made sufficient impression to be retained. Since this simple illustration may be made infinitely complex by means of the millions of fibers which connect every center in the cortex with every other center, and since, in passing from one experience to another in the round of our daily activities, these various areas are all involved in an endless chain of activities so intimately related that each one can finally lead to all the others, we have here the machinery both of retention and of recall—the mechanism by which our past may be made to serve the present through being reproduced in the form of memory images or ideas. Through this machinery we are unable to escape our past, whether it be good or bad; for both the good and the bad alike are brought back to us through its operations. When the repetition of a series of acts has rendered habit secure, the association is relatively certain. If I recite to you A-B-C-D, your thought at once runs on to E, F, G. If I repeat, "Tell me not in mournful numbers,"149 association leads you to follow with "Life is but an empty dream." Your neurone groups are accustomed to act in this way, so the sequence follows. Memorizing anything from the multiplication table to the most beautiful gems of poetic fervor consists, therefore, in the setting up of the right associative connections in the brain. Association in Thinking.—All thinking proceeds by the discovery or recognition of relations between the terms or objects of our thought. The science of mathematics rests on the relations found to exist between numbers and quantities. The principles and laws of natural science are based on the relations established among the different forms of matter and the energy that operates in this field. So also in the realm of history, art, ethics, or any other field of human experience. Each fact or event must be linked to other facts or events before it possesses significance. Association therefore lies at the foundation of all thinking, whether that of the original thinker who is creating our sciences, planning and executing the events of history, evolving a system of ethics, or whether one is only learning these fields as they already exist by means of study. Other things being equal, he is the best thinker who has his knowledge related part to part so that the whole forms a unified and usable system. Association and Action.—Association plays an equally important part in all our motor responses, the acts by which we carry on our daily lives, do our work and our play, or whatever else may be necessary in meeting and adapting ourselves to our environment. Some sensations are often repeated, and demand practically the same response each time. In such cases the associations soon become fixed, and the response certain and150 automatic. For example, we sit at the table, and the response of eating follows, with all its complex acts, as a matter of course. We lie down in bed, and the response of sleep comes. We take our place at the piano, and our fingers produce the accustomed music. It is of course obvious that the influence of association extends to moral action as well. In general, our conduct follows the trend of established associations. We are likely to do in great moral crises about as we are in the habit of doing in small ones. 2. THE TYPES OF ASSOCIATION Fundamental Law of Association.—Stated on the physiological side, the law of habit as set forth in the definition of association in the preceding section includes all the laws of association. In different phrasing we may say: (1) Neurone groups accustomed to acting together have the tendency to work in unison. (2) The more frequently such groups act together the stronger will be the tendency for one to throw the other into action. Also, (3) the more intense the excitement or tension under which they act together the stronger will be the tendency for activity in one to bring about activity in the other. The corresponding facts may be expressed in psychological terms as follows: (1) Facts accustomed to being associated together in the mind have a tendency to reappear together. (2) The more frequently these facts appear together the stronger the tendency for the presence of one to insure the presence of the other. (3) The greater the tension, excitement or concentration when these facts appear in conjunction with each151 other, the more certain the presence of one is to cause the presence of the other. Several different types of association have been differentiated by psychologists from Aristotle down. It is to be kept in mind, however, that all association types go back to the elementary law of habit-connections among the neurones for their explanation. Association by Contiguity.—The recurrence in our minds of many of the elements from our past experience is due to the fact that at some time, possibly at many times, the recurring facts were contiguous in consciousness with some other element or fact which happens now to be again present. All have had the experience of meeting some person whom we had not seen for several months or years, and having a whole series of supposedly forgotten incidents or events connected with our former associations flood into the mind. Things we did, topics we discussed, trips we took, games we played, now recur at the renewal of our acquaintance. For these are the things that were contiguous in our consciousness with our sense of the personality and appearance of our friend. And who has not in similar fashion had a whiff of perfume or the strains of a song recall to him his childhood days! Contiguity is again the explanation. At the Mercy of Our Associations.—Through the law thus operating we are in a sense at the mercy of our associations, which may be bad as well as good. We may form certain lines of interest to guide our thought, and attention may in some degree direct it, but one's mental make-up is, after all, largely dependent on the character of his associations. Evil thoughts, evil memories, evil imaginations—these all come about through the association of unworthy or impure images along with the good in our stream of thought. We may try152 to forget the base deed and banish it forever from our thinking, but lo! in an unguarded moment the nerve current shoots into the old path, and the impure thought flashes into the mind, unsought and unwelcomed. Every young man who thinks he must indulge in a little sowing of wild oats before he settles down to a correct life, and so deals in unworthy thoughts and deeds, is putting a mortgage on his future; for he will find the inexorable machinery of his nervous system grinding the hated images of such things back into his mind as surely as the mill returns to the sack of the miller what he feeds into the hopper. He may refuse to harbor these thoughts, but he can no more hinder their seeking admission to his mind than he can prevent the tramp from knocking at his door. He may drive such images from his mind the moment they are discovered, and indeed is guilty if he does not; but not taking offense at this rebuff, the unwelcome thought again seeks admission. The only protection against the return of the undesirable associations is to choose lines of thought as little related to them as possible. But even then, do the best we may, an occasional "connection" will be set up, we know not how, and the unwelcome image stands staring us in the face, as the corpse of Eugene Aram's victim confronted him at every turn, though he thought it safely buried. A minister of my acquaintance tells me that in the holiest moments of his most exalted thought, images rise in his mind which he loathes, and from which he recoils in horror. Not only does he drive them away at once, but he seeks to lock and bar the door against them by firmly resolving that he will never think of them again. But alas! that is beyond his control. The tares have been sown among the wheat, and will persist153 along with it until the end. In his boyhood these images were given into the keeping of his brain cells, and they are only being faithful to their trust. Association by Similarity and Contrast.—All are familiar with the fact that like tends to suggest like. One friend reminds us of another friend when he manifests similar traits of character, shows the same tricks of manner, or has the same peculiarities of speech or gesture. The telling of a ghost or burglar story in a company will at once suggest a similar story to every person of the group, and before we know it the conversation has settled down to ghosts or burglars. One boastful boy is enough to start the gang to recounting their real or imaginary exploits. Good and beautiful thoughts tend to call up other good and beautiful thoughts, while evil thoughts are likely to produce after their own kind; like produces like. Another form of relationship is, however, quite as common as similars in our thinking. In certain directions we naturally think in opposites. Black suggests white, good suggests bad, fat suggests lean, wealth suggests poverty, happiness suggests sorrow, and so on. The tendency of our thought thus to group in similars and opposites is clear when we go back to the fundamental law of association. The fact is that we more frequently assemble our thoughts in these ways than in haphazard relations. We habitually group similars together, or compare opposites in our thinking; hence these are the terms between which associative bonds are formed. Partial, or Selective, Association.—The past is never wholly reinstated in present consciousness. Many elements, because they had formed fewer associations, or because they find some obstacle to recall, are permanently154 dropped out and forgotten. In other words, association is always selective, favoring now this item of experience, now that, above the rest. It is well that this is so; for to be unable to escape from the great mass of minutiæ and unimportant detail in one's past would be intolerable, and would so cumber the mind with useless rubbish as to destroy its usefulness. We have surely all had some experience with the type of persons whose associations are so complete and impartial that all their conversation teems with unessential and irrelevant details. They cannot recount the simplest incident in its essential points but, slaves to literalness, make themselves insufferable bores by entering upon every lane and by-path of circumstance that leads nowhere and matters not the least in their story. Dickens, Thackeray, George Eliot, Shakespeare, and many other writers have seized upon such characters and made use of them for their comic effect. James, in illustrating this mental type, has quoted the following from Miss Austen's "Emma": "'But where could you hear it?' cried Miss Bates. 'Where could you possibly hear it, Mr. Knightley? For it is not five minutes since I received Mrs. Cole's note—no, it cannot be more than five—or at least ten—for I had got my bonnet and spencer on, just ready to come out—I was only gone down to speak to Patty again about the pork—Jane was standing in the passage—were not you, Jane?—for my mother was so afraid that we had not any salting-pan large enough. So I said I would go down and see, and Jane said: "Shall I go down instead? for I think you have a little cold, and Patty has been washing the kitchen." "Oh, my dear," said I—well, and just then came the note.'" The Remedy.—The remedy for such wearisome and155 fruitless methods of association is, as a matter of theory, simple and easy. It is to emphasize, intensify, and dwell upon the significant and essential in our thinking. The person who listens to a story, who studies a lesson, or who is a participant in any event must apply a sense of value, recognizing and fixing the important and relegating the trivial and unimportant to their proper level. Not to train one's self to think in this discriminating way is much like learning to play a piano by striking each key with equal force! 3. TRAINING IN ASSOCIATION Since association is at bottom nothing but habit at work in the mental processes, it follows that it, like other forms of habit, can be encouraged or suppressed by training. Certainly, no part of one's education is of greater importance than the character of his associations. For upon these will largely depend not alone the content of his mental stream, the stuff of his thinking, but also its organization, or the use made of the thought material at hand. In fact, the whole science of education rests on the laws and principles involved in setting up right systems of associative connections in the individual. The Pleasure-Pain Motive in Association.—A general law seems to obtain throughout the animal world that associative responses accompanied by pleasure tend to persist and grow stronger, while those accompanied by pain tend to weaken and fall away. The little child of two years may not understand the gravity of the offense in tearing the leaves out of books, but if its hands are sharply spatted whenever they tear a book, the association between the sight of books and tearing them will soon cease. In fact, all punishment should have for its156 object the use of pain in the breaking of associative bonds between certain situations and wrong responses to them. On the other hand, the dog that is being trained to perform his tricks is rewarded with a tidbit or a pat when the right response has been made. In this way the bond for this particular act is strengthened through the use of pleasure. All matter studied and learned under the stimulus of good feeling, enthusiasm, or a pleasurable sense of victory and achievement not only tends to set up more permanent and valuable associations than if learned under opposite conditions, but it also exerts a stronger appeal to our interest and appreciation. The influence of mental attitude on the matter we study raises a question as to the wisdom of assigning the committing of poetry, or Bible verses, or the reading of so many pages of a literary masterpiece as a punishment for some offense. How many of us have carried away associations of dislike and bitterness toward some gem of verse or prose or Scripture because of having our learning of it linked up with the thought of an imposed task set as penance for wrong-doing! One person tells me that to this day she hates the sight of Tennyson because this was the volume from which she was assigned many pages to commit in atonement for her youthful delinquencies. Interest as a Basis for Association.—Associations established under the stimulus of strong interest are relatively broad and permanent, while those formed with interest flagging are more narrow and of doubtful permanence. This statement is, of course, but a particular application of the law of attention. Interest brings the whole self into action. Under its urging the mind is active and alert. The new facts learned are completely157 registered, and are assimilated to other facts to which they are related. Many associative connections are formed, hence the new matter is more certain of recall, and possesses more significance and meaning. Association and Methods of Learning.—The number and quality of our associations depends in no small degree on our methods of learning. We may be satisfied merely to impress what we learn on our memory, committing it uncritically as so many facts to be stored away as a part of our education. We may go a step beyond this and grasp the simplest and most obvious meanings, but not seek for the deeper and more fundamental relations. We may learn separate sections or divisions of a subject, accepting each as a more or less complete unit, without connecting these sections and divisions into a logical whole. But all such methods are a mistake. They do not provide for the associative bonds between the various facts or groups of facts in our knowledge, without which our facts are in danger of becoming but so much lumber in the mind. Meanings, relations, definitely recognized associations, should attach to all that we learn. Better far a smaller amount of usable knowledge than any quantity of unorganized and undigested information, even if the latter sometimes allows us to pass examinations and receive honor grades. In short, real mastery demands that we think, that is relate and associate, instead of merely absorbing as we learn. 4. PROBLEMS IN OBSERVATION AND INTROSPECTION 1. Test the uncontrolled associations of a group of pupils by pronouncing to the class some word, as blue, and having the members write down 20 words in succession as rapidly as they can, taking in each instance the first word that occurs158 to them. The difference in the scope, or range, of associations, can easily be studied by applying this test to, say, a fourth grade and an eighth grade and then comparing results. 2. Have you ever been puzzled by the appearance in your mind of some fact or incident not thought of before for years? Were you able to trace out the associative connection that caused the fact to appear? Why are we sometimes unable to recall, when we need them, facts that we perfectly well know? 3. You have observed that it is possible to be able to spell certain words when they occur in a spelling lesson, but to miss them when employing them in composition. It is possible to learn a conjugation or a declension in tabular form, and then not be able to use the correct forms of words in speech or writing. Relate these facts to the laws of association, and recommend a method of instruction that will remove the discrepancy. 4. To test the quickness of association in a class of children, copy the following words clearly in a vertical column on a chart; have your class all ready at a given signal; then display the chart before them for sixty seconds, asking them to write down on paper the exact opposite of as many words as possible in one minute. Be sure that all know just what they are expected to do. Bad, inside, slow, short, little, soft, black, dark, sad, true, dislike, poor, well, sorry, thick, full, peace, few, below, enemy. Count the number of correct opposites got by each pupil. 5. Can you think of garrulous persons among your acquaintance the explanation of whose tiresomeness is that their association is of the complete instead of the selective type? Watch for such illustrations in conversation and in literature (e.g., Juliet's nurse). 6. Observe children in the schoolroom for good and poor training in association. Have you ever had anything that you otherwise presumably would enjoy rendered distasteful159 because of unpleasant associations? Pass your own methods of learning in review, and also inquire into the methods used by children in study, to determine whether they are resulting in the best possible use of association.160 CHAPTER XI MEMORY Every hour of our lives we call upon memory to supply us with some fact or detail from out our past. Let memory wholly fail us, and we find ourselves helpless and out of joint in a world we fail to understand. A poor memory handicaps one in the pursuit of education, hampers him in business or professional success, and puts him at a disadvantage in every relation of life. On the other hand, a good memory is an asset on which the owner realizes anew each succeeding day. 1. THE NATURE OF MEMORY Now that you come to think of it, you can recall perfectly well that Columbus discovered America in 1492; that your house is painted white; that it rained a week ago today. But where were these once-known facts, now remembered so easily, while they were out of your mind? Where did they stay while you were not thinking of them? The common answer is, "Stored away in my memory." Yet no one believes that the memory is a warehouse of facts which we pack away there when we for a time have no use for them, as we store away our old furniture. What is Retained.—The truth is that the simple question I asked you is by no means an easy one, and I will161 answer it myself by asking you an easier one: As we sit with the sunlight streaming into our room, where is the darkness which filled it last night? And where will all this light be at midnight tonight? Answer these questions, and the ones I asked about your remembered facts will be answered. While it is true that, regardless of the conditions in our little room, darkness still exists wherever there is no light, and light still exists wherever there is no darkness, yet for this particular room there is no darkness when the sun shines in, and there is no light when the room is filled with darkness. So in the case of a remembered fact. Although the fact that Columbus discovered America some four hundred years ago, that your house is of a white color, that it rained a week ago today, exists as a fact regardless of whether your minds think of these things at all, yet the truth remains as before: for the particular mind which remembers these things, the facts did not exist while they were out of the mind. It is not the remembered fact which is retained, but the power to reproduce the fact when we require it. The Physical Basis of Memory.—The power to reproduce a once-known fact depends ultimately on the brain. This is not hard to understand if we go back a little and consider that brain activity was concerned in every perception we have ever had, and in every fact we have ever known. Indeed, it was through a certain neural activity of the cortex that you were able originally to know that Columbus discovered America, that your house is white, and that it rained on a day in the past. Without this cortical activity, these facts would have existed just as truly, but you would never have known them. Without this neural activity in the brain there is no consciousness, and to it we must look for the recurrence162 in consciousness of remembered facts, as well as for those which appear for the first time. How We Remember.—Now, if we are to have a once-known fact repeated in consciousness, or in other words remembered, what we must do on the physiological side is to provide for a repetition of the neural activity which was at first responsible for the fact's appearing in consciousness. The mental accompaniment of the repeated activity is the memory. Thus, as memory is the approximate repetition of once-experienced mental states or facts, together with the recognition of their belonging to our past, so it is accomplished by an approximate repetition of the once-performed neural process in the cortex which originally accompanied these states or facts. The part played by the brain in memory makes it easy to understand why we find it so impossible to memorize or to recall when the brain is fatigued from long hours of work or lack of sleep. It also explains the derangement in memory that often comes from an injury to the brain, or from the toxins of alcohol, drugs or disease. Dependence of Memory on Brain Quality.—Differences in memory ability, while depending in part on the training memory receives, rest ultimately on the memory-quality of the brain. James tells us that four distinct types of brains may be distinguished, and he describes them as follows: Brains that are: (1) Like marble to receive and like marble to retain. (2) Like wax to receive and like wax to retain. (3) Like marble to receive and like wax to retain. (4) Like wax to receive and like marble to retain. The first type gives us those who memorize slowly and with much heroic effort, but who keep well what they163 have committed. The second type represents the ones who learn in a flash, who can cram up a lesson in a few minutes, but who forget as easily and as quickly as they learn. The third type characterizes the unfortunates who must labor hard and long for what they memorize, only to see it quickly slipping from their grasp. The fourth type is a rare boon to its possessor, enabling him easily to stock his memory with valuable material, which is readily available to him upon demand. The particular type of brain we possess is given us through heredity, and we can do little or nothing to change the type. Whatever our type of brain, however, we can do much to improve our memory by obeying the laws upon which all good memory depends. 2. THE FOUR FACTORS INVOLVED IN MEMORY Nothing is more obvious than that memory cannot return to us what has never been given into its keeping, what has not been retained, or what for any reason cannot be recalled. Further, if the facts given back by memory are not recognized as belonging to our past, memory would be incomplete. Memory, therefore, involves the following four factors: (1) registration, (2) retention, (3) recall, (4) recognition. Registration.—By registration we mean the learning or committing of the matter to be remembered. On the brain side this involves producing in the appropriate neurones the activities which, when repeated again later, cause the fact to be recalled. It is this process that constitutes what we call "impressing the facts upon the brain." Nothing is more fatal to good memory than partial or faulty registration. A thing but half learned is sure164 to be forgotten. We often stop in the mastery of a lesson just short of the full impression needed for permanent retention and sure recall. We sometimes say to our teachers, "I cannot remember," when, as a matter of fact, we have never learned the thing we seek to recall. Retention.—Retention, as we have already seen, resides primarily in the brain. It is accomplished through the law of habit working in the neurones of the cortex. Here, as elsewhere, habit makes an activity once performed more easy of performance each succeeding time. Through this law a neural activity once performed tends to be repeated; or, in other words, a fact once known in consciousness tends to be remembered. That so large a part of our past is lost in oblivion, and out of the reach of our memory, is probably much more largely due to a failure to recall than to retain. We say that we have forgotten a fact or a name which we cannot recall, try as hard as we may; yet surely all have had the experience of a long-striven-for fact suddenly appearing in our memory when we had given it up and no longer had use for it. It was retained all the time, else it never could have come back at all. An aged man of my acquaintance lay on his deathbed. In his childhood he had first learned to speak German; but, moving with his family when he was eight or nine years of age to an English-speaking community, he had lost his ability to speak German, and had been unable for a third of a century to carry on a conversation in his mother tongue. Yet during the last days of his sickness he lost almost wholly the power to use the English language, and spoke fluently in German. During all these years his brain paths had retained the power to reproduce the forgotten words, even165 though for so long a time the words could not be recalled. James quotes a still more striking case of an aged woman who was seized with a fever and, during her delirious ravings, was heard talking in Latin, Hebrew and Greek. She herself could neither read nor write, and the priests said she was possessed of a devil. But a physician unraveled the mystery. When the girl was nine years of age, a pastor, who was a noted scholar, had taken her into his home as a servant, and she had remained there until his death. During this time she had daily heard him read aloud from his books in these languages. Her brain had indelibly retained the record made upon it, although for years she could not have recalled a sentence, if, indeed, she had ever been able to do so. Recall.—Recall depends entirely on association. There is no way to arrive at a certain fact or name that is eluding us except by means of some other facts, names, or what-not so related to the missing term as to be able to bring it into the fold. Memory arrives at any desired fact only over a bridge of associations. It therefore follows that the more associations set up between the fact to be remembered and related facts already in the mind, the more certain the recall. Historical dates and events should when learned be associated with important central dates and events to which they naturally attach. Geographical names, places or other information should be connected with related material already in the mind. Scientific knowledge should form a coherent and related whole. In short, everything that is given over to the memory for its keeping should be linked as closely as possible to material of the same sort. This is all to say that we should not expect our memory to retain and reproduce isolated, unrelated facts, but should give166 it the advantage of as many logical and well grounded associations as possible. Recognition.—A fact reproduced by memory but not recognized as belonging to our past experience would impress us as a new fact. This would mean that memory would fail to link the present to the past. Often we are puzzled to know whether we have before met a certain person, or on a former occasion told a certain story, or previously experienced a certain present state of mind which seems half familiar. Such baffling mental states are usually but instances of partial and incomplete recognition. Recognition no longer applies to much of our knowledge; for example, we say we remember that four times six is twenty-four, but probably none of us can recall when and where we learned this fact—we cannot recognize it as belonging to our past experience. So with ten thousand other things, which we know rather than remember in the strict sense. 3. THE STUFF OF MEMORY What are the forms in which memory presents the past to us? What are the elements with which it deals? What is the stuff of which it consists? Images as the Material of Memory.—In the light of our discussion upon mental imagery, and with the aid of a little introspection, the answer is easy. I ask you to remember your home, and at once a visual image of the familiar house, with its well-known rooms and their characteristic furnishings, comes to your mind. I ask you to remember the last concert you attended, or the chorus of birds you heard recently in the woods; and there comes a flood of images, partly visual, but largely auditory, from the melodies you heard. Or I ask you167 to remember the feast of which you partook yesterday, and gustatory and olfactory images are prominent among the others which appear. And so I might keep on until I had covered the whole range of your memory; and, whether I ask you for the simple trivial experiences of your past, for the tragic or crucial experiences, or for the most abstruse and abstract facts which you know and can recall, the case is the same: much of what memory presents to you comes in the form of images or of ideas of your past. Images Vary as to Type.—We do not all remember what we call the same fact in like images or ideas. When you remembered that Columbus discovered America in 1492, some of you had an image of Columbus the mariner standing on the deck of his ship, as the old picture shows him; and accompanying this image was an idea of "long agoness." Others, in recalling the same fact, had an image of the coast on which he landed, and perchance felt the rocking of the boat and heard it scraping on the sand as it neared the shore. And still others saw on the printed page the words stating that Columbus discovered America in 1492. And so in an infinite variety of images or ideas we may remember what we call the same fact, though of course the fact is not really the same fact to any two of us, nor to any one of us when it comes to us on different occasions in different images. Other Memory Material.—But sensory images are not the only material with which memory has to deal. We may also recall the bare fact that it rained a week ago today without having images of the rain. We may recall that Columbus discovered America in 1492 without visual or other images of the event. As a matter of fact we do constantly recall many facts of abstract nature, such as mathematical or scientific formulæ with no168 imagery other than that of the words or symbols, if indeed these be present. Memory may therefore use as its stuff not only images, but also a wide range of facts, ideas and meanings of all sorts. 4. LAWS UNDERLYING MEMORY The development of a good memory depends in no small degree on the closeness with which we follow certain well-demonstrated laws. The Law of Association.—The law of association, as we have already seen, is fundamental. Upon it the whole structure of memory depends. Stating this law in neural terms we may say: Brain areas which are active together at the same time tend to establish associative paths, so that when one of them is again active the other is also brought into activity. Expressing the same truth in mental terms: If two facts or experiences occur together in consciousness, and one of them is later recalled, it tends to cause the other to appear also. The Law of Repetition.—The law of repetition is but a restatement of the law of habit, and may be formulated as follows: The more frequently a certain cortical activity occurs, the more easily is its repetition brought about. Stating this law in mental terms we may say: The more often a fact is recalled in consciousness the easier and more certain the recall becomes. It is upon the law of repetition that reviews and drills to fix things in the memory are based. The Law of Recency.—We may state the law of recency in physiological terms as follows: The more recently brain centers have been employed in a certain activity, the more easily are they thrown into the same activity. This, on the mental side, means: The more recently169 any facts have been present in consciousness the more easily are they recalled. It is in obedience to this law that we want to rehearse a difficult lesson just before the recitation hour, or cram immediately before an examination. The working of this law also explains the tendency of all memories to fade out as the years pass by. The Law of Vividness.—The law of vividness is of primary importance in memorizing. On the physical side it may be expressed as follows: The higher the tension or the more intense the activity of neural centers the more easily the activity is repeated. The counterpart of this law in mental terms is: The higher the degree of attention or concentration when the fact is registered the more certain it is of recall. Better far one impression of a high degree of vividness than several repetitions with the attention wandering or the brain too fatigued to respond. Not drill alone, but drill with concentration, is necessary to sure memory,—in proof of which witness the futile results on the part of the small boy who "studies his spelling lesson over fifteen times," the while he is at the same time counting his marbles. 5. RULES FOR USING THE MEMORY Much careful and fruitful experimentation in the field of memory has taken place in recent years. The scientists are now able to give us certain simple rules which we can employ in using our memories, even if we lack the time or opportunity to follow all their technical discussions. Wholes Versus Parts.—Probably most people in setting to work to commit to memory a poem, oration, or other such material, have a tendency to learn it first by stanzas or sections and then put the parts together to form the170 whole. Many tests, however, have shown this to be a less effective method than to go over the whole poem or oration time after time, finally giving special attention to any particularly difficult places. The only exception to this rule would seem to be in the case of very long productions, which may be broken up into sections of reasonable length. The method of committing by wholes instead of parts not only economizes time and effort in the learning, but also gives a better sense of unity and meaning to the matter memorized. Rate of Forgetting.—The rate of forgetting is found to be very much more rapid immediately following the learning than after a longer time has elapsed. This is to say that of what one is going to forget of matter committed to memory approximately one-half will fall away within the first twenty-four hours and three-fourths within the first three days. Since it is always economy to fix afresh matter that is fading out before it has been wholly forgotten, it will manifestly pay to review important memory material within the first day or two after it has once been memorized. Divided Practice.—If to commit a certain piece of material we must go over it, say, ten different times, the results are found to be much better when the entire number of repetitions are not had in immediate succession, but with reasonable intervals between. This is due, no doubt, to the well-known fact that associations tend to take form and grow more secure even after we have ceased to think specifically of the matter in hand. The intervals allow time for the associations to form their connections. It is in this sense that James says we "learn to swim during the winter and to skate during the summer." Forcing the Memory to Act.—In committing matter by171 reading it, the memory should be forced into activity just as fast as it is able to carry part of the material. If, after reading a poem over once, parts of it can be repeated without reference to the text, the memory should be compelled to reproduce these parts. So with all other material. Re-reading should be applied only at such points as the memory has not yet grasped. Not a Memory, But Memories.—Professor James has emphasized the fact, which has often been demonstrated by experimental tests, that we do not possess a memory, but a collection of memories. Our memory may be very good in one line and poor in another. Nor can we "train our memory" in the sense of practicing it in one line and having the improvement extend equally to other lines. Committing poetry may have little or no effect in strengthening the memory for historical or scientific data. In general, the memory must be trained in the specific lines in which it is to excel. General training will not serve except as it may lead to better modes of learning what is to be memorized. 6. WHAT CONSTITUTES A GOOD MEMORY Let us next inquire what are the qualities which enter into what we call a good memory. The merchant or politician will say, "Ability to remember well people's faces and names"; the teacher of history, "The ability to recall readily dates and events"; the teacher of mathematics, "The power to recall mathematical formulæ"; the hotel waiter, "The ability to keep in mind half-a-dozen orders at a time"; the manager of a corporation, "The ability to recall all the necessary details connected with the running of the concern." While these answers are very divergent, yet they may all be true for the particular172 person testifying; for out of them all there emerges this common truth, that the best memory is the one which best serves its possessor. That is, one's memory not only must be ready and exact, but must produce the right kind of material; it must bring to us what we need in our thinking. A very easy corollary at once grows out of this fact; namely, that in order to have the memory return to us the right kind of matter, we must store it with the right kind of images and ideas, for the memory cannot give back to us anything which we have not first given into its keeping. A Good Memory Selects Its Material.—The best memory is not necessarily the one which impartially repeats the largest number of facts of past experience. Everyone has many experiences which he never needs to have reproduced in memory; useful enough they may have been at the time, but wholly useless and irrelevant later. They have served their purpose, and should henceforth slumber in oblivion. They would be but so much rubbish and lumber if they could be recalled. Everyone has surely met that particular type of bore whose memory is so faithful to details that no incident in the story he tells, no matter however trivial, is ever omitted in the recounting. His associations work in such a tireless round of minute succession, without ever being able to take a jump or a short cut, that he is powerless to separate the wheat from the chaff; so he dumps the whole indiscriminate mass into our long-suffering ears. Dr. Carpenter tells of a member of Parliament who could repeat long legal documents and acts of Parliament after one reading. When he was congratulated on his remarkable gift, he replied that, instead of being an advantage to him, it was often a source of great inconvenience, because when he wished to recollect anything173 in a document he had read, he could do it only by repeating the whole from the beginning up to the point which he wished to recall. Maudsley says that the kind of memory which enables a person "to read a photographic copy of former impressions with his mind's eye is not, indeed, commonly associated with high intellectual power," and gives as a reason that such a mind is hindered by the very wealth of material furnished by the memory from discerning the relations between separate facts upon which judgment and reasoning depend. It is likewise a common source of surprise among teachers that many of the pupils who could outstrip their classmates in learning and memory do not turn out to be able men. But this, says Whately, "is as reasonable as to wonder that a cistern if filled should not be a perpetual fountain." It is possible for one to be so lost in a tangle of trees that he cannot see the woods. A Good Memory Requires Good Thinking.—It is not, then, mere re-presentation of facts that constitutes a good memory. The pupil who can reproduce a history lesson by the page has not necessarily as good a memory as the one who remembers fewer facts, but sees the relations between those remembered, and hence is able to choose what he will remember. Memory must be discriminative. It must fasten on that which is important and keep that for us. Therefore we can agree that "the art of remembering is the art of thinking." Discrimination must select the important out of our mental stream, and these images must be associated with as many others as possible which are already well fixed in memory, and hence are sure of recall when needed. In this way the old will always serve as a cue to call up the new. Memory Must Be Specialized.—And not only must memory,174 if it is to be a good memory, omit the generally worthless, or trivial, or irrelevant, and supply the generally useful, significant, and relevant, but it must in some degree be a specialized memory. It must minister to the particular needs and requirements of its owner. Small consolation to you if you are a Latin teacher, and are able to call up the binomial theorem or the date of the fall of Constantinople when you are in dire need of a conjugation or a declension which eludes you. It is much better for the merchant and politician to have a good memory for names and faces than to be able to repeat the succession of English monarchs from Alfred the Great to Edward VII and not be able to tell John Smith from Tom Brown. It is much more desirable for the lawyer to be able to remember the necessary details of his case than to be able to recall all the various athletic records of the year; and so on. In order to be a good memory for us, our memory must be faithful in dealing with the material which constitutes the needs of our vocations. Our memory may, and should, bring to us many things outside of our immediate vocations, else our lives will be narrow; but its chief concern and most accurate work must be along the path of our everyday requirements at its hands. And this works out well in connection with the physiological laws which were stated a little while since, providing that our vocations are along the line of our interests. For the things with which we work daily, and in which we are interested, will be often thought of together, and hence will become well associated. They will be frequently recalled, and hence more easily remembered; they will be vividly experienced as the inevitable result of interest, and this goes far to insure recall.175 7. MEMORY DEVICES Many devices have been invented for training or using the memory, and not a few worthless "systems" have been imposed by conscienceless fakers upon uninformed people. All memorizing finally must go back to the fundamental laws of brain activity and the rules growing out of these laws. There is no "royal road" to a good memory. The Effects of Cramming.—Not a few students depend on cramming for much of their learning. If this method of study would yield as valuable permanent results, it would be by far the most sensible and economical method to use; for under the stress of necessity we often are able to accomplish results much faster than when no pressure is resting upon us. The difficulty is, however, that the results are not permanent; the facts learned do not have time to seek out and link themselves to well-established associates; learned in an hour, their retention is as ephemeral as the application which gave them to us. Facts which are needed but temporarily and which cannot become a part of our body of permanent knowledge may profitably be learned by cramming. The lawyer needs many details for the case he is trying, which not only are valueless to him as soon as the case is decided, but would positively be in his way. He may profitably cram such facts. But those facts which are to become a permanent part of his mental equipment, such as the fundamental principles of law, he cannot cram. These he must have in a logical chain which will not leave their recall dependent upon a chance cue. Crammed facts may serve us during a recitation or an examination, but they never really become a part of us. Nothing can take the place of the logical placing of facts176 if they are to be remembered with facility, and be usable in thinking when recalled. Remembering Isolated Facts.—But after all this is taken into consideration there still remain a large number of facts which refuse to fit into any connected or logical system. Or, if they do belong with some system, their connection is not very close, and we have more need for the few individual facts than for the system as a whole. Hence we must have some means of remembering such facts other than by connecting them with their logical associations. Such facts as may be typified by the multiplication table, certain dates, events, names, numbers, errands, and engagements of various kinds—all these need to be remembered accurately and quickly when the occasion for them arises. We must be able to recall them with facility, so that the occasion will not have passed by before we can secure them and we have failed to do our part because of the lapse. With facts of this type the means of securing a good memory are the same as in the case of logical memory, except that we must of necessity forego the linking to naturally related associates. We can, however, take advantage of the three laws which have been given. If these methods are used faithfully, then we have done what we can in the way of insuring the recall of facts of this type, unless we associate them with some artificial cue, such as tying a thread around our finger to remember an errand, or learning the multiplication table by singing it. We are not to be too ready to excuse ourselves, however, if we have forgotten to mail the letter or deliver the message; for our attention may have been very lax when we recorded the direction in the first place, and we may never have taken the trouble to think of the matter between the time it was given177 into our keeping and the time we were to perform the errand. Mnemonic Devices.—Many ingenious devices have been invented to assist the memory. No doubt each one of you has some way of your own of remembering certain things committed to you, or some much-needed fact which has a tendency to elude you. You may not tie the traditional string around your finger or place your watch in the wrong pocket; but if not, you have invented some method which suits your convenience better. While many books have been written, and many lectures given exploiting mnemonic systems, they are, however, all founded upon the same general principle: namely, that of association of ideas in the mind. They all make use of the same basis for memory that any of us use every time we remember anything, from the commonest event which occurred last hour to the most abstruse bit of philosophy which we may have in our minds. They all tie the fact to be remembered to some other fact which is sure of recall, and then trust the old fact to bring the new along with it when it again comes into the mind. Artificial devices may be permissible in remembering the class of facts which have no logical associates in which we can relate them; but even then I cannot help feeling that if we should use the same care and ingenuity in carefully recording the seemingly unrelated facts that we do in working out the device and making the association in it, we should discover hidden relations for most of the facts we wish to remember, and we should be able to insure their recall as certainly and in a better way than through the device. Then, also, we should not be in danger of handing over to the device various facts for which we should discover relations, thus178 placing them in the logical body of our usable knowledge where they belong. 8. PROBLEMS IN OBSERVATION AND INTROSPECTION 1. Carefully consider your own powers of memory and see whether you can decide which of the four types of brain you have. Apply similar tests to your classmates or a group of school children whom you have a chance to observe. Be sure to take into account the effects of past training or habits of memory. 2. Watch in your own memorizing and also that of school children for failures in recall caused by lack of proper associations. Why is it particularly hard to commit what one does not understand? 3. Observe a class in a recitation or an examination and seek to discover whether any defects of memory revealed are to be explained by lack of (1) repetition, (2) recency, (3) vividness in learning. 4. Make a study of your own class and also of a group of children in school to discover their methods of memorizing. Have in mind the rules for memorizing given in section 5 of this chapter. 5. Observe by introspection your method of recall of historical events you have studied, and note whether images form an important part of your memory material; or does your recall consist chiefly of bare facts? In how far does this depend on your method of learning the facts in the first place? 6. Carefully consider your experience from cramming your lessons. Does the material learned in this way stay with you? Do you understand it and find yourself able to use it as well as stuff learned during a longer interval and with more time for associations to form?


Type:Science
👁 :2
The Mind and Its Education Author: George Herbert Betts
Catagory:Education
Author:
Posted Date:11/12/2024
Posted By:utopia online

CHAPTER I THE MIND, OR CONSCIOUSNESS We are to study the mind and its education; but how? It is easy to understand how we may investigate the great world of material things about us; for we can see it, touch it, weigh it, or measure it. But how are we to discover the nature of the mind, or come to know the processes by which consciousness works? For mind is intangible; we cannot see it, feel it, taste it, or handle it. Mind belongs not to the realm of matter which is known to the senses, but to the realm of spirit, which the senses can never grasp. And yet the mind can be known and studied as truly and as scientifically as can the world of matter. Let us first of all see how this can be done. 1. HOW MIND IS TO BE KNOWN The Personal Character of Consciousness.—Mind can be observed and known. But each one can know directly only his own mind, and not another's. You and I may look into each other's face and there guess the meaning that lies back of the smile or frown or flash of the2 eye, and so read something of the mind's activity. But neither directly meets the other's mind. I may learn to recognize your features, know your voice, respond to the clasp of your hand; but the mind, the consciousness, which does your thinking and feels your joys and sorrows, I can never know completely. Indeed I can never know your mind at all except through your bodily acts and expressions. Nor is there any way in which you can reveal your mind, your spiritual self, to me except through these means. It follows therefore that only you can ever know you and only I can ever know I in any first-hand and immediate way. Between your consciousness and mine there exists a wide gap that cannot be bridged. Each of us lives apart. We are like ships that pass and hail each other in passing but do not touch. We may work together, live together, come to love or hate each other, and yet our inmost selves forever stand alone. They must live their own lives, think their own thoughts, and arrive at their own destiny. Introspection the Only Means of Discovering Nature of Consciousness.—What, then, is mind? What is the thing that we call consciousness? No mere definition can ever make it clearer than it is at this moment to each of us. The only way to know what mind is, is to look in upon our own consciousness and observe what is transpiring there. In the language of the psychologist, we must introspect. For one can never come to understand the nature of mind and its laws of working by listening to lectures or reading text books alone. There is no psychology in the text, but only in your living, flowing stream of thought and mine. True, the lecture and the book may tell us what to look for when we introspect, and how to understand what we find. But the statements3 and descriptions about our minds must be verified by our own observation and experience before they become vital truth to us. How We Introspect.—Introspection is something of an art; it has to be learned. Some master it easily, some with more difficulty, and some, it is to be feared, never become skilled in its use. In order to introspect one must catch himself unawares, so to speak, in the very act of thinking, remembering, deciding, loving, hating, and all the rest. These fleeting phases of consciousness are ever on the wing; they never pause in their restless flight and we must catch them as they go. This is not so easy as it appears; for the moment we turn to look in upon the mind, that moment consciousness changes. The thing we meant to examine is gone, and something else has taken its place. All that is left us then is to view the mental object while it is still fresh in the memory, or to catch it again when it returns. Studying Mental States of Others through Expression.—Although I can meet only my own mind face to face, I am, nevertheless, under the necessity of judging your mental states and knowing what is taking place in your consciousness. For in order to work successfully with you, in order to teach you, understand you, control you or obey you, be your friend or enemy, or associate with you in any other way, I must know you. But the real you that I must know is hidden behind the physical mask that we call the body. I must, therefore, be able to understand your states of consciousness as they are reflected in your bodily expressions. Your face, form, gesture, speech, the tone of voice, laughter and tears, the poise of attention, the droop of grief, the tenseness of anger and start of fear,—all these tell the story of the mental state that lies behind the senses.4 These various expressions are the pictures on the screen by which your mind reveals itself to others; they are the language by which the inner self speaks to the world without. Learning to Interpret Expression.—If I would understand the workings of your mind I must therefore learn to read the language of physical expression. I must study human nature and learn to observe others. I must apply the information found in the texts to an interpretation of those about me. This study of others may be uncritical, as in the mere intelligent observation of those I meet; or it may be scientific, as when I conduct carefully planned psychological experiments. But in either case it consists in judging the inner states of consciousness by their physical manifestations. The three methods by which mind may be studied are, then: (1) text-book description and explanation; (2) introspection of my own conscious processes; and (3) observation of others, either uncritical or scientific. 2. THE NATURE OF CONSCIOUSNESS Inner Nature of the Mind Not Revealed by Introspection.—We are not to be too greatly discouraged if, even by introspection, we cannot discover exactly what the mind is. No one knows what electricity is, though nearly everyone uses it in one form or another. We study the dynamo, the motor, and the conductors through which electricity manifests itself. We observe its effects in light, heat, and mechanical power, and so learn the laws which govern its operations. But we are almost as far from understanding its true nature as were the ancients who knew nothing of its uses. The dynamo does not create the electricity, but only furnishes the5 conditions which make it possible for electricity to manifest itself in doing the world's work. Likewise the brain or nervous system does not create the mind, but it furnishes the machine through which the mind works. We may study the nervous system and learn something of the conditions and limitations under which the mind operates, but this is not studying the mind itself. As in the case of electricity, what we know about the mind we must learn through the activities in which it manifests itself—these we can know, for they are in the experience of all. It is, then, only by studying these processes of consciousness that we come to know the laws which govern the mind and its development. What it is that thinks and feels and wills in us is too hard a problem for us here—indeed, has been too hard a problem for the philosophers through the ages. But the thinking and feeling and willing we can watch as they occur, and hence come to know. Consciousness as a Process or Stream.—In looking in upon the mind we must expect to discover, then, not a thing, but a process. The thing forever eludes us, but the process is always present. Consciousness is like a stream, which, so far as we are concerned with it in a psychological discussion, has its rise at the cradle and its end at the grave. It begins with the babe's first faint gropings after light in his new world as he enters it, and ends with the man's last blind gropings after light in his old world as he leaves it. The stream is very narrow at first, only as wide as the few sensations which come to the babe when it sees the light or hears the sound; it grows wider as the mind develops, and is at last measured by the grand sum total of life's experience. This mental stream is irresistible. No power outside6 of us can stop it while life lasts. We cannot stop it ourselves. When we try to stop thinking, the stream but changes its direction and flows on. While we wake and while we sleep, while we are unconscious under an anæsthetic, even, some sort of mental process continues. Sometimes the stream flows slowly, and our thoughts lag—we "feel slow"; again the stream flows faster, and we are lively and our thoughts come with a rush; or a fever seizes us and delirium comes on; then the stream runs wildly onward, defying our control, and a mad jargon of thoughts takes the place of our usual orderly array. In different persons, also, the mental stream moves at different rates, some minds being naturally slow-moving and some naturally quick in their operations. Consciousness resembles a stream also in other particulars. A stream is an unbroken whole from its source to its mouth, and an observer stationed at one point cannot see all of it at once. He sees but the one little section which happens to be passing his station point at the time. The current may look much the same from moment to moment, but the component particles which constitute the stream are constantly changing. So it is with our thought. Its stream is continuous from birth till death, but we cannot see any considerable portion of it at one time. When we turn about quickly and look in upon our minds, we see but the little present moment. That of a few seconds ago is gone and will never return. The thought which occupied us a moment since can no more be recalled, just as it was, than can the particles composing a stream be re-collected and made to pass a given point in its course in precisely the same order and relation to one another as before. This means, then, that we can never have precisely the7 same mental state twice; that the thought of the moment cannot have the same associates that it had the first time; that the thought of this moment will never be ours again; that all we can know of our minds at any one time is the part of the process present in consciousness at that moment. The Wave in the Stream of Consciousness.—The surface of our mental stream is not level, but is broken by a wave which stands above the rest; which is but another way of saying that some one thing is always more prominent in our thought than the rest. Only when we are in a sleepy reverie, or not thinking about much of anything, does the stream approximate a level. At all other times some one object occupies the highest point in our thought, to the more or less complete exclusion of other things which we might think about. A thousand and one objects are possible to our thought at any moment, but all except one thing occupy a secondary place, or are not present to our consciousness at all. They exist on the margin, or else are clear off the8 edge of consciousness, while the one thing occupies the center. We may be reading a fascinating book late at night in a cold room. The charm of the writer, the beauty of the heroine, or the bravery of the hero so occupies the mind that the weary eyes and chattering teeth are unnoticed. Consciousness has piled up in a high wave on the points of interest in the book, and the bodily sensations are for the moment on a much lower level. But let the book grow dull for a moment, and the make-up of the stream changes in a flash. Hero, heroine, or literary style no longer occupies the wave. They forfeit their place, the wave is taken by the bodily sensations, and we are conscious of the smarting eyes and shivering body, while these in turn give way to the next object which occupies the wave. Figs. 1-3 illustrate these changes. Fig. 1 Fig. 1 Fig. 2 Fig. 2 Fig. 3 Fig. 3 Consciousness Likened to a Field.—The consciousness of any moment has been less happily likened to a field, in the center of which there is an elevation higher than the surrounding level. This center is where consciousness is piled up on the object which is for the moment foremost in our thought. The other objects of our consciousness are on the margin of the field for the time being, but any of them may the next moment claim the center and drive the former object to the margin, or it may drop entirely out of consciousness. This moment9 a noble resolve may occupy the center of the field, while a troublesome tooth begets sensations of discomfort which linger dimly on the outskirts of our consciousness; but a shooting pain from the tooth or a random thought crossing the mind, and lo! the tooth holds sway, and the resolve dimly fades to the margin of our consciousness and is gone. The "Piling Up" of Consciousness is Attention.—This figure is not so true as the one which likens our mind to a stream with its ever onward current answering to the flow of our thought; but whichever figure we employ, the truth remains the same. Our mental energy is always piled up higher at one point than at others. Either because our interest leads us, or because the will dictates, the mind is withdrawn from the thousand and one things we might think about, and directed to this one thing, which for the time occupies chief place. In other words, we attend; for this piling up of consciousness is nothing, after all, but attention. 3. CONTENT OF THE MENTAL STREAM We have seen that our mental life may be likened to a stream flowing now faster, now slower, ever shifting, never ceasing. We have yet to inquire what constitutes the material of the stream, or what is the stuff that makes up the current of our thought—what is the content of consciousness? The question cannot be fully answered at this point, but a general notion can be gained which will be of service. Why We Need Minds.—Let us first of all ask what mind is for, why do animals, including men, have minds? The biologist would say, in order that they may adapt themselves to their environment. Each individual from10 mollusc to man needs the amount and type of mind that serves to fit its possessor into its particular world of activity. Too little mind leaves the animal helpless in the struggle for existence. On the other hand a mind far above its possessor's station would prove useless if not a handicap; a mollusc could not use the mind of a man. Content of Consciousness Determined by Function.—How much mind does man need? What range and type of consciousness will best serve to adjust us to our world of opportunity and responsibility? First of all we must know our world, hence, our mind must be capable of gathering knowledge. Second, we must be able to feel its values and respond to the great motives for action arising from the emotions. Third, we must have the power to exert self-compulsion, which is to say that we possess a will to control our acts. These three sets of processes, knowing, feeling, and willing, we shall, therefore, expect to find making up the content of our mental stream. Let us proceed at once to test our conclusion by introspection. If we are sitting at our study table puzzling over a difficult problem in geometry, reasoning forms the wave in the stream of consciousness—the center of the field. It is the chief thing in our thinking. The fringe of our consciousness is made up of various sensations of the light from the lamp, the contact of our clothing, the sounds going on in the next room, some bit of memory seeking recognition, a "tramp" thought which comes along, and a dozen other experiences not strong enough to occupy the center of the field. But instead of the study table and the problem, give us a bright fireside, an easy-chair, and nothing to do. If we are aged, memories—images from out the past—will11 probably come thronging in and occupy the field to such extent that the fire burns low and the room grows cold, but still the forms from the past hold sway. If we are young, visions of the future may crowd everything else to the margin of the field, while the "castles in Spain" occupy the center. Our memories may also be accompanied by emotions—sorrow, love, anger, hate, envy, joy. And, indeed, these emotions may so completely occupy the field that the images themselves are for the time driven to the margin, and the mind is occupied with its sorrow, its love, or its joy. Once more, instead of the problem or the memories or the "castles in Spain," give us the necessity of making some decision, great or small, where contending motives are pulling us now in this direction, now in that, so that the question finally has to be settled by a supreme effort summed up in the words, I will. This is the struggle of the will which each one knows for himself; for who has not had a raging battle of motives occupy the center of the field while all else, even the sense of time, place and existence, gave way in the face of this conflict! This struggle continues until the decision is made, when suddenly all the stress and strain drop out and other objects may again have place in consciousness. The Three Fundamental Phases of Consciousness.—Thus we see that if we could cut the stream of consciousness across as we might cut a stream of water from bank to bank with a huge knife, and then look at the cut-off section, we should find very different constituents in the stream at different times. We should at one time find the mind manifesting itself in perceiving, remembering, imagining, discriminating, comparing, judging,12 reasoning, or the acts by which we gain our knowledge; at another in fearing, loving, hating, sorrowing, enjoying, or the acts of feeling; at still another in choosing, or the act of the will. These processes would make up the stream, or, in other words, these are the acts which the mind performs in doing its work. We should never find a time when the stream consists of but one of the processes, or when all these modes of mental activity are not represented. They will be found in varying proportions, now more of knowing, now of feeling, and now of willing, but some of each is always present in our consciousness. The nature of these different elements in our mental stream, their relation to each other, and the manner in which they all work together in amazing perplexity yet in perfect harmony to produce the wonderful mind, will constitute the subject-matter we shall consider together in the pages which follow. 4. WHERE CONSCIOUSNESS RESIDES I—the conscious self—dwell somewhere in this body, but where? When my finger tips touch the object I wish to examine, I seem to be in them. When the brain grows weary from overstudy, I seem to be in it. When the heart throbs, the breath comes quick, and the muscles grow tense from noble resolve or strong emotion, I seem to be in them all. When, filled with the buoyant life of vigorous youth, every fiber and nerve is a-tingle with health and enthusiasm, I live in every part of my marvelous body. Small wonder that the ancients located the soul at one time in the heart, at another in the pineal gland of the brain, and at another made it coextensive with the body! Consciousness Works through the Nervous System.—Later13 science has taught that the mind resides in and works through the nervous system, which has its central office in the brain. And the reason why I seem to be in every part of my body is because the nervous system extends to every part, carrying messages of sight or sound or touch to the brain, and bearing in return orders for movements, which set the feet a-dancing or the fingers a-tingling. But more of this later. This partnership between mind and body is very close. Just how it happens that spirit may inhabit matter we may not know. But certain it is that they interact on each other. What will hinder the growth of one will handicap the other, and what favors the development of either will help both. The methods of their coöperation and the laws that govern their relationship will develop as our study goes on. 5. PROBLEMS IN OBSERVATION AND INTROSPECTION One should always keep in mind that psychology is essentially a laboratory science, and not a text-book subject. The laboratory material is to be found in ourselves and in those about us. While the text should be thoroughly mastered, its statements should always be verified by reference to one's own experience, and observation of others. Especially should prospective teachers constantly correlate the lessons of the book with the observation of children at work in the school. The problems suggested for observation and introspection will, if mastered, do much to render practical and helpful the truths of psychology. 1. Think of your home as you last left it. Can you see vividly just how it looked, the color of the paint on the outside, with the familiar form of the roof and all; can you recall the perfume in some old drawer, the taste of a favorite dish, the sound of a familiar voice in farewell?14 2. What illustrations have you observed where the mental content of the moment seemed chiefly thinking (knowledge process); chiefly emotion (feeling process); chiefly choosing, or self-compulsion (willing process)? 3. When you say that you remember a circumstance that occurred yesterday, how do you remember it? That is, do you see in your mind things just as they were, and hear again sounds which occurred, or feel again movements which you performed? Do you experience once more the emotions you then felt? 4. What forms of expression most commonly reveal thought; what reveal emotions? (i.e., can you tell what a child is thinking about by the expression on his face? Can you tell whether he is angry, frightened, sorry, by his face? Is speech as necessary in expressing feeling as in expressing thought?) 5. Try occasionally during the next twenty-four hours to turn quickly about mentally and see whether you can observe your thinking, feeling, or willing in the very act of taking place. 6. What becomes of our mind or consciousness while we are asleep? How are we able to wake up at a certain hour previously determined? Can a person have absolutely nothing in his mind? 7. Have you noticed any children especially adept in expression? Have you noticed any very backward? If so, in what form of expression in each case? 8. Have you observed any instances of expression which you were at a loss to interpret (remember that "expression" includes every form of physical action, voice, speech, face, form, hand, etc.)? 15CHAPTER II ATTENTION How do you rank in mental ability, and how effective are your mind's grasp and power? The answer that must be given to these questions will depend not more on your native endowment than on your skill in using attention. 1. NATURE OF ATTENTION It is by attention that we gather and mass our mental energy upon the critical and important points in our thinking. In the last chapter we saw that consciousness is not distributed evenly over the whole field, but "piled up," now on this object of thought, now on that, in obedience to interest or necessity. The concentration of the mind's energy on one object of thought is attention. The Nature of Attention.—Everyone knows what it is to attend. The story so fascinating that we cannot leave it, the critical points in a game, the interesting sermon or lecture, the sparkling conversation—all these compel our attention. So completely is our mind's energy centered on them and withdrawn from other things that we are scarcely aware of what is going on about us. We are also familiar with another kind of attention. For we all have read the dull story, watched the slow game, listened to the lecture or sermon that drags, and16 taken part in conversation that was a bore. We gave these things our attention, but only with effort. Our mind's energy seemed to center on anything rather than the matter in hand. A thousand objects from outside enticed us away, and it required the frequent "mental jerk" to bring us to the subject in hand. And when brought back to our thought problem we felt the constant "tug" of mind to be free again. Normal Consciousness Always in a State of Attention.—But this very effort of the mind to free itself from one object of thought that it may busy itself with another is because attention is solicited by this other. Some object in our field of consciousness is always exerting an appeal for attention; and to attend to one thing is always to attend away from a multitude of other things upon which the thought might rest. We may therefore say that attention is constantly selecting in our stream of thought those aspects that are to receive emphasis and consideration. From moment to moment it determines the points at which our mental energy shall be centered. 2. THE EFFECTS OF ATTENTION Attention Makes Its Object Clear and Definite.—Whatever attention centers upon stands out sharp and clear in consciousness. Whether it be a bit of memory, an "air-castle," a sensation from an aching tooth, the reasoning on an algebraic formula, a choice which we are making, the setting of an emotion—whatever be the object to which we are attending, that object is illumined and made to stand out from its fellows as the one prominent thing in the mind's eye while the attention rests on it. It is like the one building which the searchlight picks out among a city full of buildings and lights17 up, while the remainder are left in the semilight or in darkness. Attention Measures Mental Efficiency.—In a state of attention the mind may be likened to the rays of the sun which have been passed through a burning glass. You may let all the rays which can pass through your window pane fall hour after hour upon the paper lying on your desk, and no marked effects follow. But let the same amount of sunlight be passed through a lens and converged to a point the size of your pencil point, and the paper will at once burst into flame. What the diffused rays could not do in hours or in ages is now accomplished in seconds. Likewise the mind, allowed to scatter over many objects, can accomplish but little. We may sit and dream away an hour or a day over a page or a problem without securing results. But let us call in our wits from their wool-gathering and "buckle down to it" with all our might, withdrawing our thoughts from everything else but this one thing, and concentrating our mind on it. More can now be accomplished in minutes than before in hours. Nay, things which could not be accomplished at all before now become possible. Again, the mind may be compared to a steam engine which is constructed to run at a certain pressure of steam, say one hundred and fifty pounds to the square inch of boiler surface. Once I ran such an engine; and well I remember a morning during my early apprenticeship when the foreman called for power to run some of the lighter machinery, while my steam gauge registered but seventy-five pounds. "Surely," I thought, "if one hundred and fifty pounds will run all this machinery, seventy-five pounds should run half of it," so I opened the valve. But the powerful engine could do but little18 more than turn its own wheels, and refused to do the required work. Not until the pressure had risen above one hundred pounds could the engine perform half the work which it could at one hundred and fifty pounds. And so with our mind. If it is meant to do its best work under a certain degree of concentration, it cannot in a given time do half the work with half the attention. Further, there will be much which it cannot do at all unless working under full pressure. We shall not be overstating the case if we say that as attention increases in arithmetical ratio, mental efficiency increases in geometrical ratio. It is in large measure a difference in the power of attention which makes one man a master in thought and achievement and another his humble follower. One often hears it said that "genius is but the power of sustained attention," and this statement possesses a large element of truth. 3. HOW WE ATTEND Someone has said that if our attention is properly trained we should be able "to look at the point of a cambric needle for half an hour without winking." But this is a false idea of attention. The ability to look at the point of a cambric needle for half an hour might indicate a very laudable power of concentration; but the process, instead of enlightening us concerning the point of the needle, would result in our passing into a hypnotic state. Voluntary attention to any one object can be sustained for but a brief time—a few seconds at best. It is essential that the object change, that we turn it over and over incessantly, and consider its various aspects and relations. Sustained voluntary attention is thus a repetition of successive efforts to bring19 back the object to the mind. Then the subject grows and develops—it is living, not dead. Attention a Relating Activity.—When we are attending strongly to one object of thought it does not mean that consciousness sits staring vacantly at this one object, but rather that it uses it as a central core of thought, and thinks into relation with this object the things which belong with it. In working out some mathematical solution the central core is the principle upon which the solution is based, and concentration in this case consists in thinking the various conditions of the problem in relation to this underlying principle. In the accompanying diagram (Fig. 4) let A be the central core of some object of thought, say a patch of cloud in a picture, and let a, b, c, d, etc., be the related facts, or the shape, size, color, etc., of the cloud. The arrows indicate the passing of our thought from cloud to related fact, or from related fact to cloud, and from related fact to related fact. As long as these related facts lead back to the cloud each time, that long we are attending to the cloud and thinking about it. It is when our thought fails to go back that we "wander" in our attention. Then we leave a, b, c, d, etc., which are related to the cloud, and, flying off to x, y, and z, finally bring up heaven knows where. Fig. 4 Fig. 4 20The Rhythms of Attention.—Attention works in rhythms. This is to say that it never maintains a constant level of concentration for any considerable length of time, but regularly ebbs and flows. The explanation of this rhythmic action would take us too far afield at this point. When we remember, however, that our entire organism works within a great system of rhythms—hunger, thirst, sleep, fatigue, and many others—it is easy to see that the same law may apply to attention. The rhythms of attention vary greatly, the fluctuations often being only a few seconds apart for certain simple sensations, and probably a much greater distance apart for the more complex process of thinking. The seeming variation in the sound of a distant waterfall, now loud and now faint, is caused by the rhythm of attention and easily allows us to measure the rhythm for this particular sensation. 4. POINTS OF FAILURE IN ATTENTION Lack of Concentration.—There are two chief types of inattention whose danger threatens every person. First, we may be thinking about the right things, but not thinking hard enough. We lack mental pressure. Outside thoughts which have no relation to the subject in hand may not trouble us much, but we do not attack our problem with vim. The current in our stream of consciousness is moving too slowly. We do not gather up all our mental forces and mass them on the subject before us in a way that means victory. Our thoughts may be sufficiently focused, but they fail to "set fire." It is like focusing the sun's rays while an eclipse is on. They lack energy. They will not kindle the paper after they have passed through the lens. This kind of attention21 means mental dawdling. It means inefficiency. For the individual it means defeat in life's battles; for the nation it means mediocrity and stagnation. A college professor said to his faithful but poorly prepared class, "Judging from your worn and tired appearance, young people, you are putting in twice too many hours on study." At this commendation the class brightened up visibly. "But," he continued, "judging from your preparation, you do not study quite half hard enough." Happy is the student who, starting in on his lesson rested and fresh, can study with such concentration that an hour of steady application will leave him mentally exhausted and limp. That is one hour of triumph for him, no matter what else he may have accomplished or failed to accomplish during the time. He can afford an occasional pause for rest, for difficulties will melt rapidly away before him. He possesses one key to successful achievement. Mental Wandering.—Second, we may have good mental power and be able to think hard and efficiently on any one point, but lack the power to think in a straight line. Every stray thought that comes along is a "will-o'-the-wisp" to lead us away from the subject in hand and into lines of thought not relating to it. Who has not started in to think on some problem, and, after a few moments, been surprised to find himself miles away from the topic upon which he started! Or who has not read down a page and, turning to the next, found that he did not know a word on the preceding page, his thoughts having wandered away, his eyes only going through the process of reading! Instead of sticking to the a, b, c, d, etc., of our topic and relating them all up to A, thereby reaching a solution of the problem,22 we often jump at once to x, y, z, and find ourselves far afield with all possibility of a solution gone. We may have brilliant thoughts about x, y, z, but they are not related to anything in particular, and so they pass from us and are gone—lost in oblivion because they are not attached to something permanent. Such a thinker is at the mercy of circumstances, following blindly the leadings of trains of thought which are his master instead of his servant, and which lead him anywhere or nowhere without let or hindrance from him. His consciousness moves rapidly enough and with enough force, but it is like a ship without a helm. Starting for the intellectual port A by way of a, b, c, d, he is mentally shipwrecked at last on the rocks x, y, z, and never reaches harbor. Fortunate is he who can shut out intruding thoughts and think in a straight line. Even with mediocre ability he may accomplish more by his thinking than the brilliant thinker who is constantly having his mental train wrecked by stray thoughts which slip in on his right of way. 5. TYPES OF ATTENTION The Three Types of Attention.—Attention may be secured in three ways: (1) It is demanded by some sudden or intense sensory stimulus or insistent idea, or (2) it follows interest, or (3) it is compelled by the will. If it comes in the first way, as from a thunderclap or a flash of light, or from the persistent attempt of some unsought idea to secure entrance into the mind, it is called involuntary attention. This form of attention is of so little importance, comparatively, in our mental life that we shall not discuss it further. If attention comes in the second way, following interest,23 it is called nonvoluntary or spontaneous attention; if in the third, compelled by the will, voluntary or active attention. Nonvoluntary attention has its motive in some object external to consciousness, or else follows a more or less uncontrolled current of thought which interests us; voluntary attention is controlled from within—we decide what we shall attend to instead of letting interesting objects of thought determine it for us. Interest and Nonvoluntary Attention.—In nonvoluntary attention the environment largely determines what we shall attend to. All that we have to do with directing this kind of attention is in developing certain lines of interest, and then the interesting things attract attention. The things we see and hear and touch and taste and smell, the things we like, the things we do and hope to do—these are the determining factors in our mental life so long as we are giving nonvoluntary attention. Our attention follows the beckoning of these things as the needle the magnet. It is no effort to attend to them, but rather the effort would be to keep from attending to them. Who does not remember reading a story, perhaps a forbidden one, so interesting that when mother called up the stairs for us to come down to attend to some duty, we replied, "Yes, in a minute," and then went on reading! We simply could not stop at that place. The minute lengthens into ten, and another call startles us. "Yes, I'm coming;" we turn just one more leaf, and are lost again. At last comes a third call in tones so imperative that it cannot be longer ignored, and we lay the book down, but open to the place where we left off, and where we hope soon to begin further to unravel the delightful mystery. Was it an effort to attend to the reading? Ah, no! it took the combined24 force of our will and of mother's authority to drag the attention away. This is nonvoluntary attention. Left to itself, then, attention simply obeys natural laws and follows the line of least resistance. By far the larger portion of our attention is of this type. Thought often runs on hour after hour when we are not conscious of effort or struggle to compel us to cease thinking about this thing and begin thinking about that. Indeed, it may be doubted whether this is not the case with some persons for days at a time, instead of hours. The things that present themselves to the mind are the things which occupy it; the character of the thought is determined by the character of our interests. It is this fact which makes it vitally necessary that our interests shall be broad and pure if our thoughts are to be of this type. It is not enough that we have the strength to drive from our minds a wrong or impure thought which seeks entrance. To stand guard as a policeman over our thoughts to see that no unworthy one enters, requires too much time and energy. Our interests must be of such a nature as to lead us away from the field of unworthy thoughts if we are to be free from their tyranny. The Will and Voluntary Attention.—In voluntary attention there is a conflict either between the will and interest or between the will and the mental inertia or laziness, which has to be overcome before we can think with any degree of concentration. Interest says, "Follow this line, which is easy and attractive, or which requires but little effort—follow the line of least resistance." Will says, "Quit that line of dalliance and ease, and take this harder way which I direct—cease the line of least resistance and take the one of greatest resistance." When day dreams and "castles in Spain"25 attempt to lure you from your lessons, refuse to follow; shut out these vagabond thoughts and stick to your task. When intellectual inertia deadens your thought and clogs your mental stream, throw it off and court forceful effort. If wrong or impure thoughts seek entrance to your mind, close and lock your mental doors to them. If thoughts of desire try to drive out thoughts of duty, be heroic and insist that thoughts of duty shall have right of way. In short, see that you are the master of your thinking, and do not let it always be directed without your consent by influences outside of yourself. It is just at this point that the strong will wins victory and the weak will breaks down. Between the ability to control one's thoughts and the inability to control them lies all the difference between right actions and wrong actions; between withstanding temptation and yielding to it; between an inefficient purposeless life and a life of purpose and endeavor; between success and failure. For we act in accordance with those things which our thought rests upon. Suppose two lines of thought represented by A and B, respectively, lie before you; that A leads to a course of action difficult or unpleasant, but necessary to success or duty, and that B leads to a course of action easy or pleasant, but fatal to success or duty. Which course will you follow—the rugged path of duty or the easier one of pleasure? The answer depends almost wholly, if not entirely, on your power of attention. If your will is strong enough to pull your thoughts away from the fatal but attractive B and hold them resolutely on the less attractive A, then A will dictate your course of action, and you will respond to the call for endeavor, self-denial, and duty; but if your thoughts break away from the domination of your will and allow the beckoning of your interests26 alone, then B will dictate your course of action, and you will follow the leading of ease and pleasure. For our actions are finally and irrevocably dictated by the things we think about. Not Really Different Kinds of Attention.—It is not to be understood, however, from what has been said, that there are really different kinds of attention. All attention denotes an active or dynamic phase of consciousness. The difference is rather in the way we secure attention; whether it is demanded by sudden stimulus, coaxed from us by interesting objects of thought without effort on our part, or compelled by force of will to desert the more interesting and take the direction which we dictate. 6. IMPROVING THE POWER OF ATTENTION While attention is no doubt partly a natural gift, yet there is probably no power of the mind more susceptible to training than is attention. And with attention, as with every other power of body and mind, the secret of its development lies in its use. Stated briefly, the only way to train attention is by attending. No amount of theorizing or resolving can take the place of practice in the actual process of attending. Making Different Kinds of Attention Reënforce Each Other.—A very close relationship and interdependence exists between nonvoluntary and voluntary attention. It would be impossible to hold our attention by sheer force of will on objects which were forever devoid of interest; likewise the blind following of our interests and desires would finally lead to shipwreck in all our lives. Each kind of attention must support and reënforce the other. The lessons, the sermons, the lectures,27 and the books in which we are most interested, and hence to which we attend nonvoluntarily and with the least effort and fatigue, are the ones out of which, other things being equal, we get the most and remember the best and longest. On the other hand, there are sometimes lessons and lectures and books, and many things besides, which are not intensely interesting, but which should be attended to nevertheless. It is at this point that the will must step in and take command. If it has not the strength to do this, it is in so far a weak will, and steps should be taken to develop it. We are to "keep the faculty of effort alive in us by a little gratuitous exercise every day." We are to be systematically heroic in the little points of everyday life and experience. We are not to shrink from tasks because they are difficult or unpleasant. Then, when the test comes, we shall not find ourselves unnerved and untrained, but shall be able to stand in the evil day. The Habit of Attention.—Finally, one of the chief things in training the attention is to form the habit of attending. This habit is to be formed only by attending whenever and wherever the proper thing to do is to attend, whether "in work, in play, in making fishing flies, in preparing for an examination, in courting a sweetheart, in reading a book." The lesson, or the sermon, or the lecture, may not be very interesting; but if they are to be attended to at all, our rule should be to attend to them completely and absolutely. Not by fits and starts, now drifting away and now jerking ourselves back, but all the time. And, furthermore, the one who will deliberately do this will often find the dull and uninteresting task become more interesting; but if it never becomes interesting, he is at least forming a28 habit which will be invaluable to him through life. On the other hand, the one who fails to attend except when his interest is captured, who never exerts effort to compel attention, is forming a habit which will be the bane of his thinking until his stream of thought shall end. 7. PROBLEMS IN OBSERVATION AND INTROSPECTION 1. Which fatigues you more, to give attention of the nonvoluntary type, or the voluntary? Which can you maintain longer? Which is the more pleasant and agreeable to give? Under which can you accomplish more? What bearing have these facts on teaching? 2. Try to follow for one or two minutes the "wave" in your consciousness, and then describe the course taken by your attention. 3. Have you observed one class alert in attention, and another lifeless and inattentive? Can you explain the causes lying back of this difference? Estimate the relative amount of work accomplished under the two conditions. 4. What distractions have you observed in the schoolroom tending to break up attention? 5. Have you seen pupils inattentive from lack of (1) change, (2) pure air, (3) enthusiasm on the part of the teacher, (4) fatigue, (5) ill health? 6. Have you noticed a difference in the habit of attention in different pupils? Have you noticed the same thing for whole schools or rooms? 7. Do you know of children too much given to daydreaming? Are you? 8. Have you seen a teacher rap the desk for attention? What type of attention was secured? Does it pay? 9. Have you observed any instance in which pupils' lack of attention should be blamed on the teacher? If so, what was the fault? The remedy?29 10. Visit a school room or a recitation, and then write an account of the types and degrees of attention you observed. Try to explain the factors responsible for any failures in attention, and also those responsible for the good attention shown. 30CHAPTER III THE BRAIN AND NERVOUS SYSTEM A fine brain, or a good mind. These terms are often used interchangeably, as if they stood for the same thing. Yet the brain is material substance—so many cells and fibers, a pulpy protoplasmic mass weighing some three pounds and shut away from the outside world in a casket of bone. The mind is a spiritual thing—the sum of the processes by which we think and feel and will, mastering our world and accomplishing our destiny. 1. THE RELATIONS OF MIND AND BRAIN Interaction of Mind and Brain.—How, then, come these two widely different facts, mind and brain, to be so related in our speech? Why are the terms so commonly interchanged?—It is because mind and brain are so vitally related in their processes and so inseparably connected in their work. No movement of our thought, no bit of sensation, no memory, no feeling, no act of decision but is accompanied by its own particular activity in the cells of the brain. It is this that the psychologist has in mind when he says, no psychosis without its corresponding neurosis. So far as our present existence is concerned, then, no mind ever works except through some brain, and a brain without a mind becomes but a mass of dead matter,31 so much clay. Mind and brain are perfectly adapted to each other. Nor is this mere accident. For through the ages of man's past history each has grown up and developed into its present state of efficiency by working in conjunction with the other. Each has helped form the other and determine its qualities. Not only is this true for the race in its evolution, but for every individual as he passes from infancy to maturity. The Brain as the Mind's Machine.—In the first chapter we saw that the brain does not create the mind, but that the mind works through the brain. No one can believe that the brain secretes mind as the liver secretes bile, or that it grinds it out as a mill does flour. Indeed, just what their exact relation is has not yet been settled. Yet it is easy to see that if the mind must use the brain as a machine and work through it, then the mind must be subject to the limitations of its machine, or, in other words, the mind cannot be better than the brain through which it operates. A brain and nervous system that are poorly developed or insufficiently nourished mean low grade of efficiency in our mental processes, just as a poorly constructed or wrongly adjusted motor means loss of power in applying the electric current to its work. We will, then, look upon the mind and the brain as counterparts of each other, each performing activities which correspond to activities in the other, both inextricably bound together at least so far as this life is concerned, and each getting its significance by its union with the other. This view will lend interest to a brief study of the brain and nervous system.32 2. THE MIND'S DEPENDENCE ON THE EXTERNAL WORLD But can we first see how in a general way the brain and nervous system are primarily related to our thinking? Let us go back to the beginning and consider the babe when it first opens its eyes on the scenes of its new existence. What is in its mind? What does it think about? Nothing. Imagine, if you can, a person born blind and deaf, and without the sense of touch, taste, or smell. Let such a person live on for a year, for five years, for a lifetime. What would he know? What ray of intelligence would enter his mind? What would he think about? All would be dark to his eyes, all silent to his ears, all tasteless to his mouth, all odorless to his nostrils, all touchless to his skin. His mind would be a blank. He would have no mind. He could not get started to think. He could not get started to act. He would belong to a lower scale of life than the tiny animal that floats with the waves and the tide in the ocean without power to direct its own course. He would be but an inert mass of flesh without sense or intelligence. The Mind at Birth.—Yet this is the condition of the babe at birth. It is born practically blind and deaf, without definite sense of taste or smell. Born without anything to think about, and no way to get anything to think about until the senses wake up and furnish some material from the outside world. Born with all the mechanism of muscle and nerve ready to perform the countless complex movements of arms and legs and body which characterize every child, he could not successfully start these activities without a message from the senses to set them going. At birth the child probably has only33 the senses of contact and temperature present with any degree of clearness; taste soon follows; vision of an imperfect sort in a few days; hearing about the same time, and smell a little later. The senses are waking up and beginning their acquaintance with the outside world. Fig. 5.--A Neurone from a Human Spinal Cord. The central portion represents the cell body. N, the nucleus; P, a pigmented or colored spot; D, a dendrite, or relatively short fiber,—which branches freely; A, an axon or long fiber, which branches but little. Fig. 5.—A Neurone from a Human Spinal Cord. The central portion represents the cell body. N, the nucleus; P, a pigmented or colored spot; D, a dendrite, or relatively short fiber,—which branches freely; A, an axon or long fiber, which branches but little. The Work of the Senses.—And what a problem the senses have to solve! On the one hand the great universe of sights and sounds, of tastes and smells, of contacts and temperatures, and whatever else may belong to the material world in which we live; and on the other hand the little shapeless mass of gray and white pulpy matter called the brain, incapable of sustaining its own shape, shut away in the darkness of a bony case with no possibility of contact with the outside world, and possessing no means of communicating with it except through the senses. And yet this universe of external things must be brought into communication with the seemingly insignificant but really wonderful34 brain, else the mind could never be. Here we discover, then, the two great factors which first require our study if we would understand the growth of the mind—the material world without, and the brain within. For it is the action and interaction of these which lie at the bottom of the mind's development. Let us first look a little more closely at the brain and the accompanying nervous system. 3. STRUCTURAL ELEMENTS OF THE NERVOUS SYSTEM It will help in understanding both the structure and the working of the nervous system to keep in mind that it contains but one fundamental unit of structure. This is the neurone. Just as the house is built up by adding brick upon brick, so brain, cord, nerves and organs of sense are formed by the union of numberless neurones. Fig. 6.--Neurones in different stages of development, from a to e. In a, the elementary cell body alone is present; in c, a dendrite is shown projecting upward and an axon downward.—After Donaldson. Fig. 6.—Neurones in different stages of development, from a to e. In a, the elementary cell body alone is present; in c, a dendrite is shown projecting upward and an axon downward.—After Donaldson. The Neurone.—What, then, is a neurone? What is its structure, its function, how does it act? A neurone35 is a protoplasmic cell, with its outgrowing fibers. The cell part of the neurone is of a variety of shapes, triangular, pyramidal, cylindrical, and irregular. The cells vary in size from 1/250 to 1/3500 of an inch in diameter. In general the function of the cell is thought to be to generate the nervous energy responsible for our consciousness—sensation, memory, reasoning, feeling and all the rest, and for our movements. The cell also provides for the nutrition of the fibers. Fig. 7.--Longitudinal (A) and transverse (B) section of nerve fiber. The heavy border represents the medullary, or enveloping sheath, which becomes thicker in the larger fibers.—After Donaldson. Fig. 7.—Longitudinal (A) and transverse (B) section of nerve fiber. The heavy border represents the medullary, or enveloping sheath, which becomes thicker in the larger fibers.—After Donaldson. Neurone Fibers.—The neurone fibers are of two kinds, dendrites and axons. The dendrites are comparatively large in diameter, branch freely, like the branches of a tree, and extend but a relatively short distance from the parent cell. Axons are slender, and branch but little, and then approximately at right angles. They reach a much greater distance from the cell body than the dendrites. Neurones vary greatly in length. Some of those found in the spinal cord and brain are not more than 1/12 of an inch long, while others which reach from the extremities to the cord, measure several feet. Both dendrites and axons are of diameter so small as to be invisible except under the microscope. Neuroglia.—Out of this simple structural element, the neurone, the entire nervous system is built. True, the neurones are held in place, and perhaps insulated, by a kind of soft cement called neuroglia. But this seems to possess no strictly nervous function. The number of the36 microscopic neurones required to make up the mass of the brain, cord and peripheral nervous system is far beyond our mental grasp. It is computed that the brain and cord contain some 3,000 millions of them. Complexity of the Brain.—Something of the complexity of the brain structure can best be understood by an illustration. Professor Stratton estimates that if we were to make a model of the human brain, using for the neurone fibers wires so small as to be barely visible to the eye, in order to find room for all the wires the model would need to be the size of a city block on the base and correspondingly high. Imagine a telephone system of this complexity operating from one switch-board! "Gray" and "White" Matter.—The "gray matter" of the brain and cord is made up of nerve cells and their dendrites, and the terminations of axons, which enter from the adjoining white matter. A part of the mass of gray matter also consists of the neuroglia which surrounds the nerve cells and fibers, and a network of blood vessels. The "white matter" of the central system consists chiefly of axons with their enveloping or medullary, sheath and neuroglia. The white matter contains no nerve cells or dendrites. The difference in color of the gray and the white matter is caused chiefly by the fact that in the gray masses the medullary sheath, which is white, is lacking, thus revealing the ashen gray of the nerve threads. In the white masses the medullary sheath is present. 4. GROSS STRUCTURE OF THE NERVOUS SYSTEM Divisions of the Nervous System.—The nervous system may be considered in two divisions: (1) The central system, which consists of the brain and spinal cord, and37 (2) the peripheral system, which comprises the sensory and motor neurones connecting the periphery and the internal organs with the central system and the specialized end-organs of the senses. The sympathetic system, which is found as a double chain of nerve connections joining the roots of sensory and motor nerves just outside the spinal column, does not seem to be directly related to consciousness and so will not be discussed here. A brief description of the nervous system will help us better to understand how its parts all work together in so wonderful a way to accomplish their great result. The Central System.—In the brain we easily distinguish three major divisions—the cerebrum, the cerebellum and the medulla oblongata. The medulla is but the enlarged upper part of the cord where it connects with the brain. It is about an inch and a quarter long, and is composed of both medullated and unmedullated fibers—that is of both "white" and "gray" matter. In the medulla, the unmedullated neurones which comprise the center of the cord are passing to the outside, and the medullated to the inside, thus taking the positions they occupy in the cerebrum. Here also the neurones are crossing, or changing sides, so that those which pass up the right side of the cord finally connect with the left side of the brain, and vice versa. The Cerebellum.—Lying just back of the medulla and at the rear part of the base of the cerebrum is the cerebellum, or "little brain," approximately as large as the fist, and composed of a complex arrangement of white and gray matter. Fibers from the spinal cord enter this mass, and others emerge and pass on into the cerebrum, while its two halves also are connected with each other by means of cross fibers.38 Fig. 8.--View of the under side of the brain. B, basis of the crura; P, pons; Mo, medulla oblongata; Ce, cerebellum; Sc, spinal cord. Fig. 8.—View of the under side of the brain. B, basis of the crura; P, pons; Mo, medulla oblongata; Ce, cerebellum; Sc, spinal cord. The Cerebrum.—The cerebrum occupies all the upper part of the skull from the front to the rear. It is divided symmetrically into two hemispheres, the right and the left. These hemispheres are connected with each other by a small bridge of fibers called the corpus callosum. Each hemisphere is furrowed and ridged with convolutions, an arrangement which allows greater surface for the distribution of the gray cellular matter over it. Besides these irregularities of surface, each hemisphere is marked also by two deep clefts or fissures—the fissure of Rolando, extending from the middle upper part of the hemisphere downward and forward, passing a little in front of the ear and stopping on a level with the upper part of it; and the fissure of Sylvius, beginning at the base of the brain somewhat in front of the ear39 and extending upward and backward at an acute angle with the base of the hemisphere. Fig. 9.--Diagrammatic side view of brain, showing cerebellum (CB) and medulla oblongata (MO). F' F'' F''' are placed on the first, second, and third frontal convolutions, respectively; AF, on the ascending frontal; AP, on the ascending parietal; M, on the marginal; A, on the angular. T' T'' T''' are placed on the first, second, and third temporal convolutions. R-R marks the fissure of Rolando; S-S, the fissure of Sylvius; PO, the parieto-occipital fissure. Fig. 9.—Diagrammatic side view of brain, showing cerebellum (CB) and medulla oblongata (MO). F' F'' F''' are placed on the first, second, and third frontal convolutions, respectively; AF, on the ascending frontal; AP, on the ascending parietal; M, on the marginal; A, on the angular. T' T'' T''' are placed on the first, second, and third temporal convolutions. R-R marks the fissure of Rolando; S-S, the fissure of Sylvius; PO, the parieto-occipital fissure. The surface of each hemisphere may be thought of as mapped out into four lobes: The frontal lobe, which includes the front part of the hemisphere and extends back to the fissure of Rolando and down to the fissure of Sylvius; the parietal lobe, which lies back of the fissure of Rolando and above that of Sylvius and extends back to the occipital lobe; the occipital lobe, which includes the extreme rear portion of the hemisphere; and the temporal lobe, which lies below the fissure of Sylvius and extends back to the occipital lobe. The Cortex.—The gray matter of the hemispheres, unlike that of the cord, lies on the surface. This gray exterior portion of the cerebrum is called the cortex, and40 varies from one-twelfth to one-eighth of an inch in thickness. The cortex is the seat of all consciousness and of the control of voluntary movement. Fig. 10.--Different aspects of sections of the spinal cord and of the roots of the spinal nerves from the cervical region: 1, different views of anterior median fissure; 2, posterior fissure; 3, anterior lateral depression for anterior roots; 4, posterior lateral depression for posterior roots; 5 and 6, anterior and posterior roots, respectively; 7, complete spinal nerve, formed by the union of the anterior and posterior roots. Fig. 10.—Different aspects of sections of the spinal cord and of the roots of the spinal nerves from the cervical region: 1, different views of anterior median fissure; 2, posterior fissure; 3, anterior lateral depression for anterior roots; 4, posterior lateral depression for posterior roots; 5 and 6, anterior and posterior roots, respectively; 7, complete spinal nerve, formed by the union of the anterior and posterior roots. The Spinal Cord.—The spinal cord proceeds from the base of the brain downward about eighteen inches through a canal provided for it in the vertebræ of the spinal column. It is composed of white matter on the outside, and gray matter within. A deep fissure on the anterior side and another on the posterior cleave the cord nearly in twain, resembling the brain in this particular. The gray matter on the interior is in the form of two crescents connected by a narrow bar. The peripheral nervous system consists of thirty-one pairs of nerves, with their end-organs, branching off from the cord, and twelve pairs that have their roots in the brain. Branches of these forty-three pairs of nerves reach to every part of the periphery of the body and to all the internal organs.41 Fig. 11.--The projection fibers of the brain. I-IX, the first nine pairs of cranial nerves. Fig. 11.—The projection fibers of the brain. I-IX, the first nine pairs of cranial nerves. It will help in understanding the peripheral system to remember that a nerve consists of a bundle of neurone fibers each wrapped in its medullary sheath and sheath of Schwann. Around this bundle of neurones, that is around the nerve, is still another wrapping, silvery-white, called the neurilemma. The number of fibers going to make up a nerve varies from about 5,000 to 100,000. Nerves can easily be identified in a piece of lean beef, or even at the edge of a serious gash in one's own flesh! Bundles of sensory fibers constituting a sensory nerve root enter the spinal cord on the posterior side through holes in the vertebræ. Similar bundles of motor fibers in the form of a motor nerve root emerge from the cord at the same level. Soon after their emergence from the cord, these two nerves are wrapped together in the42 same sheath and proceed in this way to the periphery of the body, where the sensory nerve usually ends in a specialized end-organ fitted to respond to some certain stimulus from the outside world. The motor nerve ends in minute filaments in the muscular organ which it governs. Both sensory and motor nerves connect with fibers of like kind in the cord and these in turn with the cortex, thus giving every part of the periphery direct connection with the cortex. Fig. 12.--Schematic diagram showing association fibers connecting cortical centers with each other.--After James and Starr. Fig. 12.—Schematic diagram showing association fibers connecting cortical centers with each other.—After James and Starr. The end-organs of the sensory nerves are nerve masses, some of them, as the taste buds of the tongue, relatively simple; and others, as the eye or ear, very complex. They are all alike in one particular; namely, that each is fitted for its own particular work and can do no other. Thus the eye is the end-organ of sight, and is a wonderfully complex arrangement of nerve structure combined with refracting media, and arranged to respond to the rapid ether waves of light. The ear has43 for its essential part the specialized endings of the auditory nerve, and is fitted to respond to the waves carried to it in the air, giving the sensation of sound. The end-organs of touch, found in greatest perfection in the finger tips, are of several kinds, all very complicated in structure. And so on with each of the senses. Each particular sense has some form of end-organ specially adapted to respond to the kind of stimulus upon which its sensation depends, and each is insensible to the stimuli of the others, much as the receiver of a telephone will respond to the tones of our voice, but not to the touch of our fingers as will the telegraph instrument, and vice versa. Thus the eye is not affected by sounds, nor touch by light. Yet by means of all the senses together we are able to come in contact with the material world in a variety of ways. 5. LOCALIZATION OF FUNCTION IN THE NERVOUS SYSTEM Division of Labor.—Division of labor is the law in the organic world as in the industrial. Animals of the lowest type, such as the amœba, do not have separate organs for respiration, digestion, assimilation, elimination, etc., the one tissue performing all of these functions. But in the higher forms each organ not only has its own specific work, but even within the same organ each part has its own particular function assigned. Thus we have seen that the two parts of the neurone probably perform different functions, the cells generating energy and the fibers transmitting it. It will not seem strange, then, that there is also a division of labor in the cellular matter itself in the nervous system. For example, the little masses of ganglia44 which are distributed at intervals along the nerves are probably for the purpose of reënforcing the nerve current, much as the battery cells in the local telegraph office reënforce the current from the central office. The cellular matter in the spinal cord and lower parts of the brain has a very important work to perform in receiving messages from the senses and responding to them in directing the simpler reflex acts and movements which we learn to execute without our consciousness being called upon, thus leaving the mind free from these petty things to busy itself in higher ways. The cellular matter of the cortex performs the highest functions of all, for through its activity we have consciousness. Fig. 13.--Side view of left hemisphere of human brain, showing the principal localized areas. Fig. 13.—Side view of left hemisphere of human brain, showing the principal localized areas. The gray matter of the cerebellum, the medulla, and the cord may receive impressions from the senses and respond to them with movements, but their response is in all cases wholly automatic and unconscious. A person45 whose hemispheres had been injured in such a way as to interfere with the activity of the cortex might still continue to perform most if not all of the habitual movements of his life, but they would be mechanical and not intelligent. He would lack all higher consciousness. It is through the activity of this thin covering of cellular matter of the cerebrum, the cortex, that our minds operate; here are received stimuli from the different senses, and here sensations are experienced. Here all our movements which are consciously directed have their origin. And here all our thinking, feeling, and willing are done. Division of Labor in the Cortex.—Nor does the division of labor in the nervous system end with this assignment of work. The cortex itself probably works essentially as a unit, yet it is through a shifting of tensions from one area to another that it acts, now giving us a sensation, now directing a movement, and now thinking a thought or feeling an emotion. Localization of function is the rule here also. Certain areas of the cortex are devoted chiefly to sensations, others to motor impulses, and others to higher thought activities, yet in such a way that all work together in perfect harmony, each reënforcing the other and making its work significant. Thus the front portion of the cortex seems to be devoted to the higher thought activities; the region on both sides of the fissure of Rolando, to motor activities; and the rear and lower parts to sensory activities; and all are bound together and made to work together by the association fibers of the brain. In the case of the higher thought activities, it is not probable that one section of the frontal lobes of the cortex is set apart for thinking, one for feeling, and one for willing, etc., but rather that the whole frontal46 part of the cortex is concerned in each. In the motor and sensory areas, however, the case is different; for here a still further division of labor occurs. For example, in the motor region one small area seems connected with movements of the head, one with the arm, one with the leg, one with the face, and another with the organs of speech; likewise in the sensory region, one area is devoted to vision, one to hearing, one to taste and smell, and one to touch, etc. We must bear in mind, however, that these regions are not mapped out as accurately as are the boundaries of our states—that no part of the brain is restricted wholly to either sensory or motor nerves, and that no part works by itself independently of the rest of the brain. We name a tract from the predominance of nerves which end there, or from the chief functions which the area performs. The motor localization seems to be the most perfect. Indeed, experimentation on the brains of monkeys has been successful in mapping out motor areas so accurately that such small centers as those connected with the bending of one particular leg or the flexing of a thumb have been located. Yet each area of the cortex is so connected with every other area by the millions of association fibers that the whole brain is capable of working together as a unit, thus unifying and harmonizing our thoughts, emotions, and acts. 6. FORMS OF SENSORY STIMULI Let us next inquire how this mechanism of the nervous system is acted upon in such a way as to give us sensations. In order to understand this, we must first know that all forms of matter are composed of minute atoms which are in constant motion, and by imparting this47 motion to the air or the ether which surrounds them, are constantly radiating energy in the form of minute waves throughout space. These waves, or radiations, are incredibly rapid in some instances and rather slow in others. In sending out its energy in the form of these waves, the physical world is doing its part to permit us to form its acquaintance. The end-organs of the sensory nerves must meet this advance half-way, and be so constructed as to be affected by the different forms of energy which are constantly beating upon them. Fig. 14.--The prism's analysis of a bundle of light rays. On the right are shown the relation of vibration rates to temperature stimuli, to light and to chemical stimuli. The rates are given in billions per second.--After Witmer. Fig. 14.—The prism's analysis of a bundle of light rays. On the right are shown the relation of vibration rates to temperature stimuli, to light and to chemical stimuli. The rates are given in billions per second.—After Witmer. The End-organs and Their Response to Stimuli.—Thus the radiations of ether from the sun, our chief source of light, are so rapid that billions of them enter the eye in a second of time, and the retina is of such a nature that its nerve cells are thrown into activity by these waves; the impulse is carried over the optic nerve to the occipital lobe of the cortex, and the sensation of sight is the result. The different colors also, from the red48 of the spectrum to the violet, are the result of different vibration rates in the waves of ether which strike the retina; and in order to perceive color, the retina must be able to respond to the particular vibration rate which represents each color. Likewise in the sense of touch the end-organs are fitted to respond to very rapid vibrations, and it is possible that the different qualities of touch are produced by different vibration rates in the atoms of the object we are touching. When we reach the ear, we have the organ which responds to the lowest vibration rate of all, for we can detect a sound made by an object which is vibrating from twenty to thirty times a second. The highest vibration rate which will affect the ear is some forty thousand per second. Thus it is seen that there are great gaps in the different rates to which our senses are fitted to respond—a sudden drop from billions in the case of the eye to millions in touch, and to thousands or even tens in hearing. This makes one wonder whether there are not many things in nature which man has never discovered simply because he has not the sense mechanism enabling him to become conscious of their existence. There are undoubtedly "more things in heaven and earth than are dreamt of in our philosophy." Dependence of the Mind on the Senses.—Only as the senses bring in the material, has the mind anything with which to build. Thus have the senses to act as messengers between the great outside world and the brain; to be the servants who shall stand at the doorways of the body—the eyes, the ears, the finger tips—each ready to receive its particular kind of impulse from nature and send it along the right path to the part of the cortex where it belongs, so that the mind can say, "A sight," "A sound," or "A touch." Thus does the49 mind come to know the universe of the senses. Thus does it get the material out of which memory, imagination, and thought begin. Thus and only thus does the mind secure the crude material from which the finished superstructure is finally built. 50CHAPTER IV MENTAL DEVELOPMENT AND MOTOR TRAINING Education was long looked upon as affecting the mind only; the body was either left out of account or neglected. Later science has shown, however, that the mind cannot be trained except as the nervous system is trained and developed. For not sensation and the simpler mental processes alone, but memory, imagination, judgment, reasoning and every other act of the mind are dependent on the nervous system finally for their efficiency. The little child gets its first mental experiences in connection with certain movements or acts set up reflexly by the pre-organized nervous system. From this time on movement and idea are so inextricably bound together that they cannot be separated. The mind and the brain are so vitally related that it is impossible to educate one without performing a like office for the other; and it is likewise impossible to neglect the one without causing the other to suffer in its development. 1. FACTORS DETERMINING THE EFFICIENCY OF THE NERVOUS SYSTEM Development and Nutrition.—Ignoring the native differences in nervous systems through the influence of heredity, the efficiency of a nervous system is largely dependent on two factors: (1) The development of the51 cells and fibers of which it is composed, and (2) its general tone of health and vigor. The actual number of cells in the nervous system increases but little if at all after birth. Indeed, it is doubtful whether Edison's brain and nervous system has a greater number of cells in it than yours or mine. The difference between the brain of a genius and that of an ordinary man is not in the number of cells which it contains, but rather in the development of the cells and fibers which are present, potentially, at least, in every nervous system. The histologist tells us that in the nervous system of every child there are tens of thousands of cells which are so immature and undeveloped that they are useless; indeed, this is the case to some degree in every adult person's nervous system as well. Thus each individual has inherent in his nervous system potentialities of which he has never taken advantage, the utilizing of which may make him a genius and the neglecting of which will certainly leave him on the plane of mediocrity. The first problem in education, then, is to take the unripe and inefficient nervous system and so develop it in connection with the growing mind that the possibilities which nature has stored in it shall become actualities. Undeveloped Cells.—Professor Donaldson tells us on this point that: "At birth, and for a long time after, many [nervous] systems contain cell elements which are more or less immature, not forming a functional part of the tissue, and yet under some conditions capable of further development.... For the cells which are continually appearing in the developing cortex no other source is known than the nuclei or granules found there in its earliest stages. These elements are metamorphosed neuroblasts—that is, elementary cells out of which the nervous matter is developed—which have52 shrunken to a volume less than that which they had at first, and which remain small until, in the subsequent process of enlargement necessary for their full development, they expand into well-marked cells. Elements intermediate between these granules and the fully developed cells are always found, even in mature brains, and therefore it is inferred that the latter are derived from the former. The appearances there also lead to the conclusion that many elements which might possibly develop in any given case are far beyond the number that actually does so.... The possible number of cells latent and functional in the central system is early fixed. At any age this number is accordingly represented by the granules as well as by the cells which have already undergone further development. During growth the proportion of developed cells increases, and sometimes, owing to the failure to recognize potential nerve cells in the granules, the impression is carried away that this increase implies the formation of new elements. As has been shown, such is not the case."[1] Development of Nerve Fibers.—The nerve fibers, no less than the cells, must go through a process of development. It has already been shown that the fibers are the result of a branching of cells. At birth many of the cells have not yet thrown out branches, and hence the fibers are lacking; while many of those which are already grown out are not sufficiently developed to transmit impulses accurately. Thus it has been found that most children at birth are able to support the weight of the body for several seconds by clasping the fingers around a small rod, but it takes about a year for the child to become able to stand. It is evident that it requires more actual strength to cling to a rod than to stand;53 hence the conclusion is that the difference is in the earlier development of the nerve centers which have to do with clasping than of those concerned in standing. Likewise the child's first attempts to feed himself or do any one of the thousand little things about which he is so awkward, are partial failures not so much because he has not had practice as because his nervous machinery connected with those movements is not yet developed sufficiently to enable him to be accurate. His brain is in a condition which Flechsig calls "unripe." How, then, shall the undeveloped cells and system ripen? How shall the undeveloped cells and fibers grow to full maturity and efficiency? 2. DEVELOPMENT OF NERVOUS SYSTEM THROUGH USE Importance of Stimulus and Response.—Like all other tissues of the body, the nerve cells and fibers are developed by judicious use. The sensory and association centers require the constant stimulus of nerve currents running in from the various end-organs, and the motor centers require the constant stimulus of currents running from them out to the muscles. In other words, the conditions upon which both motor and sensory development depend are: (1) A rich environment of sights and sounds and tastes and smells, and everything else which serves as proper stimulus to the sense organs, and to every form of intellectual and social interest; and (2) no less important, an opportunity for the freest and most complete forms of response and motor activity.54 Fig. 15.--Schematic transverse section of the human brain showing the projection of the motor fibers, their crossing in the neighborhood of the medulla, and their termination in the different areas of localized function in the cortex. S, fissure of Sylvius; M, the medulla; VII, the roots of the facial nerves. Fig. 15.—Schematic transverse section of the human brain showing the projection of the motor fibers, their crossing in the neighborhood of the medulla, and their termination in the different areas of localized function in the cortex. S, fissure of Sylvius; M, the medulla; VII, the roots of the facial nerves. An illustration of the effects of the lack of sensory stimuli on the cortex is well shown in the case of Laura Bridgman, whose brain was studied by Professor Donaldson after her death. Laura Bridgman was born a normal child, and developed as other children do up to the age of nearly three years. At this time, through an attack of scarlet fever, she lost her hearing completely and also the sight of her left eye. Her right eye was so badly affected that she could see but little; and it, too, became entirely blind when she was eight. She lived55 in this condition until she was sixty years old, when she died. Professor Donaldson submitted the cortex of her brain to a most careful examination, also comparing the corresponding areas on the two hemispheres with each other. He found that as a whole the cortex was thinner than in the case of normal individuals. He found also that the cortical area connected with the left eye—namely, the right occipital region—was much thinner than that for the right eye, which had retained its sight longer than the other. He says: "It is interesting to notice that those parts of the cortex which, according to the current view, were associated with the defective sense organs were also particularly thin. The cause of this thinness was found to be due, at least in part, to the small size of the nerve cells there present. Not only were the large and medium-sized cells smaller, but the impression made on the observer was that they were also less numerous than in the normal cortex." Effect of Sensory Stimuli.—No doubt if we could examine the brain of a person who has grown up in an environment rich in stimuli to the eye, where nature, earth, and sky have presented a changing panorama of color and form to attract the eye; where all the sounds of nature, from the chirp of the insect to the roar of the waves and the murmur of the breeze, and from the softest tones of the voice to the mightiest sweep of the great orchestra, have challenged the ear; where many and varied odors and perfumes have assailed the nostrils; where a great range of tastes have tempted the palate; where many varieties of touch and temperature sensations have been experienced—no doubt if we could examine such a brain we should find the sensory areas of the cortex excelling in thickness because its cells were well developed and full sized from the currents which56 had been pouring into them from the outside world. On the other hand, if we could examine a cortex which had lacked any one of these stimuli, we should find some area in it undeveloped because of this deficiency. Its owner therefore possesses but the fraction of a brain, and would in a corresponding degree find his mind incomplete. Necessity for Motor Activity.—Likewise in the case of the motor areas. Pity the boy or girl who has been deprived of the opportunity to use every muscle to the fullest extent in the unrestricted plays and games of childhood. For where such activities are not wide in their scope, there some areas of the cortex will remain undeveloped, because unused, and the person will be handicapped later in his life from lack of skill in the activities depending on these centers. Halleck says in this connection: "If we could examine the developing motor region with a microscope of sufficient magnifying power, it is conceivable that we might learn wherein the modification due to exercise consists. We might also, under such conditions, be able to say, 'This is the motor region of a piano player; the modifications here correspond precisely to those necessary for controlling such movements of the hand.' Or, 'This is the motor tract of a blacksmith; this, of an engraver; and these must be the cells which govern the vocal organs of an orator.'" Whether or not the microscope will ever reveal such things to us, there is no doubt that the conditions suggested exist, and that back of every inefficient and awkward attempt at physical control lies a motor area with its cells undeveloped by use. No wonder that our processes of learning physical adjustment and control are slow, for they are a growth in the brain rather than a simple "learning how."57 The training of the nervous system consists finally, then, in the development and coördination of the neurones of which it is composed. We have seen that the sensory cells are to be developed by the sensory stimuli pouring in upon them, and the motor cells by the motor impulses which they send out to the muscles. The sensory and the motor fibers likewise, being an outgrowth of their respective cells, find their development in carrying the impulses which result in sensation and movement. Thus it is seen that the neurone is, in its development as in its work, a unit. Development of the Association Centers.—To this simpler type of sensory and motor development which we have been considering, we must add that which comes from the more complex mental processes, such as memory, thought, and imagination. For it is in connection with these that the association fibers are developed, and the brain areas so connected that they can work together as a unit. A simple illustration will enable us to see more clearly how the nervous mechanism acts to bring this about. Suppose that I am walking along a country road deeply engaged in meditation, and that I come to a puddle of water in my pathway. I may turn aside and avoid the obstruction without my attention being called to it, and without interruption of my train of thought. The act has been automatic. In this case the nerve current has passed from the eye (S) over an afferent fiber to a sensory center (s) in the nervous system below the cortex; from there it has been forwarded to a motor center (m) in the same region, and on out over a motor fiber to the proper muscles (M), which are to execute the required act. The act having been completed, the sensory nerves connected with the muscles employed58 report the fact back that the work is done, thus completing the circuit. This event may be taken as an illustration of literally thousands of acts which we perform daily without the intervention of consciousness, and hence without involving the hemispheres. Fig. 16.--Diagram illustrating the paths of association. Fig. 16.—Diagram illustrating the paths of association. If, however, instead of avoiding the puddle unconsciously, I do so from consideration of the danger of wet feet and the disagreeableness of soiled shoes and the ridiculous appearance I shall make, then the current cannot take the short circuit, but must pass on up to the cortex. Here it awakens consciousness to take notice of the obstruction, and calls forth the images which aid in directing the necessary movements. This simple illustration may be greatly complicated, substituting for it one of the more complex problems which are continually presenting themselves to us for solution, or the associated trains of thought that are constantly occupying our minds. But the truth of the illustration59 still holds. Whether in the simple or the complex act, there is always a forward passing of the nerve current through the sensory and thought centers, and on out through the motor centers to the organs which are to be concerned in the motor response. The Factors Involved in a Simple Action.—Thus it will be seen that in the simplest act which can be considered there are the following factors: (1) The stimulus which acts on the end-organ; (2) the ingoing current over an afferent nerve; (3) the sensory or interpreting cells; (4) the fibers connecting the sensory with a motor center; (5) the motor cells; (6) the efferent nerve to carry the direction for the movement outward to the muscle; (7) the motor response; and, finally, (8) the report back that the act has been performed. With this in mind it fairly bewilders one to think of the marvelous complexity of the work that is going on in our nervous mechanism every moment of our life, even without considering the higher thought processes at all. How, with these added, the resulting complexity all works out into beautiful harmony is indeed beyond comprehension. 3. EDUCATION AND THE TRAINING OF THE NERVOUS SYSTEM Fortunately, many of the best opportunities for sensory and motor training do not depend on schools or courses of study. The world is full of stimuli to our senses and to our social natures; and our common lives are made up of the responses we make to these stimuli,—the movements, acts and deeds by which we fit ourselves into our world of environment. Undoubtedly the most rapid and vital progress we make in our development is accomplished in the years before we have60 reached the age to go to school. Yet it is the business of education to see that we do not lack any essential opportunity, to make sure that necessary lines of stimuli or of motor training have not been omitted from our development. Education to Supply Opportunities for Stimulus and Response.—The great problem of education is, on the physical side, it would seem, then, to provide for ourselves and those we seek to educate as rich an environment of sensory and social stimuli as possible; one whose impressions will be full of suggestions to response in motor activity and the higher thought processes; and then to give opportunity for thought and for expression in acts and deeds in the largest possible number of lines. And added to this must be frequent and clear sensory and motor recall, a living over again of the sights and sounds and odors and the motor activities we have once experienced. There must also be the opportunity for the forming of worthy plans and ideals. For in this way the brain centers which were concerned in the original sensation or thought or movement are again brought into exercise, and their development continued. Through recall and imagination we are able not only greatly to multiply the effects of the immediate sensory and motor stimuli which come to us, but also to improve our power of thinking by getting a fund of material upon which the mind can draw. Order of Development in the Nervous System.—Nature has set the order in which the powers of the nervous system shall develop. And we must follow this order if we would obtain the best results. Stated in technical terms, the order is from fundamental to accessory. This is to say that the nerve centers controlling the larger and more general movements of the body ripen first,61 and those governing the finer motor adjustments later. For example, the larger body muscles of the child which are concerned with sitting up come under control earlier than those connected with walking. The arm muscles develop control earlier than the finger muscles, and the head and neck muscles earlier than the eye muscles. So also the more general and less highly specialized powers of the mind ripen sooner than the more highly specialized. Perception and observation precede powers of critical judgment and association. Memory and imagination ripen earlier than reasoning and the logical ability. This all means that our educational system must be planned to follow the order of nature. Children of the primary grades should not be required to write with fine pencils or pens which demand delicate finger adjustments, since the brain centers for these finer coördinations are not yet developed. Young children should not be set at work necessitating difficult eye control, such as stitching through perforated cardboard, reading fine print and the like, as their eyes are not yet ready for such tasks. The more difficult analytical problems of arithmetic and relations of grammar should not be required of pupils at a time when the association areas of the brain are not yet ready for this type of thinking. For such methods violate the law of nature, and the child is sure to suffer the penalty. 4. IMPORTANCE OF HEALTH AND VIGOR OF THE NERVOUS SYSTEM Parallel with opportunities for proper stimuli and response the nervous system must possess good tonicity, or vigor. This depends in large degree on general health62 and nutrition, with freedom from overfatigue. No favorableness of environment nor excellence of training can result in an efficient brain if the nerve energy has run low from depleted health, want of proper nourishment, or exhaustion. The Influence of Fatigue.—Histologists find that the nuclei of nerve cells are shrunk as much as fifty per cent by extreme fatigue. Reasonable fatigue followed by proper recuperation is not harmful, but even necessary if the best development is to be attained; but fatigue without proper nourishment and rest is fatal to all mental operations, and indeed finally to the nervous system itself, leaving it permanently in a condition of low tone, and incapable of rallying to strong effort. For rapid and complete recuperation the cells must have not only the best of nourishment but opportunity for rest as well. Extreme and long-continued fatigue is hostile to the development and welfare of any nervous system, and especially to that of children. Not only does overfatigue hinder growth, but it also results in the formation of certain toxins, or poisons, in the organism, which are particularly harmful to nervous tissue. It is these fatigue toxins that account for many of the nervous and mental disorders which accompany breakdowns from overwork. On the whole, the evil effects from mental overstrain are more to be feared than from physical overstrain. The Effects of Worry.—There is, perhaps, no greater foe to brain growth and efficiency than the nervous and worn-out condition which comes from loss of sleep or from worry. Experiments in the psychological laboratories have shown that nerve cells shrivel up and lose their vitality under loss of sleep. Let this go on for63 any considerable length of time, and the loss is irreparable; for the cells can never recuperate. This is especially true in the case of children or young people. Many school boys and girls, indeed many college students, are making slow progress in their studies not because they are mentally slow or inefficient, not even chiefly because they lose time that should be put on their lessons, but because they are incapacitating their brains for good service through late hours and the consequent loss of sleep. Add to this condition that of worry, which often accompanies it from the fact of failure in lessons, and a naturally good and well-organized nervous system is sure to fail. Worry, from whatever cause, should be avoided as one would avoid poison, if we would bring ourselves to the highest degree of efficiency. Not only does worry temporarily unfit the mind for its best work, but its evil results are permanent, since the mind is left with a poorly developed or undone nervous system through which to work, even after the cause for worry has been removed and the worry itself has ceased. Not only should each individual seek to control the causes of worry in his own life, but the home and the school should force upon childhood as few causes for worry as may be. Children's worry over fears of the dark, over sickness and death, over prospective but delayed punishment, over the thousand and one real or imaginary troubles of childhood, should be eliminated so far as possible. School examinations that prey on the peace of mind, threats of failure of promotion, all nagging and sarcasm, and whatever else may cause continued pain or worry to sensitive minds should be barred from our schoolroom methods and practice. The price we force the child to pay for results through their64 use is too great for them to be tolerated. We must seek a better way. The Factors in Good Nutrition.—For the best nutrition there is necessity first of all plenty of nourishing and healthful food. Science and experience have both disproved the supposition that students should be scantily fed. O'Shea claims that many brain workers are far short of their highest grade of efficiency because of starving their brains from poor diet. And not only must the food be of the right quality, but the body must be in good health. Little good to eat the best of food unless it is being properly digested and assimilated. And little good if all the rest is as it should be, and the right amount of oxidation does not go on in the brain so as to remove the worn-out cells and make place for new ones. This warns us that pure air and a strong circulation are indispensable to the best working of our brains. No doubt many students who find their work too hard for them might locate the trouble in their stomachs or their lungs or the food they eat, rather than in their minds. 5. PROBLEMS FOR INTROSPECTION AND OBSERVATION 1. Estimate the mental progress made by the child during the first five years and compare with that made during the second five years of its life. To do this make a list, so far as you are able, of the acquisitions of each period. What do you conclude as to the importance of play and freedom in early education? Why not continue this method instead of sending the child to school? 2. Which has the better opportunity for sensory training, the city child or the country child? For social training? For motor development through play? It is said by specialists that65 country children are not as good players as city children. Why should this be the case? 3. Observe carefully some group of children for evidences of lack of sensory training (Interest in sensory objects, skill in observation, etc.). For lack of motor training (Failure in motor control, awkwardness, lack of skill in play, etc.). Do you find that general mental ability seems to be correlated with sensory and motor ability, or not? 4. What sensory training can be had from (1) geography, (2) agriculture, (3) arithmetic, (4) drawing? What lines of motor training ought the school to afford, (1) in general, (2) for the hand, (3) in the grace and poise of carriage or bearing, (4) in any other line? Make observation tests of these points in one or more school rooms and report the results. 5. Describe what you think must be the type of mental life of Helen Keller. (Read "The World I Live In," by Helen Keller.) 6. Study groups of children for signs of deficiency in brain power from lack of nutrition. From fatigue. From worry. From lack of sleep. 66CHAPTER V HABIT Habit is our "best friend or worst enemy." We are "walking bundles of habits." Habit is the "fly-wheel of society," keeping men patient and docile in the hard or disagreeable lot which some must fill. Habit is a "cable which we cannot break." So say the wise men. Let me know your habits of life and you have revealed your moral standards and conduct. Let me discover your intellectual habits, and I understand your type of mind and methods of thought. In short, our lives are largely a daily round of activities dictated by our habits in this line or that. Most of our movements and acts are habitual; we think as we have formed the habit of thinking; we decide as we are in the habit of deciding; we sleep, or eat, or speak as we have grown into the habit of doing these things; we may even say our prayers or perform other religious exercises as matters of habit. But while habit is the veriest tyrant, yet its good offices far exceed the bad even in the most fruitless or depraved life. 1. THE NATURE OF HABIT Many people when they speak or think of habit give the term a very narrow or limited meaning. They have in mind only certain moral or personal tendencies usually spoken of as one's "habits." But in order to understand habit in any thorough and complete way we must,67 as suggested by the preceding paragraph, broaden our concept to include every possible line of physical and mental activity. Habit may be defined as the tendency of the nervous system to repeat any act that has been performed once or many times. The Physical Basis of Habit.—Habit is to be explained from the standpoint of its physical basis. Habits are formed because the tissues of our brains are capable of being modified by use, and of so retaining the effects of this modification that the same act is easier of performance each succeeding time. This results in the old act being repeated instead of a new one being selected, and hence the old act is perpetuated. Even dead and inert matter obeys the same principles in this regard as does living matter. Says M. Leon Dumont: "Everyone knows how a garment, having been worn a certain time, clings to the shape of the body better than when it was new; there has been a change in the tissue, and this change is a new habit of cohesion; a lock works better after having been used some time; at the outset more force was required to overcome certain roughness in the mechanism. The overcoming of this resistance is a phenomenon of habituation. It costs less trouble to fold a paper when it has been folded already. This saving of trouble is due to the essential nature of habit, which brings it about that, to reproduce the effect, a less amount of the outward cause is required. The sounds of a violin improve by use in the hands of an able artist, because the fibers of the wood at last contract habits of vibration conformed to harmonic relations. This is what gives such inestimable value to instruments that have belonged to great masters. Water, in flowing, hollows out for itself a channel, which grows broader and deeper; and,68 after having ceased to flow, it resumes when it flows again the path traced for itself before. Just so, the impressions of outer objects fashion for themselves in the nervous system more and more appropriate paths, and these vital phenomena recur under similar excitements from without, when they have been interrupted for a certain time."[2] All Living Tissue Plastic.—What is true of inanimate matter is doubly true of living tissue. The tissues of the human body can be molded into almost any form you choose if taken in time. A child may be placed on his feet at too early an age, and the bones of his legs form the habit of remaining bent. The Flathead Indian binds a board on the skull of his child, and its head forms the habit of remaining flat on the top. Wrong bodily postures produce curvature of the spine, and pernicious modes of dress deform the bones of the chest. The muscles may be trained into the habit of keeping the shoulders straight or letting them droop; those of the back, to keep the body well up on the hips, or to let it sag; those of locomotion, to give us a light, springy step, or to allow a shuffling carriage; those of speech, to give us a clear-cut, accurate articulation, or a careless, halting one; and those of the face, to give us a cheerful cast of countenance, or a glum and morose expression. Habit a Modification of Brain Tissue.—But the nervous tissue is the most sensitive and easily molded of all bodily tissues. In fact, it is probable that the real habit of our characteristic walk, gesture, or speech resides in the brain, rather than in the muscles which it controls. So delicate is the organization of the brain structure and so unstable its molecules, that even the perfume of the flower, which assails the nose of a child, the song69 of a bird, which strikes his ear, or the fleeting dream, which lingers but for a second in his sleep, has so modified his brain that it will never again be as if these things had not been experienced. Every sensory current which runs in from the outside world; every motor current which runs out to command a muscle; every thought that we think, has so modified the nerve structure through which it acts, that a tendency remains for a like act to be repeated. Our brain and nervous system is daily being molded into fixed habits of acting by our thoughts and deeds, and thus becomes the automatic register of all we do. The old Chinese fairy story hits upon a fundamental and vital truth. These celestials tell their children that each child is accompanied by day and by night, every moment of his life, by an invisible fairy, who is provided with a pencil and tablet. It is the duty of this fairy to put down every deed of the child, both good and evil, in an indelible record which will one day rise as a witness against him. So it is in very truth with our brains. The wrong act may have been performed in secret, no living being may ever know that we performed it, and a merciful Providence may forgive it; but the inexorable monitor of our deeds was all the time beside us writing the record, and the history of that act is inscribed forever in the tissues of our brain. It may be repented of bitterly in sackcloth and ashes and be discontinued, but its effects can never be quite effaced; they will remain with us a handicap till our dying day, and in some critical moment in a great emergency we shall be in danger of defeat from that long past and forgotten act. We Must Form Habits.—We must, then, form habits. It is not at all in our power to say whether we will form habits or not; for, once started, they go on forming70 themselves by day and night, steadily and relentlessly. Habit is, therefore, one of the great factors to be reckoned with in our lives, and the question becomes not, Shall we form habits? but What habits we shall form. And we have the determining of this question largely in our own power, for habits do not just happen, nor do they come to us ready made. We ourselves make them from day to day through the acts we perform, and in so far as we have control over our acts, in that far we can determine our habits. 2. THE PLACE OF HABIT IN THE ECONOMY OF OUR LIVES Habit is one of nature's methods of economizing time and effort, while at the same time securing greater skill and efficiency. This is easily seen when it is remembered that habit tends towards automatic action; that is, towards action governed by the lower nerve centers and taking care of itself, so to speak, without the interference of consciousness. Everyone has observed how much easier in the performance and more skillful in its execution is the act, be it playing a piano, painting a picture, or driving a nail, when the movements involved have ceased to be consciously directed and become automatic. Habit Increases Skill and Efficiency.—Practically all increase in skill, whether physical or mental, depends on our ability to form habits. Habit holds fast to the skill already attained while practice or intelligence makes ready for the next step in advance. Could we not form habits we should improve but little in our way of doing things, no matter how many times we did them over. We should now be obliged to go through the same71 bungling process of dressing ourselves as when we first learned it as children. Our writing would proceed as awkwardly in the high school as the primary, our eating as adults would be as messy and wide of the mark as when we were infants, and we should miss in a thousand ways the motor skill that now seems so easy and natural. All highly skilled occupations, and those demanding great manual dexterity, likewise depend on our habit-forming power for the accurate and automatic movements required. So with mental skill. A great portion of the fundamentals of our education must be made automatic—must become matters of habit. We set out to learn the symbols of speech. We hear words and see them on the printed page; associated with these words are meanings, or ideas. Habit binds the word and the idea together, so that to think of the one is to call up the other—and language is learned. We must learn numbers, so we practice the "combinations," and with 4×6, or 3×8 we associate 24. Habit secures this association in our minds, and lo! we soon know our "tables." And so on throughout the whole range of our learning. We learn certain symbols, or facts, or processes, and habit takes hold and renders these automatic so that we can use them freely, easily, and with skill, leaving our thought free for matters that cannot be made automatic. One of our greatest dangers is that we shall not make sufficiently automatic, enough of the necessary foundation material of education. Failing in this, we shall at best be but blunderers intellectually, handicapped because we failed to make proper use of habit in our development. For, as we have seen in an earlier chapter, there is a limit to our mental energy and also to the number of objects to which we are able to attend. It is only when72 attention has been freed from the many things that can always be thought or done in the same way, that the mind can devote itself to the real problems that require judgment, imagination or reasoning. The writer whose spelling and punctuation do not take care of themselves will hardly make a success of writing. The mathematician whose number combinations, processes and formulæ are not automatic in his mind can never hope to make progress in mathematical thinking. The speaker who, while speaking, has to think of his gestures, his voice or his enunciation will never sway audiences by his logic or his eloquence. Habit Saves Effort and Fatigue.—We do most easily and with least fatigue that which we are accustomed to do. It is the new act or the strange task that tires us. The horse that is used to the farm wearies if put on the road, while the roadster tires easily when hitched to the plow. The experienced penman works all day at his desk without undue fatigue, while the man more accustomed to the pick and the shovel than to the pen, is exhausted by a half hour's writing at a letter. Those who follow a sedentary and inactive occupation do not tire by much sitting, while children or others used to freedom and action may find it a wearisome task merely to remain still for an hour or two. Not only would the skill and speed demanded by modern industry be impossible without the aid of habit, but without its help none could stand the fatigue and strain. The new workman placed at a high-speed machine is ready to fall from weariness at the end of his first day. But little by little he learns to omit the unnecessary movements, the necessary movements become easier and more automatic through habit, and he finds the work easier. We may conclude, then, that not only73 do consciously directed movements show less skill than the same movements made automatic by habit, but they also require more effort and produce greater fatigue. Habit Economizes Moral Effort.—To have to decide each time the question comes up whether we will attend to this lecture or sermon or lesson; whether we will persevere and go through this piece of disagreeable work which we have begun; whether we will go to the trouble of being courteous and kind to this or that poor or unlovely or dirty fellow-mortal; whether we will take this road because it looks easy, or that one because we know it to be the one we ought to take; whether we will be strictly fair and honest when we might just as well be the opposite; whether we will resist the temptation which dares us; whether we will do this duty, hard though it is, which confronts us—to have to decide each of these questions every time it presents itself is to put too large a proportion of our thought and energy on things which should take care of themselves. For all these things should early become so nearly habitual that they can be settled with the very minimum of expenditure of energy when they arise. The Habit of Attention.—It is a noble thing to be able to attend by sheer force of will when the interest lags, or some more attractive thing appears, but far better is it so to have formed the habit of attention that we naturally fall into that attitude when this is the desirable thing. To understand what I mean, you only have to look over a class or an audience and note the different ways which people have of finally settling down to listening. Some with an attitude which says, "Now here I am, ready to listen to you if you will interest me, otherwise not." Others with a manner which says, "I did not really come here expecting to listen, and you will have74 a large task if you interest me; I never listen unless I am compelled to, and the responsibility rests on you." Others plainly say, "I really mean to listen, but I have hard work to control my thoughts, and if I wander I shall not blame you altogether; it is just my way." And still others say, "When I am expected to listen, I always listen whether there is anything much to listen to or not. I have formed that habit, and so have no quarrel with myself about it. You can depend on me to be attentive, for I cannot afford to weaken my habit of attention whether you do well or not." Every speaker will clasp these last listeners to his heart and feed them on the choicest thoughts of his soul; they are the ones to whom he speaks and to whom his address will appeal. Habit Enables Us to Meet the Disagreeable.—To be able to persevere in the face of difficulties and hardships and carry through the disagreeable thing in spite of the protests of our natures against the sacrifice which it requires, is a creditable thing; but it is more creditable to have so formed the habit of perseverance that the disagreeable duty shall be done without a struggle, or protest, or question. Horace Mann testifies of himself that whatever success he was able to attain was made possible through the early habit which he formed of never stopping to inquire whether he liked to do a thing which needed doing, but of doing everything equally well and without question, both the pleasant and the unpleasant. The youth who can fight out a moral battle and win against the allurements of some attractive temptation is worthy the highest honor and praise; but so long as he has to fight the same battle over and over again, he is on dangerous ground morally. For good morals must finally become habits, so ingrained in us that the right75 decision comes largely without effort and without struggle. Otherwise the strain is too great, and defeat will occasionally come; and defeat means weakness and at last disaster, after the spirit has tired of the constant conflict. And so on in a hundred lines. Good habits are more to be coveted than individual victories in special cases, much as these are to be desired. For good habits mean victories all along the line. Habit the Foundation of Personality.—The biologist tells us that it is the constant and not the occasional in the environment that impresses itself on an organism. So also it is the habitual in our lives that builds itself into our character and personality. In a very real sense we are what we are in the habit of doing and thinking. Without habit, personality could not exist; for we could never do a thing twice alike, and hence would be a new person each succeeding moment. The acts which give us our own peculiar individuality are our habitual acts—the little things that do themselves moment by moment without care or attention, and are the truest and best expression of our real selves. Probably no one of us could be very sure which arm he puts into the sleeve, or which foot he puts into the shoe, first; and yet each of us certainly formed the habit long ago of doing these things in a certain way. We might not be able to describe just how we hold knife and fork and spoon, and yet each has his own characteristic and habitual way of handling them. We sit down and get up in some characteristic way, and the very poise of our heads and attitudes of our bodies are the result of habit. We get sleepy and wake up, become hungry and thirsty at certain hours, through force of habit. We form the habit of liking a certain chair, or nook, or corner, or path, or desk, and then seek this to the exclusion76 of all others. We habitually use a particular pitch of voice and type of enunciation in speaking, and this becomes one of our characteristic marks; or we form the habit of using barbarisms or solecisms of language in youth, and these cling to us and become an inseparable part of us later in life. On the mental side the case is no different. Our thinking is as characteristic as our physical acts. We may form the habit of thinking things out logically, or of jumping to conclusions; of thinking critically and independently, or of taking things unquestioningly on the authority of others. We may form the habit of carefully reading good, sensible books, or of skimming sentimental and trashy ones; of choosing elevating, ennobling companions, or the opposite; of being a good conversationalist and doing our part in a social group, or of being a drag on the conversation, and needing to be "entertained." We may form the habit of observing the things about us and enjoying the beautiful in our environment, or of failing to observe or to enjoy. We may form the habit of obeying the voice of conscience or of weakly yielding to temptation without a struggle; of taking a reverent attitude of prayer in our devotions, or of merely saying our prayers. Habit Saves Worry and Rebellion.—Habit has been called the "balance wheel" of society. This is because men readily become habituated to the hard, the disagreeable, or the inevitable, and cease to battle against it. A lot that at first seems unendurable after a time causes less revolt. A sorrow that seems too poignant to be borne in the course of time loses some of its sharpness. Oppression or injustice that arouses the fiercest resentment and hate may finally come to be accepted77 with resignation. Habit helps us learn that "what cannot be cured must be endured." 3. THE TYRANNY OF HABIT Even Good Habits Need to Be Modified.—But even in good habits there is danger. Habit is the opposite of attention. Habit relieves attention of unnecessary strain. Every habitual act was at one time, either in the history of the race or of the individual, a voluntary act; that is, it was performed under active attention. As the habit grew, attention was gradually rendered unnecessary, until finally it dropped entirely out. And herein lies the danger. Habit once formed has no way of being modified unless in some way attention is called to it, for a habit left to itself becomes more and more firmly fixed. The rut grows deeper. In very few, if any, of our actions can we afford to have this the case. Our habits need to be progressive, they need to grow, to be modified, to be improved. Otherwise they will become an incrusting shell, fixed and unyielding, which will limit our growth. It is necessary, then, to keep our habitual acts under some surveillance of attention, to pass them in review for inspection every now and then, that we may discover possible modifications which will make them more serviceable. We need to be inventive, constantly to find out better ways of doing things. Habit takes care of our standing, walking, sitting; but how many of us could not improve his poise and carriage if he would? Our speech has become largely automatic, but no doubt all of us might remove faults of enunciation, pronunciation or stress from our speaking. So also we might better our78 habits of study and thinking, our methods of memorizing, or our manner of attending. The Tendency of "Ruts."—But this will require something of heroism. For to follow the well-beaten path of custom is easy and pleasant, while to break out of the rut of habit and start a new line of action is difficult and disturbing. Most people prefer to keep doing things as they always have done them, to continue reading and thinking and believing as they have long been in the habit of doing, not so much because they feel that their way is best, but because it is easier than to change. Hence the great mass of us settle down on the plane of mediocrity, and become "old fogy." We learn to do things passably well, cease to think about improving our ways of doing them, and so fall into a rut. Only the few go on. They make use of habit as the rest do, but they also continue to attend at critical points of action, and so make habit an ally in place of accepting it as a tyrant. 4. HABIT-FORMING A PART OF EDUCATION It follows from the importance of habit in our lives that no small part of education should be concerned with the development of serviceable habits. Says James, "Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our own fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never-so-little scar." Any youth who is forming a large number of useful habits is receiving no mean education, no matter if his knowledge of books may be limited; on the other hand, no one who is forming a large79 number of bad habits is being well educated, no matter how brilliant his knowledge may be. Youth the Time for Habit-forming.—Childhood and youth is the great time for habit-forming. Then the brain is plastic and easily molded, and it retains its impressions more indelibly; later it is hard to modify, and the impressions made are less permanent. It is hard to teach an old dog new tricks; nor would he remember them if you could teach them to him, nor be able to perform them well even if he could remember them. The young child will, within the first few weeks of its life, form habits of sleeping and feeding. It may in a few days be led into the habit of sleeping in the dark, or requiring a light; of going to sleep lying quietly, or of insisting upon being rocked; of getting hungry by the clock, or of wanting its food at all times when it finds nothing else to do, and so on. It is wholly outside the power of the mother or the nurse to determine whether the child shall form habits, but largely within their power to say what habits shall be formed, since they control his acts. As the child grows older, the range of his habits increases; and by the time he has reached his middle teens, the greater number of his personal habits are formed. It is very doubtful whether a boy who has not formed habits of punctuality before the age of fifteen will ever be entirely trustworthy in matters requiring precision in this line. The girl who has not, before this age, formed habits of neatness and order will hardly make a tidy housekeeper later in her life. Those who in youth have no opportunity to habituate themselves to the usages of society may study books on etiquette and employ private instructors in the art of polite behavior all they please later in life, but they will never cease to80 be awkward and ill at ease. None are at a greater disadvantage than the suddenly-grown-rich who attempt late in life to surround themselves with articles of art and luxury, though their habits were all formed amid barrenness and want during their earlier years. The Habit of Achievement.—What youth does not dream of being great, or noble, or a celebrated scholar! And how few there are who finally achieve their ideals! Where does the cause of failure lie? Surely not in the lack of high ideals. Multitudes of young people have "Excelsior!" as their motto, and yet never get started up the mountain slope, let alone toiling on to its top. They have put in hours dreaming of the glory farther up, and have never begun to climb. The difficulty comes in not realizing that the only way to become what we wish or dream that we may become is to form the habit of being that thing. To form the habit of achievement, of effort, of self-sacrifice, if need be. To form the habit of deeds along with dreams; to form the habit of doing. Who of us has not at this moment lying in wait for his convenience in the dim future a number of things which he means to do just as soon as this term of school is finished, or this job of work is completed, or when he is not so busy as now? And how seldom does he ever get at these things at all! Darwin tells that in his youth he loved poetry, art, and music, but was so busy with his scientific work that he could ill spare the time to indulge these tastes. So he promised himself that he would devote his time to scientific work and make his mark in this. Then he would have time for the things that he loved, and would cultivate his taste for the fine arts. He made his mark in the field of science, and then turned again to poetry, to music, to art. But alas! they were all dead and dry bones to him, without life or interest.81 He had passed the time when he could ever form the taste for them. He had formed his habits in another direction, and now it was forever too late to form new habits. His own conclusion is, that if he had his life to live over again, he would each week listen to some musical concert and visit some art gallery, and that each day he would read some poetry, and thereby keep alive and active the love for them. So every school and home should be a species of habit-factory—a place where children develop habits of neatness, punctuality, obedience, politeness, dependability and the other graces of character. 5. RULES FOR HABIT-FORMING James's Three Maxims for Habit-forming.—On the forming of new habits and the leaving off of old ones, I know of no better statement than that of James, based on Bain's chapter on "Moral Habits." I quote this statement at some length: "In the acquisition of a new habit, or the leaving off of an old one, we must take care to launch ourselves with as strong and decided an initiative as possible. Accumulate all the possible circumstances which shall reënforce right motives; put yourself assiduously in conditions that encourage the new way; make engagements incompatible with the old; take a public pledge, if the case allows; in short, develop your resolution with every aid you know. This will give your new beginning such a momentum that the temptation to break down will not occur as soon as it otherwise might; and every day during which a breakdown is postponed adds to the chances of its not occurring at all. "The second maxim is: Never suffer an exception to82 occur until the new habit is securely rooted in your life. Each lapse is like letting fall a ball of string which one is carefully winding up; a single slip undoes more than a great many turns will wind again. Continuity of training is the great means of making the nervous system act infallibly right.... The need of securing success nerves one to future vigor. "A third maxim may be added to the preceding pair: Seize the very first possible opportunity to act on every resolution you make, and on every emotional prompting you may experience in the direction of the habits you aspire to gain. It is not in the moment of their forming, but in the moment of their producing motor effects, that resolves and aspirations communicate the new 'set' to the brain."[3] The Preponderance of Good Habits Over Bad.—And finally, let no one be disturbed or afraid because in a little time you become a "walking bundle of habits." For in so far as your good actions predominate over your bad ones, that much will your good habits outweigh your bad habits. Silently, moment by moment, efficiency is growing out of all worthy acts well done. Every bit of heroic self-sacrifice, every battle fought and won, every good deed performed, is being irradicably credited to you in your nervous system, and will finally add its mite toward achieving the success of your ambitions. 6. PROBLEMS IN OBSERVATION AND INTROSPECTION 1. Select some act which you have recently begun to perform and watch it grow more and more habitual. Notice carefully for a week and see whether you do not discover83 some habits which you did not know you had. Make a catalog of your bad habits; of the most important of your good ones. 2. Set out to form some new habits which you desire to possess; also to break some undesirable habit, watching carefully what takes place in both cases, and how long it requires. 3. Try the following experiment and relate the results to the matter of automatic control brought about by habit: Draw a star on a sheet of cardboard. Place this on a table before you, with a hand-mirror so arranged that you can see the star in the mirror. Now trace the outline of the star with a pencil, looking steadily in the mirror to guide your hand. Do not lift the pencil from the paper from the time you start until you finish. Have others try this experiment. 4. Study some group of pupils for their habits (1) of attention, (2) of speech, (3) of standing, sitting, and walking, (4) of study. Report on your observations and suggest methods of curing bad habits observed. 5. Make a list of "mannerisms" you have observed, and suggest how they may be cured. 6. Make a list of from ten to twenty habits which you think the school and its work should especially cultivate. What ones of these are the schools you know least successful in cultivating? Where does the trouble lie? 84CHAPTER VI SENSATION We can best understand the problems of sensation and perception if we first think of the existence of two great worlds—the world of physical nature without and the world of mind within. On the one hand is our material environment, the things we see and hear and touch and taste and handle; and on the other hand our consciousness, the means by which we come to know this outer world and adjust ourselves to it. These two worlds seem in a sense to belong to and require each other. For what would be the meaning or use of the physical world with no mind to know or use it; and what would be the use of a mind with nothing to be known or thought about? 1. HOW WE COME TO KNOW THE EXTERNAL WORLD There is a marvel about our coming to know the external world which we shall never be able fully to understand. We have come by this knowledge so gradually and unconsciously that it now appears to us as commonplace, and we take for granted many things that it would puzzle us to explain. Knowledge through the Senses.—For example, we say, "Of course I see yonder green tree: it is about ten rods distant." But why "of course"? Why should objects at a distance from us and with no evident connection85 between us and them be known to us at all merely by turning our eyes in their direction when there is light? Why not rather say with the blind son of Professor Puiseaux of Paris, who, when asked if he would like to be restored to sight, answered: "If it were not for curiosity I would rather have long arms. It seems to me that my hands would teach me better what is passing in the moon than your eyes or telescopes." We listen and then say, "Yes, that is a certain bell ringing in the neighboring village," as if this were the most simple thing in the world. But why should one piece of metal striking against another a mile or two away make us aware that there is a bell there at all, let alone that it is a certain bell whose tone we recognize? Or we pass our fingers over a piece of cloth and decide, "That is silk." But why, merely by placing our skin in contact with a bit of material, should we be able to know its quality, much less that it is cloth and that its threads were originally spun by an insect? Or we take a sip of liquid and say, "This milk is sour." But why should we be able by taking the liquid into the mouth and bringing it into contact with the mucous membrane to tell that it is milk, and that it possesses the quality which we call sour? Or, once more, we get a whiff of air through the open window in the springtime and say, "There is a lilac bush in bloom on the lawn." Yet why, from inhaling air containing particles of lilac, should we be able to know that there is anything outside, much less that it is a flower and of a particular variety which we call lilac? Or, finally, we hold a heated flatiron up near the cheek and say, "This is too hot! it will burn the cloth." But why by holding this object a foot away from the face do we know that it is there, let alone knowing its temperature?86 The Unity of Sensory Experience.—Further, our senses come through experience to have the power of fusing, or combining their knowledge, so to speak, by which each expresses its knowledge in terms of the others. Thus we take a glance out of the window and say that the day looks cold, although we well know that we cannot see cold. Or we say that the melon sounds green, or the bell sounds cracked, although a crack or greenness cannot be heard. Or we say that the box feels empty, although emptiness cannot be felt. We have come to associate cold, originally experienced with days which look like the one we now see, with this particular appearance, and so we say we see the cold; sounds like the one coming from the bell we have come to associate with cracked bells, and that coming from the melon with green melons, until we say unhesitatingly that the bell sounds cracked and the melon sounds green. And so with the various senses. Each gleans from the world its own particular bit of knowledge, but all are finally in a partnership and what is each one's knowledge belongs to every other one in so far as the other can use it. The Sensory Processes to Be Explained.—The explanation of the ultimate nature of knowledge, and how we reach it through contact with our material environment, we will leave to the philosophers. And battles enough they have over the question, and still others they will have before the matter is settled. The easier and more important problem for us is to describe the processes by which the mind comes to know its environment, and to see how it uses this knowledge in thinking. This much we shall be able to do, for it is often possible to describe a process and discover its laws even when we cannot fully explain its nature and origin. We know87 the process of digestion and assimilation, and the laws which govern them, although we do not understand the ultimate nature and origin of life which makes these possible. The Qualities of Objects Exist in the Mind.—Yet even in the relatively simple description which we have proposed many puzzles confront us, and one of them appears at the very outset. This is that the qualities which we usually ascribe to objects really exist in our own minds and not in the objects at all. Take, for instance, the common qualities of light and color. The physicist tells us that what we see as light is occasioned by an incredibly rapid beating of ether waves on the retina of the eye. All space is filled with this ether; and when it is light—that is, when some object like the sun or other light-giving body is present—the ether is set in motion by the vibrating molecules of the body which is the source of light, its waves strike the retina, a current is produced and carried to the brain, and we see light. This means, then, that space, the medium in which we see objects, is not filled with light (the sensation), but with very rapid waves of ether, and that the light which we see really occurs in our own minds as the mental response to the physical stimulus of ether waves. Likewise with color. Color is produced by ether waves of different lengths and degrees of rapidity. Thus ether waves at the rate of 450 billions a second give us the sensation of red; of 472 billions a second, orange; of 526 billions a second, yellow; of 589 billions a second, green; of 640 billions a second, blue; of 722 billions a second, indigo; of 790 billions a second, violet. What exists outside of us, then, is these ether waves of different rates, and not the colors (as sensations)88 themselves. The beautiful yellow and crimson of a sunset, the variegated colors of a landscape, the delicate pink in the cheek of a child, the blush of a rose, the shimmering green of the lake—these reside not in the objects themselves, but in the consciousness of the one who sees them. The objects possess but the quality of reflecting back to the eye ether waves of the particular rate corresponding to the color which we ascribe to them. Thus "red" objects, and no others, reflect back ether waves of a rate of 450 billions a second: "white" objects reflect all rates; "black" objects reflect none. The case is no different with regard to sound. When we speak of a sound coming from a bell, what we really mean is that the vibrations of the bell have set up waves in the air between it and our ear, which have produced corresponding vibrations in the ear; that a nerve current was thereby produced; and that a sound was heard. But the sound (i.e., sensation) is a mental thing, and exists only in our own consciousness. What passed between the sounding object and ourselves was waves in the intervening air, ready to be translated through the machinery of nerves and brain into the beautiful tones and melodies and harmonies of the mind. And so with all other sensations. The Three Sets of Factors.—What exists outside of us therefore is a stimulus, some form of physical energy, of a kind suitable to excite to activity a certain end-organ of taste, or touch, or smell, or sight, or hearing; what exists within us is the nervous machinery capable of converting this stimulus into a nerve current which shall produce an activity in the cortex of the brain; what results is the mental object which we call a sensation of taste, smell, touch, sight, or hearing.89 2. THE NATURE OF SENSATION Sensation Gives Us Our World of Qualities.—In actual experience sensations are never known apart from the objects to which they belong. This is to say that when we see yellow or red it is always in connection with some surface, or object; when we taste sour, this quality belongs to some substance, and so on with all the senses. Yet by sensation we mean only the simple qualities of objects known in consciousness as the result of appropriate stimuli applied to end-organs. We shall later see how by perception these qualities fuse or combine to form objects, but in the present chapter we shall be concerned with the qualities only. Sensations are, then, the simplest and most elementary knowledge we may get from the physical world,—the red, the blue, the bitter, the cold, the fragrant, and whatever other qualities may belong to the external world. We shall not for the present be concerned with the objects or sources from which the qualities may come. To quote James on the meaning of sensation: "All we can say on this point is that what we mean by sensations are first things in the way of consciousness. They are the immediate results upon consciousness of nerve currents as they enter the brain, and before they have awakened any suggestions or associations with past experience. But it is obvious that such immediate sensations can be realized only in the earliest days of life." The Attributes of Sensation.—Sensations differ from each other in at least four respects; namely, quality, intensity, extensity, and duration. It is a difference in quality that makes us say, "This paper is red, and that, blue; this liquid is sweet, and that, sour." Differences in quality are therefore fundamental90 differences in kind. Besides the quality-differences that exist within the same general field, as of taste or vision, it is evident that there is a still more fundamental difference existing between the various fields. One can, for example, compare red with blue or sweet with sour, and tell which quality he prefers. But let him try to compare red with sweet, or blue with sour, and the quality-difference is so profound that there seems to be no basis for comparison. Differences in intensity of sensation are familiar to every person who prefers two lumps of sugar rather than one lump in his coffee; the sweet is of the same quality in either case, but differs in intensity. In every field of sensation, the intensity may proceed from the smallest amount to the greatest amount discernible. In general, the intensity of the sensation depends on the intensity of the stimulus, though the condition of the sense-organ as regards fatigue or adaptation to the stimulus has its effect. It is obvious that a stimulus may be too weak to produce any sensation; as, for example, a few grains of sugar in a cup of coffee or a few drops of lemon in a quart of water could not be detected. It is also true that the intensity of the stimulus may be so great that an increase in intensity produces no effect on the sensation; as, for example, the addition of sugar to a solution of saccharine would not noticeably increase its sweetness. The lowest and highest intensity points of sensation are called the lower and upper limen, or threshold, respectively. By extensity is meant the space-differences of sensations. The touch of the point of a toothpick on the skin has a different space quality from the touch of the flat end of a pencil. Low tones seem to have more volume than high tones. Some pains feel sharp and91 others dull and diffuse. The warmth felt from spreading the palms of the hands out to the fire has a "bigness" not felt from heating one solitary finger. The extensity of a sensation depends on the number of nerve endings stimulated. The duration of a sensation refers to the time it lasts. This must not be confused with the duration of the stimulus, which may be either longer or shorter than the duration of the sensation. Every sensation must exist for some space of time, long or short, or it would have no part in consciousness. 3. SENSORY QUALITIES AND THEIR END-ORGANS All are familiar with the "five senses" of our elementary physiologies, sight, hearing, taste, smell, and touch. A more complete study of sensation reveals nearly three times this number, however. This is to say that the body is equipped with more than a dozen different kinds of end-organs, each prepared to receive its own particular type of stimulus. It must also be understood that some of the end-organs yield more than one sense. The eye, for example, gives not only visual but muscular sensations; the ear not only auditory, but tactual; the tongue not only gustatory, but tactual and cold and warmth sensations. Sight.—Vision is a distance sense; we can see afar off. The stimulus is chemical in its action; this means that the ether waves, on striking the retina, cause a chemical change which sets up the nerve current responsible for the sensation. The eye, whose general structure is sufficiently described in all standard physiologies, consists of a visual apparatus designed to bring the images of objects to a92 clear focus on the retina at the fovea, or area of clearest vision, near the point of entrance of the optic nerve. The sensation of sight coming from this retinal image unaided by other sensations gives us but two qualities, light and color. The eye can distinguish many different grades of light from purest white on through the various grays to densest black. The range is greater still in color. We speak of the seven colors of the spectrum, violet, indigo, blue, green, yellow, orange, and red. But this is not a very serviceable classification, since the average eye can distinguish about 35,000 color effects. It is also somewhat bewildering to find that all these colors seem to be produced from the four fundamental hues, red, green, yellow, and blue, plus the various tints. These four, combined in varying proportions and with different degrees of light (i.e., different shades of gray), yield all the color effects known to the human eye. Herschel estimates that the workers on the mosaics at Rome must have distinguished 30,000 different color tones. The hue of a color refers to its fundamental quality, as red or yellow; the chroma, to its saturation, or the strength of the color; and the tint, to the amount of brightness (i.e., white) it contains. Hearing.—Hearing is also a distance sense. The action of its stimulus is mechanical, which is to say that the vibrations produced in the air by the sounding body are finally transmitted by the mechanism of the middle ear to the inner ear. Here the impulse is conveyed through the liquid of the internal ear to the nerve endings as so many tiny blows, which produce the nerve current carried to the brain by the auditory nerve. The sensation of hearing, like that of sight, gives us two qualities: namely, tones with their accompanying pitch and timbre, and noises. Tones, or musical sounds,93 are produced by isochronous or equal-timed vibrations; thus C of the first octave is produced by 256 vibrations a second, and if this tone is prolonged the vibration rate will continue uniformly the same. Noises, on the other hand, are produced by vibrations which have no uniformity of vibration rate. The ear's sensibility to pitch extends over about seven octaves. The seven-octave piano goes down to 27-1/2 vibrations and reaches up to 3,500 vibrations. Notes of nearly 50,000 vibrations can be heard by an average ear, however, though these are too painfully shrill to be musical. Taking into account this upper limit, the range of the ear is about eleven octaves. The ear, having given us loudness of tones, which depends on the amplitude of the vibrations, pitch, which depends on the rapidity of the vibrations, and timbre, or quality, which depends on the complexity of the vibrations, has no further qualities of sound to reveal. Taste.—The sense of taste is located chiefly in the tongue, over the surface of which are scattered many minute taste-bulbs. These can be seen as small red specks, most plentifully distributed along the edges and at the tip of the tongue. The substance tasted must be in solution, and come in contact with the nerve endings. The action of the stimulus is chemical. The sense of taste recognizes the four qualities of sour, sweet, salt, and bitter. Many of the qualities which we improperly call tastes are in reality a complex of taste, smell, touch, and temperature. Smell contributes so largely to the sense of taste that many articles of food become "tasteless" when we have a catarrh, and many nauseating doses of medicine can be taken without discomfort if the nose is held. Probably none of us, if we are careful to exclude all odors by plugging94 the nostrils with cotton, can by taste distinguish between scraped apple, potato, turnip, or beet, or can tell hot milk from tea or coffee of the same temperature. Smell.—In the upper part of the nasal cavity lies a small brownish patch of mucous membrane. It is here that the olfactory nerve endings are located. The substance smelled must be volatile, that is, must exist in gaseous form, and come in direct contact with the nerve endings. Chemical action results in a nerve current. The sensations of smell have not been classified so well as those of taste, and we have no distinct names for them. Neither do we know how many olfactory qualities the sense of smell is capable of revealing. The only definite classification of smell qualities is that based on their pleasantness or the opposite. We also borrow a few terms and speak of sweet or fragrant odors and fresh or close smells. There is some evidence when we observe animals, or even primitive men, that the human race has been evolving greater sensibility to certain odors, while at the same time there has been a loss of keenness of what we call scent. Various Sensations from the Skin.—The skin, besides being a protective and excretory organ, affords a lodging-place for the end-organs giving us our sense of pressure, pain, cold, warmth, tickle, and itch. Pressure seems to have for its end-organ the hair-bulbs of the skin; on hairless regions small bulbs called the corpuscles of Meissner serve this purpose. Pain is thought to be mediated by free nerve endings. Cold depends on end-organs called the bulbs of Krause; and warmth on the Ruffinian corpuscles. Cutaneous or skin sensation may arise from either mechanical stimulation, such as pressure, a blow, or tickling, from thermal stimulation from hot or cold objects,95 from electrical stimulation, or from the action of certain chemicals, such as acids and the like. Stimulated mechanically, the skin gives us but two sensation qualities, pressure and pain. Many of the qualities which we commonly ascribe to the skin sensations are really a complex of cutaneous and muscular sensations. Contact is light pressure. Hardness and softness depend on the intensity of the pressure. Roughness and smoothness arise from interrupted and continuous pressure, respectively, and require movement over the rough or smooth surface. Touch depends on pressure accompanied by the muscular sensations involved in the movements connected with the act. Pain is clearly a different sensation from pressure; but any of the cutaneous or muscular sensations may, by excessive stimulation, be made to pass over into pain. All parts of the skin are sensitive to pressure and pain; but certain parts, like the finger tips, and the tip of the tongue, are more highly sensitive than others. The skin varies also in its sensitivity to heat and cold. If we take a hot or a very cold pencil point and pass it rather lightly and slowly over the skin, it is easy to discover certain spots from which a sensation of warmth or of cold flashes out. In this way it is possible to locate the end-organs of temperature very accurately. Fig. 17.--Diagram showing distribution of hot and cold spots on the back of the hand. C, cold spots; H, hot spots. Fig. 17.—Diagram showing distribution of hot and cold spots on the back of the hand. C, cold spots; H, hot spots. 96The Kinæsthetic Senses.—The muscles, tendons, and joints also give rise to perfectly definite sensations, but they have not been named as have the sensations from most of the other end-organs. Weight is the most clearly marked of these sensations. It is through the sensations connected with movements of muscles, tendons, and joints that we come to judge form, size, and distance. The Organic Senses.—Finally, to the sensations mentioned so far must be added those which come from the internal organs of the body. From the alimentary canal we get the sensations of hunger, thirst, and nausea; from the heart, lungs, and organs of sex come numerous well-defined but unnamed sensations which play an important part in making up the feeling-tone of our daily lives. Thus we see that the senses may be looked upon as the sentries of the body, standing at the outposts where nature and ourselves meet. They discover the qualities of the various objects with which we come in contact and hand them over to the mind in the form of sensations. And these sensations are the raw material out of which we begin to construct our material environment. Only as we are equipped with good organs of sense, especially good eyes and ears, therefore, are we able to enter fully into the wonderful world about us and receive the stimuli necessary to our thought and action. 4. PROBLEMS IN OBSERVATION AND INTROSPECTION 1. Observe a schoolroom of children at work with the aim of discovering any that show defects of vision or hearing. What are the symptoms? What is the effect of inability to hear or see well upon interest and attention? 2. Talk with your teacher about testing the eyes and ears of the children of some school. The simpler tests for vision97 and hearing are easily applied, and the expense for material almost nothing. What tests should be used? Does your school have the test card for vision? 3. Use a rotator or color tops for mixing discs of white and black to produce different shades of gray. Fix in mind the gray made of half white and half black; three-fourths white and one-fourth black; one-fourth-white and three-fourths black. 4. In the same way mix the two complementaries yellow and blue to produce a gray; mix red and green in the same way. Try various combinations of the four fundamental colors, and discover how different colors are produced. Seek for these same colors in nature—sky, leaves, flowers, etc. 5. Take a large wire nail and push it through a cork so that it can be handled without touching the metal with the fingers. Now cool it in ice or very cold water, then dry it and move the point slowly across the back of the hand. Do you feel occasional thrills of cold as the point passes over a bulb of Krause? Heat the nail with a match flame or over a lamp, and perform the same experiment. Do you feel the thrills of heat from the corpuscles of Ruffini? 6. Try stopping the nostrils with cotton and having someone give you scraped apple, potato, onion, etc., and see whether, by taste alone, you can distinguish the difference. Why cannot sulphur be tasted? 98CHAPTER VII PERCEPTION No young child at first sees objects as we see them, or hears sounds as we hear them. This power, the power of perception, is a gradual development. It grows day by day out of the learner's experience in his world of sights and sounds, and whatever other fields his senses respond to. 1. THE FUNCTION OF PERCEPTION Need of Knowing the Material World.—It is the business of perception to give us knowledge of our world of material objects and their relations in space and time. The material world which we enter through the gateways of the senses is more marvelous by far than any fairy world created by the fancy of story-tellers; for it contains the elements of all they have conceived and much more besides. It is more marvelous than any structure planned and executed by the mind of man; for all the wonders and beauties of the Coliseum or of St. Peter's existed in nature before they were discovered by the architect and thrown together in those magnificent structures. The material advancement of civilization has been but the discovery of the objects, forces, and laws of nature, and their use in inventions serviceable to men. And these forces and laws of nature were discovered only as they were made manifest through objects in the material world.99 The problem lying before each individual who would enter fully into this rich world of environment, then, is to discover at first hand just as large a part of the material world about him as possible. In the most humble environment of the most uneventful life is to be found the material for discoveries and inventions yet undreamed of. Lying in the shade of an apple tree under the open sky, Newton read from a falling apple the fundamental principles of the law of gravitation which has revolutionized science; sitting at a humble tea table Watt watched the gurgling of the steam escaping from the kettle, and evolved the steam engine therefrom; with his simple kite, Franklin drew down the lightning from the clouds, and started the science of electricity; through studying a ball, the ancient scholars conceived the earth to be a sphere, and Columbus discovered America. The Problem Which Confronts the Child.—Well it is that the child, starting his life's journey, cannot see the magnitude of the task before him. Cast amid a world of objects of whose very existence he is ignorant, and whose meaning and uses have to be learned by slow and often painful experience, he proceeds step by step through the senses in his discovery of the objects about him. Yet, considered again, we ourselves are after all but a step in advance of the child. Though we are somewhat more familiar with the use of our senses than he, and know a few more objects about us, yet the knowledge of the wisest of us is at best pitifully meager compared with the richness of nature. So impossible is it for us to know all our material environment, that men have taken to becoming specialists. One man will spend his life in the study of a certain variety of plants, while there are hundreds of thousands of varieties all about him; another will study a particular kind of animal life,100 perhaps too minute to be seen with the naked eye, while the world is teeming with animal forms which he has not time in his short day of life to stop to examine; another will study the land forms and read the earth's history from the rocks and geological strata, but here again nature's volume is so large that he has time to read but a small fraction of the whole. Another studies the human body and learns to read from its expressions the signs of health and sickness, and to prescribe remedies for its ills; but in this field also he has found it necessary to divide the work, and so we have specialists for almost every organ of the body. 2. THE NATURE OF PERCEPTION How a Percept is Formed.—How, then, do we proceed to the discovery of this world of objects? Let us watch the child and learn the secret from him. Give the babe a ball, and he applies every sense to it to discover its qualities. He stares at it, he takes it in his hands and turns it over and around, he lifts it, he strokes it, he punches it and jabs it, he puts it to his mouth and bites it, he drops it, he throws it and creeps after it. He leaves no stone unturned to find out what that thing really is. By means of the qualities which come to him through the avenues of sense, he constructs the object. And not only does he come to know the ball as a material object, but he comes to know also its uses. He is forming his own best definition of a ball in terms of the sensations which he gets from it and the uses to which he puts it, and all this even before he can name it or is able to recognize its name when he hears it. How much better his method than the one he will have to follow a little later when he goes to school and learns101 that "A ball is a spherical body of any substance or size, used to play with, as by throwing, kicking, or knocking, etc.!" The Percept Involves All Relations of the Object.—Nor is the case in the least different with ourselves. When we wish to learn about a new object or discover new facts about an old one, we do precisely as the child does if we are wise. We apply to it every sense to which it will afford a stimulus, and finally arrive at the object through its various qualities. And just in so far as we have failed to use in connection with it every sense to which it can minister, just in that degree will we have an incomplete perception of it. Indeed, just so far as we have failed finally to perceive it in terms of its functions or uses, in that far also have we failed to know it completely. Tomatoes were for many years grown as ornamental garden plants before it was discovered that the tomatoes could minister to the taste as well as to the sight. The clothing of civilized man gives the same sensation of texture and color to the savage that it does to its owner, but he is so far from perceiving it in the same way that he packs it away and continues to go naked. The Orientals, who disdain the use of chairs and prefer to sit cross-legged on the floor, can never perceive a chair just as we do who use chairs daily, and to whom chairs are so saturated with social suggestions and associations. The Content of the Percept.—The percept, then, always contains a basis of sensation. The eye, the ear, the skin or some other sense organ must turn in its supply of sensory material or there can be no percept. But the percept contains more than just sensations. Consider, for example, your percept of an automobile flashing past your windows. You really see but very little of it, yet102 you perceive it as a very familiar vehicle. All that your sense organs furnish is a more or less blurred patch of black of certain size and contour, one or more objects of somewhat different color whom you know to be passengers, and various sounds of a whizzing, chugging or roaring nature. Your former experience with automobiles enables you to associate with these meager sensory details the upholstered seats, the whirling wheels, the swaying movement and whatever else belongs to the full meaning of a motor car. The percept that contained only sensory material, and lacked all memory elements, ideas and meanings, would be no percept at all. And this is the reason why a young child cannot see or hear like ourselves. It lacks the associative material to give significance and meaning to the sensory elements supplied by the end-organs. The dependence of the percept on material from past experience is also illustrated in the common statement that what one gets from an art exhibit or a concert depends on what he brings to it. He who brings no knowledge, no memory, no images from other pictures or music will secure but relatively barren percepts, consisting of little besides the mere sensory elements. Truly, "to him that hath shall be given" in the realm of perception. The Accuracy of Percepts Depends on Experience.—We must perceive objects through our motor response to them as well as in terms of sensations. The boy who has his knowledge of a tennis racket from looking at one in a store window, or indeed from handling one and looking it over in his room, can never know a tennis racket as does the boy who plays with it on the court. Objects get their significance not alone from their qualities, but even more from their use as related to our own activities.103 Like the child, we must get our knowledge of objects, if we are to get it well, from the objects themselves at first hand, and not second hand through descriptions of them by others. The fact that there is so much of the material world about us that we can never hope to learn it all, has made it necessary to put down in books many of the things which have been discovered concerning nature. This necessity has, I fear, led many away from nature itself to books—away from the living reality of things to the dead embalming cases of words, in whose empty forms we see so little of the significance which resides in the things themselves. We are in danger of being satisfied with the forms of knowledge without its substance—with definitions contained in words instead of in qualities and uses. Not Definitions, But First-hand Contact.—In like manner we come to know distance, form and size. If we have never become acquainted with a mile by actually walking a mile, running a mile, riding a bicycle a mile, driving a horse a mile, or traveling a mile on a train, we might listen for a long time to someone tell how far a mile is, or state the distance from Chicago to Denver, without knowing much about it in any way except word definitions. In order to understand a mile, we must come to know it in as many ways as possible through sense activities of our own. Although many children have learned that it is 25,000 miles around the earth, probably no one who has not encircled the globe has any reasonably accurate notion just how far this is. For words cannot take the place of perceptions in giving us knowledge. In the case of shorter distances, the same rule holds. The eye must be assisted by experience of the muscles and tendons and joints in actually covering distance, and learn to associate these sensations with104 those of the eye before the eye alone can be able to say, "That tree is ten rods distant." Form and size are to be learned in the same way. The hands must actually touch and handle the object, experiencing its hardness or smoothness, the way this curve and that angle feels, the amount of muscular energy it takes to pass the hand over this surface and along that line, the eye taking note all the while, before the eye can tell at a glance that yonder object is a sphere and that this surface is two feet on the edge. 3. THE PERCEPTION OF SPACE Many have been the philosophical controversies over the nature of space and our perception of it. The psychologists have even quarreled concerning whether we possess an innate sense of space, or whether it is a product of experience and training. Fortunately, for our present purpose we shall not need to concern ourselves with either of these controversies. For our discussion we may accept space for what common sense understands it to be. As to our sense of space, whatever of this we may possess at birth, it certainly has to be developed by use and experience to become of practical value. In the perception of space we must come to perceive distance, direction, size, and form. As a matter of fact, however, size is but so much distance, and form is but so much distance in this, that, or the other direction. The Perceiving of Distance.—Unquestionably the eye comes to be our chief dependence in determining distance. Yet the muscle and joint senses give us our earliest knowledge of distance. The babe reaches for the moon simply because the eye does not tell it that the moon is out of reach. Only as the child reaches for its105 playthings, creeps or walks after them, and in a thousand ways uses its muscles and joints in measuring distance, does the perception of distance become dependable. At the same time the eye is slowly developing its power of judging distance. But not for several years does visual perception of distance become in any degree accurate. The eye's perception of distance depends in part on the sensations arising from the muscles controlling the eye, probably in part from the adjustment of the lens, and in part from the retinal image. If one tries to look at the tip of his nose he easily feels the muscle strain caused by the required angle of adjustment. We come unconsciously to associate distance with the muscle sensations arising from the different angles of vision. The part played by the retinal image in judging distance is easily understood in looking at two trees, one thirty feet and the other three hundred feet distant. We note that the nearer tree shows the detail of the bark and leaves, while the more distant one lacks this detail. The nearer tree also reflects more light and color than the one farther away. These minute differences, registered as they are on the retinal image, come to stand for so much of distance. The ear also learns to perceive distance through differences in the quality and the intensity of sound. Auditory perception of distance is, however, never very accurate. The Perceiving of Direction.—The motor senses probably give us our first perception of direction, as they do of distance. The child has to reach this way or that way for his rattle; turn the eyes or head so far in order to see an interesting object; twist the body, crawl or walk to one side or the other to secure his bottle. In106 these experiences he is gaining his first knowledge of direction. Along with these muscle-joint experiences, the eye is also being trained. The position of the image on the retina comes to stand for direction, and the eye finally develops so remarkable a power of perceiving direction that a picture hung a half inch out of plumb is a source of annoyance. The ear develops some skill in the perception of direction, but is less dependable than the eye. 4. THE PERCEPTION OF TIME The philosophers and psychologists agree little better about our sense of time than they do about our sense of space. Of this much, however, we may be certain, our perception of time is subject to development and training. Nature of the Time Sense.—How we perceive time is not so well understood as our perception of space. It is evident, however, that our idea of time is simpler than our idea of space—it has less of content, less that we can describe. Probably the most fundamental part of our idea of time is progression, or change, without which it is difficult to think of time at all. The question then becomes, how do we perceive change, or succession? If one looks in upon his thought stream he finds that the movement of consciousness is not uniformly continuous, but that his thought moves in pulses, or short rushes, so to speak. When we are seeking for some fact or conclusion, there is a moment of expectancy, or poising, and then the leap forward to the desired point, or conclusion, from which an immediate start is taken for the next objective point of our thinking. It is probable that our sense of the few seconds of passing time that107 we call the immediate present consists of the recognition of the succession of these pulsations of consciousness, together with certain organic rhythms, such as heart beat and breathing. No Perception of Empty time.—Our perception does not therefore act upon empty time. Time must be filled with a procession of events, whether these be within our own consciousness or in the objective world without. All longer periods of time, such as hours, days, or years, are measured by the events which they contain. Time filled with happenings that interest and attract us seems short while passing, but longer when looked back upon. On the other hand, time relatively empty of interesting experience hangs heavy on our hands in passing, but, viewed in retrospect, seems short. A fortnight of travel passes more quickly than a fortnight of illness, but yields many more events for the memory to review as the "filling" for time. Probably no one has any very accurate feeling of the length, that is, the actual duration of a year—or even of a month! We therefore divide time into convenient units, as weeks, months, years and centuries. This allows us to think of time in mathematical terms where immediate perception fails in its grasp. 5. THE TRAINING OF PERCEPTION In the physical world as in the spiritual there are many people who, "having eyes, see not and ears, hear not." For the ability to perceive accurately and richly in the world of physical objects depends not alone on good sense organs, but also on interest and the habit of observation. It is easy if we are indifferent or untrained to look at a beautiful landscape, a picture or a108 cathedral without seeing it; it is easy if we lack interest or skill to listen to an orchestra or the myriad sounds of nature without hearing them. Perception Needs to Be Trained.—Training in perception does not depend entirely on the work of the school. For the world about us exerts a constant appeal to our senses. A thousand sights, sounds, contacts, tastes, smells or other sensations, hourly throng in upon us, and the appeal is irresistible. We must in some degree attend. We must observe. Yet it cannot be denied that most of us are relatively unskilled in perception; we do not know how, or take the trouble to observe. For example, a stranger was brought into the classroom and introduced by the instructor to a class of fifty college students in psychology. The class thought the stranger was to address them, and looked at him with mild curiosity. But, after standing before them for a few moments, he suddenly withdrew, as had been arranged by the instructor. The class were then asked to write such a description of the stranger as would enable a person who had never seen him to identify him. But so poor had been the observation of the class that they ascribed to him clothes of four different colors, eyes and hair each of three different colors, a tie of many different hues, height ranging from five feet and four inches to over six feet, age from twenty-eight to forty-five years, and many other details as wide of the mark. Nor is it probable that this particular class was below the average in the power of perception. School Training in Perception.—The school can do much in training the perception. But to accomplish this, the child must constantly be brought into immediate contact with the physical world about him and taught to observe. Books must not be substituted for things.109 Definitions must not take the place of experiment or discovery. Geography and nature study should be taught largely out of doors, and the lessons assigned should take the child into the open for observation and investigation. All things that live and grow, the sky and clouds, the sunset colors, the brown of upturned soil, the smell of the clover field, or the new mown hay, the sounds of a summer night, the distinguishing marks by which to identify each family of common birds or breed of cattle—these and a thousand other things that appeal to us from the simplest environment afford a rich opportunity for training the perception. And he who has learned to observe, and who is alert to the appeal of nature, has no small part of his education already assured. 6. PROBLEMS IN OBSERVATION AND INTROSPECTION 1. Test your power of observation by walking rapidly past a well-filled store window and then seeing how many of the objects you can name. 2. Suppose a tailor, a bootblack, a physician, and a detective are standing on the street corner as you pass by. What will each one be most likely to observe about you? Why? 3. Observe carefully green trees at a distance of a few rods; a quarter of a mile; a mile; several miles. Describe differences (1) in color, (2) in brightness, or light, and (3) in detail. 4. How many common birds can you identify? How many kinds of trees? Of wild flowers? Of weeds? 5. Observe the work of an elementary school for the purpose of determining: a. Whether the instruction in geography, nature study, agriculture, etc., calls for the use of the eyes, ears and fingers. b. Whether definitions are used in place of first-hand information in any subjects.110 c. Whether the assignment of lessons to pupils includes work that would require the use of the senses, especially out of doors. d. Whether the work offered in arithmetic demands the use of the senses as well as the reason. e. Whether the language lessons make use of the power of observation. 111CHAPTER VIII MENTAL IMAGES AND IDEAS As you sit thinking, a company of you together, your thoughts run in many diverse lines. Yet with all this diversity, your minds possess this common characteristic: Though your thinking all takes place in what we call the present moment, it goes on largely in terms of past experiences. 1. THE PART PLAYED BY PAST EXPERIENCE Present Thinking Depends on Past Experience.—Images or ideas of things you have seen or heard or felt; of things you have thought of before and which now recur to you; of things you remember, such as names, dates, places, events; of things that you do not remember as a part of your past at all, but that belong to it nevertheless—these are the things which form a large part of your mental stream, and which give content to your thinking. You may think of a thing that is going on now, or of one that is to occur in the future; but, after all, you are dependent on your past experience for the material which you put into your thinking of the present moment. Indeed, nothing can enter your present thinking which does not link itself to something in your past experience. The savage Indian in the primeval forest never thought about killing a deer with a rifle merely by pulling a112 trigger, or of turning a battery of machine guns on his enemies to annihilate them—none of these things were related to his past experience; hence he could not think in such terms. The Present Interpreted by the Past.—Not only can we not think at all except in terms of our past experience, but even if we could, the present would be meaningless to us; for the present is interpreted in the light of the past. The sedate man of affairs who decries athletic sports, and has never taken part in them, cannot understand the wild enthusiasm which prevails between rival teams in a hotly contested event. The fine work of art is to the one who has never experienced the appeal which comes through beauty, only so much of canvas and variegated patches of color. Paul says that Jesus was "unto the Greeks, foolishness." He was foolishness to them because nothing in their experience with their own gods had been enough like the character of Jesus to enable them to interpret Him. The Future Also Depends on the Past.—To the mind incapable of using past experience, the future also would be impossible; for we can look forward into the future only by placing in its experiences the elements of which we have already known. The savage who has never seen the shining yellow metal does not dream of a heaven whose streets are paved with gold, but rather of a "happy hunting ground." If you will analyze your own dreams of the future you will see in them familiar pictures perhaps grouped together in new forms, but coming, in their elements, from your past experience nevertheless. All that would remain to a mind devoid of a past would be the little bridge of time which we call the "present moment," a series of unconnected nows. Thought would be impossible, for the mind would have113 nothing to compare and relate. Personality would not exist; for personality requires continuity of experience, else we should be a new person each succeeding moment, without memory and without plans. Such a mind would be no mind at all. Rank Determined by Ability to Utilize Past Experience.—So important is past experience in determining our present thinking and guiding our future actions, that the place of an individual in the scale of creation is determined largely by the ability to profit by past experience. The scientist tells us of many species of animals now extinct, which lost their lives and suffered their race to die out because when, long ago, the climate began to change and grow much colder, they were unable to use the experience of suffering in the last cold season as an incentive to provide shelter, or move to a warmer climate against the coming of the next and more rigorous one. Man was able to make the adjustment; and, providing himself with clothing and shelter and food, he survived, while myriads of the lower forms perished. The singed moth again and again dares the flame which tortures it, and at last gives its life, a sacrifice to its folly; the burned child fears the fire, and does not the second time seek the experience. So also can the efficiency of an individual or a nation, as compared with other individuals or nations, be determined. The inefficient are those who repeat the same error or useless act over and over, or else fail to repeat a chance useful act whose repetition might lead to success. They are unable to learn their lesson and be guided by experience. Their past does not sufficiently minister to their present, and through it direct their future.114 2. HOW PAST EXPERIENCE IS CONSERVED Past Experience Conserved in Both Mental and Physical Terms.—If past experience plays so important a part in our welfare, how, then, is it to be conserved so that we may secure its benefits? Here, as elsewhere, we find the mind and body working in perfect unison and harmony, each doing its part to further the interests of both. The results of our past experience may be read in both our mental and our physical nature. On the physical side past experience is recorded in modified structure through the law of habit working on the tissues of the body, and particularly on the delicate tissues of the brain and nervous system. This is easily seen in its outward aspects. The stooped shoulders and bent form of the workman tell a tale of physical toil and exposure; the bloodless lips and pale face of the victim of the city sweat shop tell of foul air, long hours, and insufficient food; the rosy cheek and bounding step of childhood speak of fresh air, good food and happy play. On the mental side past experience is conserved chiefly by means of images, ideas, and concepts. The nature and function of concepts will be discussed in a later chapter. It will now be our purpose to examine the nature of images and ideas, and to note the part they play in the mind's activities. The Image and the Idea.—To understand the nature of the image, and then of the idea, we may best go back to the percept. You look at a watch which I hold before your eyes and secure a percept of it. Briefly, this is what happens: The light reflected from the yellow object, on striking the retina, results in a nerve current which sets up a certain form of activity in the115 cells of the visual brain area, and lo! a percept of the watch flashes in your mind. Now I put the watch in my pocket, so that the stimulus is no longer present to your eye. Then I ask you to think of my watch just as it appeared as you were looking at it; or you may yourself choose to think of it without my suggesting it to you. In either case the cellular activity in the visual area of the cortex is reproduced approximately as it occurred in connection with the percept, and lo! an image of the watch flashes in your mind. An image is thus an approximate copy of a former percept (or several percepts). It is aroused indirectly by means of a nerve current coming by way of some other brain center, instead of directly by the stimulation of a sense organ, as in the case of a percept. If, instead of seeking a more or less exact mental picture of my watch, you only think of its general meaning and relations, the fact that it is of gold, that it is for the purpose of keeping time, that it was a present to me, that I wear it in my left pocket, you then have an idea of the watch. Our idea of an object is, therefore, the general meaning of relations we ascribe to it. It should be remembered, however, that the terms image and idea are employed rather loosely, and that there is not yet general uniformity among writers in their use. All Our Past Experience Potentially at Our Command.—Images may in a certain sense take the place of percepts, and we can again experience sights, sounds, tastes, and smells which we have known before, without having the stimuli actually present to the senses. In this way all our past experience is potentially available to the present. All the objects we have seen, it is potentially possible again to see in the mind's eye without being obliged to have the objects before us; all the sounds we116 have heard, all the tastes and smells and temperatures we have experienced, we may again have presented to our minds in the form of mental images without the various stimuli being present to the end-organs of the senses. Through images and ideas the total number of objects in our experience is infinitely multiplied; for many of the things we have seen, or heard, or smelled, or tasted, we cannot again have present to the senses, and without this power we would never get them again. And besides this fact, it would be inconvenient to have to go and secure afresh each sensation or percept every time we need to use it in our thought. While habit, then, conserves our past experience on the physical side, the image and the idea do the same thing on the mental side. 3. INDIVIDUAL DIFFERENCES IN IMAGERY Images to Be Viewed by Introspection.—The remainder of the description of images will be easier to understand, for each of you can know just what is meant in every case by appealing to your own mind. I beg of you not to think that I am presenting something new and strange, a curiosity connected with our thinking which has been discovered by scholars who have delved more deeply into the matter than we can hope to do. Every day—no, more than that, every hour and every moment—these images are flitting through our minds, forming a large part of our stream of consciousness. Let us see whether we can turn our attention within and discover some of our images in their flight. Let us introspect. I know of no better way to proceed than that adopted by Francis Galton years ago, when he asked the English men of letters and science to think of their breakfast117 tables, and then describe the images which appeared. I am about to ask each one of you to do the same thing, but I want to warn you beforehand that the images will not be so vivid as the sensory experiences themselves. They will be much fainter and more vague, and less clear and definite; they will be fleeting, and must be caught on the wing. Often the image may fade entirely out, and the idea only be left. The Varied Imagery Suggested by One's Dining Table.—Let each one now recall the dining table as you last left it, and then answer questions concerning it like the following: Can I see clearly in my "mind's eye" the whole table as it stood spread before me? Can I see all parts of it equally clearly? Do I get the snowy white and gloss of the linen? The delicate coloring of the china, so that I can see where the pink shades off into the white? The graceful lines and curves of the dishes? The sheen of the silver? The brown of the toast? The yellow of the cream? The rich red and dark green of the bouquet of roses? The sparkle of the glassware? Can I again hear the rattle of the dishes? The clink of the spoon against the cup? The moving up of the chairs? The chatter of the voices, each with its own peculiar pitch and quality? The twitter of a bird outside the window? The tinkle of a distant bell? The chirp of a neighborly cricket? Can I taste clearly the milk? The coffee? The eggs? The bacon? The rolls? The butter? The jelly? The fruit? Can I get the appetizing odor of the coffee? Of the meat? The oranges and bananas? The perfume of the lilac bush outside the door? The perfume from a handkerchief newly treated to a spray of heliotrope? Can I recall the touch of my fingers on the velvety118 peach? On the smooth skin of an apple? On the fretted glassware? The feel of the fresh linen? The contact of leather-covered or cane-seated chair? Of the freshly donned garment? Can I get clearly the temperature of the hot coffee in the mouth? Of the hot dish on the hand? Of the ice water? Of the grateful coolness of the breeze wafted in through the open window? Can I feel again the strain of muscle and joint in passing the heavy dish? Can I feel the movement of the jaws in chewing the beefsteak? Of the throat and lips in talking? Of the chest and diaphragm in laughing? Of the muscles in sitting and rising? In hand and arm in using knife and fork and spoon? Can I get again the sensation of pain which accompanied biting on a tender tooth? From the shooting of a drop of acid from the rind of the orange into the eye? The chance ache in the head? The pleasant feeling connected with the exhilaration of a beautiful morning? The feeling of perfect health? The pleasure connected with partaking of a favorite food? Power of Imagery Varies in Different People.—It is more than probable that some of you cannot get perfectly clear images in all these lines, certainly not with equal facility; for the imagery from any one sense varies greatly from person to person. A celebrated painter was able, after placing his subject in a chair and looking at him attentively for a few minutes, to dismiss the subject and paint a perfect likeness of him from the visual image which recurred to the artist every time he turned his eyes to the chair where the sitter had been placed. On the other hand, a young lady, a student in my psychology class, tells me that she is never able to recall the looks of her mother when she is absent, even if the separation has been only for a few moments. She can119 get an image of the form, with the color and cut of the dress, but never the features. One person may be able to recall a large part of a concert through his auditory imagery, and another almost none. In general it may be said that the power, or at least the use, of imagery decreases with age. The writer has made a somewhat extensive study of the imagery of certain high-school students, college students, and specialists in psychology averaging middle age. Almost without exception it was found that clear and vivid images played a smaller part in the thinking of the older group than of the younger. More or less abstract ideas and concepts seemed to have taken the place of the concrete imagery of earlier years. Imagery Types.—Although there is some difference in our ability to use imagery of different sensory types, probably there is less variation here than has been supposed. Earlier pedagogical works spoke of the visual type of mind, or the audile type, or the motor type, as if the possession of one kind of imagery necessarily rendered a person short in other types. Later studies have shown this view incorrect, however. The person who has good images of one type is likely to excel in all types, while one who is lacking in any one of the more important types will probably be found short in all.[4] Most of us probably make more use of visual and auditory than of other kinds of imagery, while olfactory and gustatory images seem to play a minor rôle. 4. THE FUNCTION OF IMAGES Binet says that the man who has not every type of imagery almost equally well developed is only the fraction120 of a man. While this no doubt puts the matter too strongly, yet images do play an important part in our thinking. Images Supply Material for Imagination and Memory.—Imagery supplies the pictures from which imagination builds its structures. Given a rich supply of images from the various senses, and imagination has the material necessary to construct times and events long since past, or to fill the future with plans or experiences not yet reached. Lacking images, however, imagination is handicapped, and its meager products reveal in their barrenness and their lack of warmth and reality the poverty of material. Much of our memory also takes the form of images. The face of a friend, the sound of a voice, or the touch of a hand may be recalled, not as a mere fact, but with almost the freshness and fidelity of a percept. That much of our memory goes on in the form of ideas instead of images is true. But memory is often both aided in its accuracy and rendered more vital and significant through the presence of abundant imagery. Imagery in the Thought Processes.—Since logical thinking deals more with relations and meanings than with particular objects, images naturally play a smaller part in reasoning than in memory and imagination. Yet they have their place here as well. Students of geometry or trigonometry often have difficulty in understanding a theorem until they succeed in visualizing the surface or solid involved. Thinking in the field of astronomy, mechanics, and many other sciences is assisted at certain points by the ability to form clear and accurate images. The Use of Imagery in Literature.—Facility in the use of imagery undoubtedly adds much to our enjoyment121 and appreciation of certain forms of literature. The great writers commonly use all types of images in their description and narration. If we are not able to employ the images they used, many of their most beautiful pictures are likely to be to us but so many words suggesting prosaic ideas. Shakespeare, describing certain beautiful music, appeals to the sense of smell to make himself understood: ... it came o'er my ear like the sweet sound That breathes upon a bank of violets, Stealing and giving odor! Lady Macbeth cries: Here's the smell of the blood still: All the perfumes of Arabia will not sweeten this little hand. Milton has Eve say of her dream of the fatal apple: ... The pleasant sav'ry smell So quickened appetite, that I, methought, Could not but taste. Likewise with the sense of touch: ... I take thy hand, this hand As soft as dove's down, and as white as it. Imagine a person devoid of delicate tactile imagery, with senseless finger tips and leaden footsteps, undertaking to interpret these exquisite lines: 122Thus I set my printless feet O'er the cowslip's velvet head, That bends not as I tread. Shakespeare thus appeals to the muscular imagery: At last, a little shaking of mine arm And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to shatter all his bulk And end his being. Many passages like the following appeal to the temperature images: Freeze, freeze, thou bitter sky, Thou dost not bite so nigh As benefits forgot! To one whose auditory imagery is meager, the following lines will lose something of their beauty: How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Note how much clear images will add to Browning's words: Are there not two moments in the adventure of a diver—one when a beggar he prepares to plunge, and one, when a prince he rises with his pearl? Points Where Images Are of Greatest Service.—Beyond question, many images come flooding into our minds which are irrelevant and of no service in our thinking. No one has failed to note many such. Further, we undoubtedly123 do much of our best thinking with few or no images present. Yet we need images. Where, then, are they most needed? Images are needed wherever the percepts which they represent would be of service. Whatever one could better understand or enjoy or appreciate by seeing it, hearing it, or perceiving it through some other sense, he can better understand, enjoy or appreciate through images than by means of ideas only. 5. THE CULTIVATION OF IMAGERY Images Depend on Sensory Stimuli.—The power of imaging can be cultivated the same as any other ability. In the first place, we may put down as an absolute requisite such an environment of sensory stimuli as will tempt every sense to be awake and at its best, that we may be led into a large acquaintance with the objects of our material environment. No one's stock of sensory images is greater than the sum total of his sensory experiences. No one ever has images of sights, or sounds, or tastes, or smells which he has never experienced. Likewise, he must have had the fullest and freest possible liberty in motor activities. For not only is the motor act itself made possible through the office of imagery, but the motor act clarifies and makes useful the images. The boy who has actually made a table, or a desk, or a box has ever afterward a different and a better image of one of these objects than before; so also when he has owned and ridden a bicycle, his image of this machine will have a different significance from that of the image founded upon the visual perception alone of the wheel he longingly looked at through the store window or in the other boy's dooryard.124 The Influence of Frequent Recall.—But sensory experiences and motor responses alone are not enough, though they are the basis of good imagery. There must be frequent recall. The sunset may have been never so brilliant, and the music never so entrancing; but if they are never thought of and dwelt upon after they were first experienced, little will remain of them after a very short time. It is by repeating them often in experience through imagery that they become fixed, so that they stand ready to do our bidding when we need next to use them. The Reconstruction of Our Images.—To richness of experience and frequency of the recall of our images we must add one more factor; namely, that of their reconstruction or working over. Few if any images are exact recalls of former percepts of objects. Indeed, such would be neither possible nor desirable. The images which we recall are recalled for a purpose, or in view of some future activity, and hence must be selective, or made up of the elements of several or many former related images. Thus the boy who wishes to construct a box without a pattern to follow recalls the images of numerous boxes he may have seen, and from them all he has a new image made over from many former percepts and images, and this new image serves him as a working model. In this way he not only gets a copy which he can follow to make his box, but he also secures a new product in the form of an image different from any he ever had before, and is therefore by so much the richer. It is this working over of our stock of old images into new and richer and more suggestive ones that constitutes the essence of constructive imagination. The more types of imagery into which we can put our125 thought, the more fully is it ours and the better our images. The spelling lesson needs not only to be taken in through the eye, that we may retain a visual image of the words, but also to be recited orally, so that the ear may furnish an auditory image, and the organs of speech a motor image of the correct forms. It needs also to be written, and thus given into the keeping of the hand, which finally needs most of all to know and retain it. The reading lesson should be taken in through both the eye and the ear, and then expressed by means of voice and gesture in as full and complete a way as possible, that it may be associated with motor images. The geography lesson needs not only to be read, but to be drawn, or molded, or constructed. The history lesson should be made to appeal to every possible form of imagery. The arithmetic lesson must be not only computed, but measured, weighed, and pressed into actual service. Thus we might carry the illustration into every line of education and experience, and the same truth holds. What we desire to comprehend completely and retain well, we must apprehend through all available senses and conserve in every possible type of image and form of expression. 6. PROBLEMS IN INTROSPECTION AND OBSERVATION 1. Observe a reading class and try to determine whether the pupils picture the scenes and events they read about. How can you tell? 2. Similarly observe a history class. Do the pupils realize the events as actually happening, and the personages as real, living people? 3. Observe in a similar way a class in geography, and draw conclusions. A pupil in computing the cost of plastering126 a certain room based the figures on the room filled full of plaster. How might visual imagery have saved the error? 4. Imagine a three-inch cube. Paint it. Then saw it up into inch cubes, leaving them all standing in the original form. How many inch cubes have paint on three faces? How many on two faces? How many on one face? How many have no paint on them? Answer all these questions by referring to your imagery alone. 5. Try often to recall images in the various sensory lines; determine in what classes of images you are least proficient and try to improve in these lines. 6. How is the singing teacher able, after his class has sung through several scores, to tell that they are flatting? 7. Study your imagery carefully for a few days to see whether you can discover your predominating type of imagery.


Type:Science
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India's luxury airline Vistara flies into the sunset
Catagory:News
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Posted Date:11/12/2024
Posted By:utopia online

Indian full-service carrier Vistara will operate its last flight on Monday, after nine years in existence. A joint venture between Singapore Airlines and the Tata Sons, Vistara will merge with Tata-owned Air India to form a single entity with an expanded network and broader fleet. This means that all Vistara operations will be transferred to and managed by Air India, including helpdesk kiosks and ticketing offices. The process of migrating passengers with existing Vistara bookings and loyalty programmes to Air India has been under way over the past few months. “As part of the merger process, meals, service ware and other soft elements have been upgraded and incorporates aspects of both Vistara and Air India,” an Air India spokesperson said in an email response. Amid concerns that the merger could impact service standards, the Tatas have assured that Vistara's in-flight experience will remain unchanged. Known for its high ratings in food, service, and cabin quality, Vistara has built a loyal customer base and the decision to retire the Vistara brand has been criticised by fans, branding experts, and aviation analysts. The consolidation was effectively done to clean up Vistara’s books and wipe out its losses, said Mark Martin, an aviation analyst. Air India has essentially been “suckered into taking a loss-making airline” in a desperate move, he added. "Mergers are meant to make airlines powerful. Never to wipe out losses or cover them." To be sure, both Air India and Vistara’s annual losses have reduced by more than half over the past year, and other operating metrics have improved too. But the merger process so far has been turbulent. The exercise has been riddled with problems – from pilot shortages that have led to massive flight cancellations, to Vistara crew going on mass sick leave over plans to align their salary structures with Air India. There have also been repeated complaints about poor service standards on Air India, including viral videos of broken seats and non-functioning inflight entertainment systems.The Tatas have announced a $400m (£308m) programme to upgrade and retrofit the interiors of its older aircraft and also a brand-new livery. They’ve also placed orders for hundreds of new Airbus and Boeing planes worth billions of dollars to augment their offering. But this “turnaround” is still incomplete and riddled with problems, according to Mr Martin. A merger only complicates matters. Experts say that the merger strikes a dissonant chord from a branding perspective too. Harish Bijoor, a brand strategy specialist, told the BBC he was feeling “emotional” that a superior product offering like Vistara which had developed a “gold standard for Indian aviation” was ceasing operations. “It is a big loss for the industry,” said Mr Bijoor, adding it will be a monumental task for the mother brand Air India to simply “copy, paste and exceed” the high standards set by Vistara, given that it’s a much smaller airline that’s being gobbled up by a much larger one. Mr Bijoor suggests a better strategy would have been to operate Air India separately for five years, focusing on improving service standards, while maintaining Vistara as a distinct brand with Air India prefixed to it. “This would have given Air India the time and chance to rectify the mother brand and bring it up to the Vistara level, while maintaining its uniqueness,” he adds. Beyond branding, the merged entity will face a slew of operational challenges."Communication will be a major challenge in the early days, with customers arriving at the airport expecting Vistara flights, only to find Air India branding," says Ajay Awtaney, editor of Live From A Lounge, an aviation portal. "Air India will need to maintain clear communication for weeks." Another key challenge, he notes, is cultural: Vistara's agile employees may struggle to adjust to Air India's complex bureaucracy and systems. But the biggest task for the merged carrier would be offering customers a uniform flying experience. These are “two airlines with very different service formats are being integrated into one airline. It is going to be a hotchpotch of service formats, cabin formats, branding, and customer experience. It will involve learning and unlearning, and such a process has rarely worked with airlines and is seldom effective,” said Mr Martin. Still, many believe Vistara had to go – now or some years later. A legacy brand like Air India, with strong global recognition and 'India' imprinted in its identity, wouldn’t have allowed a smaller, more premium subsidiary to overshadow its revival process. Financially too, it makes little sense for the Tatas to have two loss-making entities compete with one another. The combined strength of Vistara and Air India could also place the Tatas in a much better position to compete with market leader Indigo. The unified Air India group (including Air India Express, which completed its merger with the former Air Asia India in October) “will be bigger and better with a fleet size of nearly 300 aircraft, an expanded network and a stronger workforce”, an Air India spokesperson said. “Getting done with the merger means that Air India grows overnight, and the two teams start cooperating instead of competing. There will never be one right day to merge. Somewhere, a line had to be drawn,” said Mr Awtaney. But for many Vistara loyalists, its demise leaves a void in India’s skies for a premium, full-service carrier - marking the third such gap after the collapse of Kingfisher Airlines and Jet Airways. It’s still too early to say if Air India, which often ranks at the bottom of airline surveys, can successfully fill that void.


Type:Technology
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'I was moderating hundreds of horrific and traumatizing videos'
Catagory:News
Author:
Posted Date:11/12/2024
Posted By:utopia online

Beheadings, mass killings, child abuse, hate speech – all of it ends up in the inboxes of a global army of content moderators. You don’t often see or hear from them – but these are the people whose job it is to review and then, when necessary, delete content that either gets reported by other users, or is automatically flagged by tech tools. The issue of online safety has become increasingly prominent, with tech firms under more pressure to swiftly remove harmful material. And despite a lot of research and investment pouring into tech solutions to help, ultimately for now, it’s still largely human moderators who have the final say. Moderators are often employed by third-party companies, but they work on content posted directly on to the big social networks including Instagram, TikTok and Facebook.Their stories were harrowing. Some of what we recorded was too brutal to broadcast. Sometimes my producer Tom Woolfenden and I would finish a recording and just sit in silence. “If you take your phone and then go to TikTok, you will see a lot of activities, dancing, you know, happy things,” says Mojez, a former Nairobi-based moderator who worked on TikTok content. “But in the background, I personally was moderating, in the hundreds, horrific and traumatising videos. “I took it upon myself. Let my mental health take the punch so that general users can continue going about their activities on the platform.” There are currently multiple ongoing legal claims that the work has destroyed the mental health of such moderators. Some of the former workers in East Africa have come together to form a union. “Really, the only thing that’s between me logging onto a social media platform and watching a beheading, is somebody sitting in an office somewhere, and watching that content for me, and reviewing it so I don’t have to,” says Martha Dark who runs Foxglove, a campaign group supporting the legal action.In 2020, Meta then known as Facebook, agreed to pay a settlement of $52m (£40m) to moderators who had developed mental health issues because of their jobs. The legal action was initiated by a former moderator in the US called Selena Scola. She described moderators as the “keepers of souls”, because of the amount of footage they see containing the final moments of people’s lives. The ex-moderators I spoke to all used the word “trauma” in describing the impact the work had on them. Some had difficulty sleeping and eating. One described how hearing a baby cry had made a colleague panic. Another said he found it difficult to interact with his wife and children because of the child abuse he had witnessed.I was expecting them to say that this work was so emotionally and mentally gruelling, that no human should have to do it – I thought they would fully support the entire industry becoming automated, with AI tools evolving to scale up to the job. But they didn’t. What came across, very powerfully, was the immense pride the moderators had in the roles they had played in protecting the world from online harm. They saw themselves as a vital emergency service. One says he wanted a uniform and a badge, comparing himself to a paramedic or firefighter. “Not even one second was wasted,” says someone who we called David. He asked to remain anonymous, but he had worked on material that was used to train the viral AI chatbot ChatGPT, so that it was programmed not to regurgitate horrific material. “I am proud of the individuals who trained this model to be what it is today.”But the very tool David had helped to train, might one day compete with him. Dave Willner is former head of trust and safety at OpenAI, the creator of ChatGPT. He says his team built a rudimentary moderation tool, based on the chatbot’s tech, which managed to identify harmful content with an accuracy rate of around 90%. “When I sort of fully realised, ‘oh, this is gonna work’, I honestly choked up a little bit,” he says. “[AI tools] don't get bored. And they don't get tired and they don't get shocked…. they are indefatigable.” Not everyone, however, is confident that AI is a silver bullet for the troubled moderation sector. “I think it’s problematic,” says Dr Paul Reilly, senior lecturer in media and democracy at the University of Glasgow. “Clearly AI can be a quite blunt, binary way of moderating content. “It can lead to over-blocking freedom of speech issues, and of course it may miss nuance human moderators would be able to identify. Human moderation is essential to platforms,” he adds. “The problem is there’s not enough of them, and the job is incredibly harmful to those who do it.” We also approached the tech companies mentioned in the series. A TikTok spokesperson says the firm knows content moderation is not an easy task, and it strives to promote a caring working environment for employees. This includes offering clinical support, and creating programs that support moderators' wellbeing. They add that videos are initially reviewed by automated tech, which they say removes a large volume of harmful content. Meanwhile, Open AI - the company behind Chat GPT - says it's grateful for the important and sometimes challenging work that human workers do to train the AI to spot such photos and videos. A spokesperson adds that, with its partners, Open AI enforces policies to protect the wellbeing of these teams. And Meta - which owns Instagram and Facebook - says it requires all companies it works with to provide 24-hour on-site support with trained professionals. It adds that moderators are able to customise their reviewing tools to blur graphic content.


Type:Social
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Zelensky says Russia has 50,000 troops in Kursk
Catagory:News
Author:
Posted Date:11/12/2024
Posted By:utopia online

Ukrainian President Volodymyr Zelensky has said his military's ongoing incursion into Russia's Kursk region is now holding down 50,000 Russian troops. In his daily address to the nation, Zelensky said the operation was reducing Moscow's ability to attack inside Ukraine itself. The president has long cited this as the goal of the offensive, despite scepticism from some Western allies. According to the Institute for the Study of War, a US non-profit, Russia had 11,000 troops in Kursk when Ukraine began its shock incursion in early August. However, a report in the New York Times suggests Moscow has achieved its troop build-up in Kursk without any need to pull its soldiers out of Ukraine. The paper says North Korean troops are also being deployed in Kursk as part of an imminent Russian counter-offensive. In his speech, Zelensky said he had been briefed by his Сommander-in-Сhief, Gen Oleksandr Syrskyy, who announced earlier on Monday that he had carried out an inspection of Ukrainian units deployed in Kursk. "Our men are holding back... 50,000 of the occupier's army personnel who, due to the Kursk operation, cannot be deployed to other Russian offensive directions on our territory," the Ukrainian president said. Gen Syrskyy said separately that were it not for Ukraine's forces inside Kursk, "tens of thousands of enemies from the best Russian assault units would have been storming" Ukrainian positions in Donetsk region, a key battleground since the conflict erupted a decade ago. Fighting rages on in Donetsk, where the two sides accused each other on Monday of damaging a dam near the Ukrainian-held town of Kurakhove. Russian troops have been slowly advancing in the region for months towards the key city of Pokrovsk - a major supply hub for Ukrainian forces.The New York Times, which quotes both US and Ukrainian unnamed officials, puts the number of Russian and North Korean troops being readied for the reported counter-offensive in Kursk at 50,000. "A new US assessment concludes that Russia has massed the force without having to pull soldiers out of Ukraine’s east - its main battlefield priority - allowing Moscow to press on multiple fronts simultaneously," the paper says. Both Ukraine and the US say that more than 10,000 North Korean soldiers have been sent to Russia. Moscow neither confirms nor denies that troops from North Korea, a close ally since Soviet times, are in Kursk. In North Korea itself, it was announced that its leader, Kim Jong un, had signed a decree ratifying a mutual defence treaty with Russia, which was approved in June at a summit in Pyongyang with Russian President Vladimir Putin. North Korea and Russia have grown increasingly close since Moscow found itself largely internationally isolated after its February 2022 invasion of Ukraine. The US has repeatedly accused Pyongyang of sending vast amounts of military hardware to Russia, including ballistic missiles and launchers. Nato Secretary General Mark Rutte recently suggested that Pyongyang was receiving military technology and other support from Moscow to help it evade international sanctions Elsewhere, amid much speculation over the impact of Donald Trump's re-election victory last week, the Kremlin has denied media reports that he held a phone call with President Vladimir Putin. The call, which was first reported by the Washington Post on Sunday, is said to have happened on Thursday. Trump is said to have warned the Russian president against escalating the war in Ukraine and mentioned America's extensive military presence in Europe.


Type:Social
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Gladiator II review: 'By far the best popcorn film of the year'
Catagory:Reading
Author:
Posted Date:11/12/2024
Posted By:utopia online

Paul Mescal is the "mesmerising centre" of Ridley Scott's long-awaited Gladiator sequel, which balances emotional drama and social themes with all-out action spectacle. How can you not love a film that has swords, sandals, sharks in the flooded Roman Colosseum, Denzel Washington in flowing robes and Paul Mescal biting a baboon? There's much more than that, both serious and camp, in Ridley Scott's exhilarating and fun sequel to Gladiator, which won the Oscar for best picture nearly a quarter of a century ago. Full of spectacle and spectacular performances, Gladiator II is by far the best popcorn film of the year. Mescal, a counterintuitive choice given his sensitive roles in Normal People and Aftersun, is the mesmerising centre of the film, holding it together with the same power and magnetism Russell Crowe brought to the original. The sequel has a less perfect balance between emotion and action than the first, with beheadings and swordfights almost overwhelming the characters, but it comes close enough. Those comparisons aren't gratuitous, because Gladiator II is full of echoes of the original, in which Crowe's gladiator, Maximus, and the vile Caesar, Commodus (Joaquin Phoenix) battled to the death in the Colosseum. Lucius, Maximus's son with Commodus' sister, Lucilla (Connie Nielsen, returning to that role here) was then a small boy sent away from Rome for his own safety. Fifteen years later, here he is played by Mescal, more sinewy than usual but thankfully not pumped up to the cartoonish proportions of a Marvel character.Lucius has grown into manhood in Numidia in northern Africa, and soon plunges into war against the Roman invaders. Scott is in total command of the action scenes, and makes that point with an extravagant opening battle. Numidians catapult balls of fire toward the approaching Roman ships, Roman arrows fly toward the Numidian battlements, Lucius's warrior wife is killed, and he is captured and sent toward Rome, vowing revenge against the empire's General Acacius (Pedro Pascal). The Rome he returns to is more colourful and sinister than ever. Now there are two decadent emperors, twins ruling jointly without regard for the populace, creepy visions in pasty white face makeup and heavy eyeliner. Joseph Quinn is especially chilling, quietly intense and fearsome as Geta, the smarter and therefore more dangerous of the two. Fred Hechinger is the wild-eyed, out-of-control Caracella, the Fredo to Geta's Michael Corleone. Washington plays the enigmatic Macrinus, a wealthy businessman and owner of gladiators who buys Lucius. With jewelled rings on every finger and gold chains around his neck, Washington approaches the role with absolute gusto and over-the-top delivery as Macrinus schemes for power. But at times he pulls the performance back enough to reveal the canniness beneath that brash persona. Pascal's fans may be disappointed in his relatively smaller role and subdued performance. He doesn't make much of an impact, even though it turns out Acacius is married to Lucilla and shares her desire to depose the demented, blood-thirsty emperors. Mescal's intelligent performance raises the level of the film beyond its violent combat In the big-action arena scenes, Scott pulls out all the stops. A Roman enters riding a rhino. The editing is kinetic as tigers and baboons are unleashed against Lucius and the other gladiators, who are called barbarians. Lucius is so fierce he chomps on a baboon's furry arm. At close range those baboons are conspicuously fake, a weak spot in special effects that are generally smooth. Some distant backgrounds also look flatly CGI'ed, but Scott stages the action with enough volatility to overcome those small glitches. Where his recent Napoleon (2023) was big and sluggish, and House of Gucci (2021) a ludicrous mess, Gladiator II has the masterful pacing of Scott's best films, including the classics Alien (1979) and Blade Runner (1982).In the smaller-scale episodes, Scott knows when to give Mescal the close-ups that allow him to shine, exuding Lucius's determination and anger. That is especially true in his defiant conversations with Macrinus, who does not yet know that Lucius is the heir to the empire, but wonders why this gladiator can quote Virgil. Mescal's intelligent performance raises the level of the film beyond its violent combat. And some of the violence is emotional. Most viewers will know going in, as the film's trailer reveals, that Lucius is Maximus's son, so we are way ahead of most characters. But one of the most bracing episodes takes place when Lucilla recognises the gladiator as her son and visits him in his jail-like cell, a meeting that defies our easy expectations.As the film heads toward its ultimate battles, the camp level rises. There is a scene with Macrinus, the Roman Senate and a severed head (no spoilers; it's not Washington's head) that is just silly. At times Washington and the emperor twins seem to be in a little camp-fest all their own, but instead of pulling against the rest of the film, that style lands as another sign that Gladiator II is meant to be an entertaining romp. Under its crowd-pleasing surface, though, the film's theme of political power, of who wields it and how, is strong and purposeful, even if Scott cagily weaves it into the colourful show. Asked by The New York Times if he saw a connection between his Roman Empire and the political world today, Scott bluntly answered: "Yeah. If we don't watch it we're getting worse," adding: "I try and keep that in the forefront" in the film, pointing to some of Lucius's questions about what Rome values. "Is this how Rome treats its heroes?" Lucius yells from the arena when one of them is killed. That social theme was evident in the first Gladiator, where the civic-minded Senator Gracchus (Derek Jacobi, who returns briefly in the sequel) warns against underestimating the shallowness of the mob, easily placated with bread and circuses. "He will bring them death and they will love him for it," he says of Commodus, who offers no more than the distraction of the games. In Gladiator II, Lucilla says, "The people are weary of the madness, the tyranny." Which of them is right is the sequel's open question, as Lucius talks about his grandfather's dream of a Roman Republic and asks the citizens: "Dare we rebuild that dream together?" If we're lucky, Scott may have an answer. He told The Hollywood Reporter that he has an idea for Gladiator III inspired by The Godfather II. From his lips to the Roman gods' ears. ★★★★☆ Gladiator II is released on 15 November in the UK and 22 November in the US.


Type:Event
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The Adventure of the Italian Nobleman author: agathe cristae
Catagory:Reading
Author:
Posted Date:11/11/2024
Posted By:utopia online

Poirot and I had many friends and acquaintances of an informal nature. Amongst these was to be numbered Dr. Hawker, a near neighbour of ours, and a member of the medical profession. It was the genial doctor’s habit to drop in sometimes of an evening and have a chat with Poirot, of whose genius he was an ardent admirer. The doctor himself, frank and unsuspicious to the last degree, admired the talents so far removed from his own. On one particular evening in early June, he arrived about half-past eight and settled down to a comfortable discussion on the cheery topic of the prevalence of arsenical poisoning in crimes. It must have been about a quarter of an hour later when the door of our sitting-room flew open, and a distracted female precipitated herself into the room. “Oh, doctor, you’re wanted! Such a terrible voice. It gave me a turn, it did indeed.” I recognized in our new visitor Dr. Hawker’s housekeeper, Miss Rider. The doctor was a bachelor, and lived in a gloomy old house a few streets away. The usually placid Miss Rider was now in a state bordering on incoherence. “What terrible voice? Who is it, and what’s the trouble?” “It was the telephone, doctor. I answered it—and a voice spoke. ‘Help,’ it said. ‘Doctor—help. They’ve killed me!’ Then it sort of tailed away. ‘Who’s speaking?’ I said. ‘Who’s speaking?’ Then I got a reply, just a whisper, it seemed, ‘Foscatine’—something like that—‘Regent’s Court.’” The doctor uttered an exclamation. “Count Foscatini. He has a flat in Regent’s Court. I must go at once. What can have happened?” “A patient of yours?” asked Poirot. “I attended him for some slight ailment a few weeks ago. An Italian, but he speaks English perfectly. Well, I must wish you good night, Monsieur Poirot, unless——” He hesitated. “I perceive the thought in your mind,” said Poirot, smiling. “I shall be delighted to accompany you. Hastings, run down and get hold of a taxi.” Taxis always make themselves sought for when one is particularly pressed for time, but I captured one at last, and we were soon bowling along in the direction of Regent’s Park. Regent’s Court was a new block of flats, situated just off St. John’s Wood Road. They had only recently been built, and contained the latest service devices. There was no one in the hall. The doctor pressed the lift-bell impatiently, and when the lift arrived questioned the uniformed attendant sharply. “Flat ii. Count Foscatini. There’s been an accident there, I understand.” The man stared at him. “First I’ve heard of it. Mr. Graves—that’s Count Foscatini’s man—went out about half an hour ago, and he said nothing.” “Is the Count alone in the flat?” “No, sir, he’s got two gentlemen dining with him.” “What are they like?” I asked eagerly. We were in the lift now, ascending rapidly to the second floor, on which Flat ii was situated. “I didn’t see them myself, sir, but I understand that they were foreign gentlemen.” He pulled back the iron door, and we stepped out on the landing. No. ii was opposite to us. The doctor rang the bell. There was no reply, and we could hear no sound from within. The doctor rang again and again; we could hear the bell trilling within, but no sign of life rewarded us. “This is getting serious,” muttered the doctor. He turned to the lift attendant. “Is there any pass-key to this door?” “There is one in the porter’s office downstairs.” “Get it, then, and, look here, I think you’d better send for the police.” Poirot approved with a nod of the head. The man returned shortly; with him came the manager. “Will you tell me, gentlemen, what is the meaning of all this?” “Certainly. I received a telephone message from Count Foscatini stating that he had been attacked and was dying. You can understand that we must lose no time—if we are not already too late.” The manager produced the key without more ado, and we all entered the flat. We passed first into a small square lounge hall. A door on the right of it was half open. The manager indicated it with a nod. “The dining-room.” Dr. Hawker led the way. We followed close on his heels. As we entered the room I gave a gasp. The round table in the centre bore the remains of a meal; three chairs were pushed back, as though their occupants had just risen. In the corner, to the right of the fire-place, was a big writing-table, and sitting at it was a man—or what had been a man. His right hand still grasped the base of the telephone, but he had fallen forward, struck down by a terrific blow on the head from behind. The weapon was not far to seek. A marble statuette stood where it had been hurriedly put down, the base of it stained with blood. The doctor’s examination did not take a minute. “Stone dead. Must have been almost instantaneous. I wonder he even managed to telephone. It will be better not to move him until the police arrive.” On the manager’s suggestion we searched the flat, but the result was a foregone conclusion. It was not likely that the murderers would be concealed there when all they had to do was to walk out. We came back to the dining-room. Poirot had not accompanied us in our tour. I found him studying the centre table with close attention. I joined him. It was a well-polished round mahogany table. A bowl of roses decorated the centre, and white lace mats reposed on the gleaming surface. There was a dish of fruit, but the three dessert plates were untouched. There were three coffee-cups with remains of coffee in them—two black, one with milk. All three men had taken port, and the decanter, half-full, stood before the centre plate. One of the men had smoked a cigar, the other two cigarettes. A tortoiseshell-and-silver box, holding cigars and cigarettes, stood open upon the table. I enumerated all these facts to myself, but I was forced to admit that they did not shed any brilliant light on the situation. I wondered what Poirot saw in them to make him so intent. I asked him. “Mon ami,” he replied, “you miss the point. I am looking for something that I do not see.” “What is that?” “A mistake—even a little mistake—on the part of the murderer.” He stepped swiftly to the small adjoining kitchen, looked in, and shook his head. “Monsieur,” he said to the manager, “explain to me, I pray, your system of serving meals here.” The manager stepped to a small hatch in the wall. “This is the service lift,” he explained. “It runs to the kitchens at the top of the building. You order through this telephone, and the dishes are sent down in the lift, one course at a time. The dirty plates and dishes are sent up in the same manner. No domestic worries, you understand, and at the same time you avoid the wearying publicity of always dining in a restaurant.” Poirot nodded. “Then the plates and dishes that were used to-night are on high in the kitchen. You permit that I mount there?” “Oh, certainly, if you like! Roberts, the lift man, will take you up and introduce you; but I’m afraid you won’t find anything that’s of any use. They’re handling hundreds of plates and dishes, and they’ll be all lumped together.” Poirot remained firm, however, and together we visited the kitchens and questioned the man who had taken the order from Flat ii. “The order was given from the à la carte menu—for three,” he explained. “Soup julienne, filet de sole normande, tournedos of beef, and a rice soufflé. What time? Just about eight o’clock, I should say. No, I’m afraid the plates and dishes have been all washed up by now. Unfortunate. You were thinking of finger-prints, I suppose?” “Not exactly,” said Poirot, with an enigmatical smile. “I am more interested in Count Foscatini’s appetite. Did he partake of every dish?” “Yes; but of course I can’t say how much of each he ate. The plates were all soiled, and the dishes empty—that is to say, with the exception of the rice soufflé. There was a fair amount of that left.” “Ah!” said Poirot, and seemed satisfied with the fact. As we descended to the flat again he remarked in a low tone: “We have decidedly to do with a man of method.” “Do you mean the murderer, or Count Foscatini?” “The latter was undoubtedly an orderly gentleman. After imploring help and announcing his approaching demise, he carefully hung up the telephone receiver.” I stared at Poirot. His words now and his recent inquiries gave me the glimmering of an idea. “You suspect poison?” I breathed. “The blow on the head was a blind.” Poirot merely smiled. We re-entered the flat to find the local inspector of police had arrived with two constables. He was inclined to resent our appearance, but Poirot calmed him with the mention of our Scotland Yard friend, Inspector Japp, and we were accorded a grudging permission to remain. It was a lucky thing we were, for we had not been back five minutes before an agitated middle-aged man came rushing into the room with every appearance of grief and agitation. This was Graves, valet-butler to the late Count Foscatini. The story he had to tell was a sensational one. On the previous morning, two gentlemen had called to see his master. They were Italians, and the elder of the two, a man of about forty, gave his name as Signor Ascanio. The younger was a well-dressed lad of about twenty-four. Count Foscatini was evidently prepared for their visit and immediately sent Graves out upon some trivial errand. Here the man paused and hesitated in his story. In the end, however, he admitted that, curious as to the purport of the interview, he had not obeyed immediately, but had lingered about endeavouring to hear something of what was going on. The conversation was carried on in so low a tone that he was not as successful as he had hoped; but he gathered enough to make it clear that some kind of monetary proposition was being discussed, and that the basis of it was a threat. The discussion was anything but amicable. In the end, Count Foscatini raised his voice slightly, and the listener heard these words clearly: “I have no time to argue further now, gentlemen. If you will dine with me to-morrow night at eight o’clock, we will resume the discussion.” Afraid of being discovered listening, Graves had then hurried out to do his master’s errand. This evening the two men had arrived punctually at eight. During dinner they had talked of indifferent matters—politics, the weather, and the theatrical world. When Graves had placed the port upon the table and brought in the coffee his master told him that he might have the evening off. “Was that a usual proceeding of his when he had guests?” asked the inspector. “No, sir; it wasn’t. That’s what made me think it must be some business of a very unusual kind that he was going to discuss with these gentlemen.” That finished Graves’s story. He had gone out about 8.30, and, meeting a friend, had accompanied him to the Metropolitan Music Hall in Edgware Road. Nobody had seen the two men leave, but the time of the murder was fixed clearly enough at 8.47. A small clock on the writing-table had been swept off by Foscatini’s arm, and had stopped at that hour, which agreed with Miss Rider’s telephone summons. The police surgeon had made his examination of the body, and it was now lying on the couch. I saw the face for the first time—the olive complexion, the long nose, the luxuriant black moustache, and the full red lips drawn back from the dazzlingly white teeth. Not altogether a pleasant face. “Well,” said the inspector, refastening his notebook. “The case seems clear enough. The only difficulty will be to lay our hands on this Signor Ascanio. I suppose his address is not in the dead man’s pocket-book by any chance?” As Poirot had said, the late Foscatini was an orderly man. Neatly written in small, precise handwriting was the inscription, “Signor Paolo Ascanio, Grosvenor Hotel.” The inspector busied himself with the telephone, then turned to us with a grin. “Just in time. Our fine gentleman was off to catch the boat train to the Continong. Well, gentlemen, that’s about all we can do here. It’s a bad business, but straightforward enough. One of these Italian vendetta things, as likely as not.” Thus airily dismissed, we found our way downstairs. Dr. Hawker was full of excitement. “Like the beginning of a novel, eh? Real exciting stuff. Wouldn’t believe it if you read about it.” Poirot did not speak. He was very thoughtful. All the evening he had hardly opened his lips. “What says the master detective, eh?” asked Hawker, clapping him on the back. “Nothing to work your grey cells over this time.” “You think not?” “What could there be?” “Well, for example, there is the window.” “The window? But it was fastened. Nobody could have got out or in that way. I noticed it specially.” “And why were you able to notice it?” The doctor looked puzzled. Poirot hastened to explain. “It is to the curtains I refer. They were not drawn. A little odd, that. And then there was the coffee. It was very black coffee.” “Well, what of it?” “Very black,” repeated Poirot. “In conjunction with that let us remember that very little of the rice soufflé was eaten, and we get—what?” “Moonshine,” laughed the doctor. “You’re pulling my leg.” “Never do I pull the leg. Hastings here knows that I am perfectly serious.” “I don’t know what you are getting at, all the same,” I confessed. “You don’t suspect the manservant, do you? He might have been in with the gang, and put some dope in the coffee. I suppose they’ll test his alibi?” “Without doubt, my friend; but it is the alibi of Signor Ascanio that interests me.” “You think he has an alibi?” “That is just what worries me. I have no doubt that we shall soon be enlightened on that point.” The Daily Newsmonger enabled us to become conversant with succeeding events. Signor Ascanio was arrested and charged with the murder of Count Foscatini. When arrested, he denied knowing the Count, and declared he had never been near Regent’s Court either on the evening of the crime or on the previous morning. The younger man had disappeared entirely. Signor Ascanio had arrived alone at the Grosvenor Hotel from the Continent two days before the murder. All efforts to trace the second man failed. Ascanio, however, was not sent for trial. No less a personage than the Italian Ambassador himself came forward and testified at the police-court proceedings that Ascanio had been with him at the Embassy from eight till nine that evening. The prisoner was discharged. Naturally, a lot of people thought that the crime was a political one, and was being deliberately hushed up. Poirot had taken a keen interest in all these points. Nevertheless, I was somewhat surprised when he suddenly informed me one morning that he was expecting a visitor at eleven o’clock, and that that visitor was none other than Ascanio himself. “He wishes to consult you?” “Du tout, Hastings. I wish to consult him.” “What about?” “The Regent’s Court murder.” “You are going to prove that he did it?” “A man cannot be tried twice for murder, Hastings. Endeavour to have the common sense. Ah, that is our friend’s ring.” A few minutes later Signor Ascanio was ushered in—a small, thin man with a secretive and furtive glance in his eyes. He remained standing, darting suspicious glances from one to the other of us. “Monsieur Poirot?” My little friend tapped himself gently on the chest. “Be seated, signor. You received my note. I am determined to get to the bottom of this mystery. In some small measure you can aid me. Let us commence. You—in company with a friend—visited the late Count Foscatini on the morning of Tuesday the 9th——” The Italian made an angry gesture. “I did nothing of the sort. I have sworn in court——” “Précisément—and I have a little idea that you have sworn falsely.” “You threaten me? Bah! I have nothing to fear from you. I have been acquitted.” “Exactly; and as I am not an imbecile, it is not with the gallows I threaten you—but with publicity. Publicity! I see that you do not like the word. I had an idea that you would not. My little ideas, you know, they are very valuable to me. Come, signor, your only chance is to be frank with me. I do not ask to know whose indiscretions brought you to England. I know this much, you came for the especial purpose of seeing Count Foscatini.” “He was not a count,” growled the Italian. “I have already noted the fact that his name does not appear in the Almanach de Gotha. Never mind, the title of count is often useful in the profession of blackmailing.” “I suppose I might as well be frank. You seem to know a good deal.” “I have employed my grey cells to some advantage. Come, Signor Ascanio, you visited the dead man on the Tuesday morning—that is so, is it not?” “Yes; but I never went there on the following evening. There was no need. I will tell you all. Certain information concerning a man of great position in Italy had come into this scoundrel’s possession. He demanded a big sum of money in return for the papers. I came over to England to arrange the matter. I called upon him by appointment that morning. One of the young secretaries of the Embassy was with me. The Count was more reasonable than I had hoped, although even then the sum of money I paid him was a huge one.” “Pardon, how was it paid?” “In Italian notes of comparatively small denomination. I paid over the money then and there. He handed me the incriminating papers. I never saw him again.” “Why did you not say all this when you were arrested?” “In my delicate position I was forced to deny any association with the man.” “And how do you account for the events of the evening, then?” “I can only think that some one must have deliberately impersonated me. I understand that no money was found in the flat.” Poirot looked at him and shook his head. “Strange,” he murmured. “We all have the little grey cells. And so few of us know how to use them. Good morning, Signor Ascanio. I believe your story. It is very much as I had imagined. But I had to make sure.” After bowing his guest out, Poirot returned to his arm-chair and smiled at me. “Let us hear M. le Capitaine Hastings on the case?” “Well, I suppose Ascanio is right—somebody impersonated him.” “Never, never will you use the brains the good God has given you. Recall to yourself some words I uttered after leaving the flat that night. I referred to the window-curtains not being drawn. We are in the month of June. It is still light at eight o’clock. The light is failing by half-past. Ça vous dit quelque chose? I perceive a struggling impression that you will arrive some day. Now let us continue. The coffee was, as I said, very black. Count Foscatini’s teeth were magnificently white. Coffee stains the teeth. We reason from that that Count Foscatini did not drink any coffee. Yet there was coffee in all three cups. Why should anyone pretend Count Foscatini had drunk coffee when he had not done so?” I shook my head, utterly bewildered. “Come, I will help you. What evidence have we that Ascanio and his friend, or two men posing as them, ever came to the flat that night? Nobody saw them go in; nobody saw them go out. We have the evidence of one man and of a host of inanimate objects.” “You mean?” “I mean knives and forks and plates and empty dishes. Ah, but it was a clever idea! Graves is a thief and a scoundrel, but what a man of method! He overhears a portion of the conversation in the morning, enough to realize that Ascanio will be in awkward position to defend himself. The following evening, about eight o’clock, he tells his master he is wanted at the telephone. Foscatini sits down, stretches out his hand to the telephone, and from behind Graves strikes him down with the marble figure. Then quickly to the service telephone—dinner for three! It comes, he lays the table, dirties the plates, knives, and forks, etc. But he has to get rid of the food too. Not only is he a man of brain; he has a resolute and capacious stomach! But after eating three tournedos, the rice soufflé is too much for him! He even smokes a cigar and two cigarettes to carry out the illusion. Ah, but it was magnificently thorough! Then, having moved on the hands of the clock to 8.47, he smashes it and stops it. The one thing he does not do is to draw the curtains. But if there had been a real dinner party the curtains would have been drawn as soon as the light began to fail. Then he hurries out, mentioning the guests to the lift man in passing. He hurries to a telephone box, and as near as possible to 8.47 rings up the doctor with his master’s dying cry. So successful is his idea that no one ever inquires if a call was put through from Flat ii at that time.” “Except Hercule Poirot, I suppose?” I said sarcastically. “Not even Hercule Poirot,” said my friend, with a smile. “I am about to inquire now. I had to prove my point to you first. But you will see, I shall be right; and then Japp, to whom I have already given a hint, will be able to arrest the respectable Graves. I wonder how much of the money he has spent.” Poirot was right. He always is, confound him!


Type:Event
👁 :
what happened in today history in november 11
Catagory: History
Author:
Posted Date:11/11/2024
Posted By:utopia online

1999 House of Lords Act 1999 passed The act removed the right to a place in the House of Lords based on peerage and hereditary rights. *** 1975 Angola independence Angola gained its independence after over 300 years of Portuguese rule. *** 1965 Rhodesia declares its independence Rhodesia, a region that is comprised of present day Zimbabwe declared its freedom from the United Kingdom under the leadership of predominantly white leaders. It lasted for 14 years when it was renamed the Republic of Zimbabwe after being recognized by the UN and the UK. *** 1926 Approval of numbered highways in the US Under this system odd numbered highways run north to south while even numbered highways run east to west. Lower odd numbers are in the west, and higher odd number are in the east. Lower even numbers are in the south, and higher even numbers are in the north. *** 1918 World War I ends An armistice was signed to formally end the war. With 17 million casualties, the First World War was one of the bloodiest conflicts in history. *** Births On This Day, November 11 1974 Leonardo DiCaprio American actor, producer *** 1945 Daniel Ortega Nicaraguan politician, President of Nicaragua *** 1922 Kurt Vonnegut American author *** 1885 George S. Patton American general *** 1821 Fyodor Dostoyevsky Russian author **** Deaths On This Day, November 11 Palestinian engineer, politician *** 1938 Typhoid Mary Irish/American carrier of Typhoid fever *** 1887 Haymarket affair 1880 Ned Kelly Australian murderer **** 1855 Søren Kierkegaard Danish philosopher, author


Type:Education

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